Bauhaus - Stigmata martyr

Repeat patterns throughout song. Lyrics: In a crucifixion ecstasy Lying cross chequed in agony Stigmata bleed continuously Holes in head, hands, feet, and weep for me Stigmata, oh you sordid sight Stigmata in your splintered plight Look into your crimson orifice In holy remembrance In scarlet bliss In nomine patri et filii et spiriti sanctum In nomine patri et filii et spiriti sanctum In nomine patri et filii et spiriti sanctum In nomine patri et filii et spiriti sanctum Father, son, and h (guitaretab.com)

Stigmata Martyr Bauhaus {sot #----------------------------------PLEASE&nbsp;NOTE---------------------------------#<br/> #This&nbsp;file&nbsp;is&nbsp;the&nbsp;author's&nbsp;own&nbsp;work&nbsp;and&nbsp;represents&nbsp;their&nbsp;interpretation&nbsp;of&nbsp;the&nbsp;#<br/> #song.&nbsp;You&nbsp;may&nbsp;only&nbsp;use&nbsp;this&nbsp;file&nbsp;for&nbsp;private&nbsp;study,&nbsp;scholarship,& (chordiearchive.chordie.com)

the fretted notes are bent enough to sound slightly ominous and sickening. Use your own delicately-honed sensibilities to figure this out. after the intro, the guitar does something really simple, but cool: e-X-0-... B-X-0-... G-X-0-... D-X-0-... A-X-0-... E-X-0-... make sure that the open strings are not allowed to ring for very long at all. Not quite staccato, but just a short fuzzy bark. After you do that a couple times, the guitar plays the chords that the bass roots imply: If you d (chordiearchive.chordie.com)

Stigmata Martyr Bauhaus {sot #------------------------------------------------------------------------------# # This is "Stigmata Martyr." Fret numbers enclosed in pipes (i.e. |4|) mean to play the natural harmonics above that fret (or in the case of |2 3/4| that fraction past the indicated fret. If you can't figure it out, e-mail me and I'll try to explain to you. (distorted electric guitar) e------------------------------------------------ B------------------------------------ (chordiearchive.chordie.com)

the fretted notes are bent enough to sound slightly ominous and sickening. Use your own delicately-honed sensibilities to figure this out. after the intro, the guitar does something really simple, but cool: e-X-0-... B-X-0-... G-X-0-... D-X-0-... A-X-0-... E-X-0-... make sure that the open strings are not allowed to ring for very long at all. Not quite staccato, but just a short fuzzy bark. After you do that a couple times, the guitar plays the chords that the bass roots imply: If you d (guitaretab.com)

the fretted notes are bent enough to sound slightly ominous and sickening. Use your own delicately-honed sensibilities to figure this out. after the intro, the guitar does something really simple, but cool: e-X-0-... B-X-0-... G-X-0-... D-X-0-... A-X-0-... E-X-0-... make sure that the open strings are not allowed to ring for very long at all. Not quite staccato, but just a short fuzzy bark. After you do that a couple times, the guitar plays the chords that the bass roots imply: If you d (tabfu.thudspace.net)

the fretted notes are bent enough to sound slightly ominous and sickening. Use your own delicately-honed sensibilities to figure this out. after the intro, the guitar does something really simple, but cool: e-X-0-... B-X-0-... G-X-0-... D-X-0-... A-X-0-... E-X-0-... make sure that the open strings are not allowed to ring for very long at all. Not quite staccato, but just a short fuzzy bark. After you do that a couple times, the guitar plays the chords that the bass roots imply: If you d (xguitar.com)

Repeat patterns throughout song. Lyrics: In a crucifixion ecstasy Lying cross chequed in agony Stigmata bleed continuously Holes in head, hands, feet, and weep for me Stigmata, oh you sordid sight Stigmata in your splintered plight Look into your crimson orifice In holy remembrance In scarlet bliss In nomine patri et filii et spiriti sanctum In nomine patri et filii et spiriti sanctum In nomine patri et filii et spiriti sanctum In nomine patri et filii et spiriti sanctum Father, son, and h (guitartabs.cc)

the fretted notes are bent enough to sound slightly ominous and sickening. Use your own delicately-honed sensibilities to figure this out. after the intro, the guitar does something really simple, but cool: e-X-0-... B-X-0-... G-X-0-... D-X-0-... A-X-0-... E-X-0-... make sure that the open strings are not allowed to ring for very long at all. Not quite staccato, but just a short fuzzy bark. After you do that a couple times, the guitar plays the chords that the bass roots imply: If you d (azchords.com)

the fretted notes are bent enough to sound slightly ominous and sickening. Use your own delicately-honed sensibilities to figure this out. after the intro, the guitar does something really simple, but cool: e-X-0-... B-X-0-... G-X-0-... D-X-0-... A-X-0-... E-X-0-... make sure that the open strings are not allowed to ring for very long at all. Not quite staccato, but just a short fuzzy bark. After you do that a couple times, the guitar plays the chords that the bass roots imply: If you d (azchords.com)