Railroad Earth - Seven Story Mountain

E| | | The second measure has a lot of variation, most between the hammer-ons . Mess with it and make it yours. Verse: Note: Don't play the 1st string for the D chord, keep it muted. The exception is at the end of a vocal line, I play the F# a beat to keep the rhythm interesting. Oh Lord to hear a voice But let it fade and wallow Sometimes it's hard to let it go Oh Lord to find the words But keep them in and swallow One day the top is gonna blow But the road that left me here Has begu (azchords.com)

http://www.railroadearth.com/rre/home_page.do Seven Story Mountain Notes: I DIG THIS TUNE. The 4/4 is slow. This tune is in D. I?m using no capo and in D, as the haunting perfect fith works well in first position D, although I don?t know the lead is playing capo?d or not. I will take care of soloing with a few Also, my instincts really want to play a G, or something ?G-ish? within the first two of the verse. I think the Bassist is tricking our ear. Seems we should keep it on D. drums and au (guitaretab.com)

e| | | The second measure has a lot of variation, most between the hammer-ons . Mess with it and make it yours. Verse: Note: Don't play the 1st string for the D chord, keep it muted. The exception is at the end of a vocal line, I play the F# a beat to keep the rhythm interesting. Oh Lord to hear a voice But let it fade and wallow Sometimes it's hard to let it go Oh Lord to find the words But keep them in and swallow One day the top is gonna blow But the road that left me here Has begu (guitartabs.cc)

E| | | The second measure has a lot of variation, most between the hammer-ons . Mess with it and make it yours. Verse: Note: Don't play the 1st string for the D chord, keep it muted. The exception is at the end of a vocal line, I play the F# a beat to keep the rhythm interesting. Oh Lord to hear a voice But let it fade and wallow Sometimes it's hard to let it go Oh Lord to find the words But keep them in and swallow One day the top is gonna blow But the road that left me here Has begu (guitaretab.com)

Notes: I DIG THIS TUNE. The 4/4 is slow. This tune is in D. Iâ??m using no capo and in D, as the haunting perfect fith works well in first position D, although I donâ??t know the lead is playing capoâ??d or not. I will take care of soloing with a few Also, my instincts really want to play a G, or something â??G-ishâ?? within the first two of the verse. I think the Bassist is tricking our ear. Seems we should keep it on D. drums and auxiliary percussion are awesome for this tune Accents Mando (azchords.com)