Love at the Five and Dime Kathy Mattea

 
 





 
 Article: 3223 of rec.music.makers.guitar.acoustic<br/>
 Xref: undergrad.math.uwaterloo.ca alt.guitar.tab:21733 rec.music.makers.guitar.tablature:14850 rec.music.folk:24940 rec.music.makers.guitar.acoustic:3223<br/>
 Path: undergrad.math.uwaterloo.ca!watserv2.uwaterloo.ca!torn!howland.reston.ans.net!agate!darkstar.UCSC.EDU!ucscb.UCSC.EDU!indigo<br/>
 
 Newsgroups: alt.guitar.tab,rec.music.makers.guitar.tablature,rec.music.folk,rec.music.makers.guitar.acoustic<br/>
 Subject: TAB: "Love at the Five and Dime" (Nanci Griffith)<br/>
 Date: 16 Mar 1994 07:55:29 GMT<br/>
 Organization: University of California, Santa Cruz<br/>
 Lines: 96<br/>
 Message-ID: <br/>
 NNTP-Posting-Host: ucscb.ucsc.edu<br/>
 X-Newsreader: NN version 6.5.0 #3 (NOV)<br/>
 <br/>
 <br/>
 I finally figured this out right...the version I've been sending out for the<br/>
 past couple years was really lame.  Sorry.<br/>
 <br/>
 I was only able to properly figure this out by recording it on a Macintosh<br/>
 and then slowing it down to half-speed with SoundEdit!  'Twas a royal PAIN,<br/>
 so I hope everyone appreciates it. :)<br/>
 <br/>
 By the way, this is transcribed from _One_Fair_Summer_Evening_.  I don't<br/>
 know if the studio version is any different...<br/>
 <br/>
 Adam<br/>
 <br/>
 <br/>
 <br/>
 LOVE AT THE FIVE AND DIME (Nanci Griffith)<br/>
 ------------------------------------------<br/>
 [Open G tuning (DGDGBD).  Capo 3.]<br/>
 [For the verses, see the tab at the end.  For the chorus, I'm not sure<br/>
  exactly how to finger the chords.  I think it might be like this:<br/>
  G=000000, Am7=x22012, Am7(4)=x20012.]<br/>
  <br/>
 G                          Gsus2<br/>
    Rita was sixteen years, hazel eyes and chestnut hair<br/>
 C/G                                            G<br/>
    She really made the Woolworth counter shine<br/>
 G                             Gsus2                   <br/>
    Eddie was a sweet romancer, and a darn good dancer<br/>
 C                                               G<br/>
    They'd waltz the aisles of the five and dime<br/>
  <br/>
 Eddie played the steel guitar, and his mama cried cuz he played in the bars<br/>
 And kept young Rita out late at night<br/>
 So they married up in Abilene, lost a child in Tennessee<br/>
 Still that love survived, 'cause they'd sing<br/>
 <br/>
 G                              Am7<br/>
    Dance a little closer to me, dance a little closer now<br/>
 G                            Am7(4)<br/>
    Dance a little closer tonight<br/>
 G                              Am7<br/>
    Dance a little closer to me, 'cause it's closing time<br/>
         Am7(4)                                  G<br/>
    And love's on sale tonight at this five and dime<br/>
  <br/>
 One of the boys in Eddie's band took a shine to Rita's hands<br/>
 So Eddie ran off with the bass man's wife<br/>
 Oh but he was back by June, singin' a different tune<br/>
 And sportin' miss Rita back by is side.  And he sang...<br/>
 <br/>
 Dance a little closer to me, dance a little closer now<br/>
 Dance a little closer tonight<br/>
 Dance a little closer to me, 'cause it's closing time<br/>
 And love's on sale tonight at this five and dime<br/>
  <br/>
 Eddie traveled with the barroom bands till arthritis took his hands<br/>
 Now he sells insurance on the side<br/>
 Rita's got a house to keep, dimestore novels and a love so sweet<br/>
 They dance to the radio late at night.  And they sing:<br/>
 <br/>
 Dance a little closer to me, dance a little closer now<br/>
 Dance a little closer tonight<br/>
 Dance a little closer to me, hey it's closing time<br/>
 And love's on sale tonight at this five and dime<br/>
 <br/>
 Rita was sixteen years, hazel eyes and chestnut hair<br/>
 She really made the Woolworth counter shine<br/>
 Eddie was a sweet romancer, and a darn good dancer<br/>
 And they'd waltz the aisles of the five and dime...<br/>
 <br/>
 <br/>
 <br/>
 TAB:<br/>
 <br/>
 [Don't forget to tune your guitar to open G.]<br/>
 [The 12 on the middle D string at the end of the sixth measure is<br/>
  optional; sometimes she plays it, sometimes she doesn't.]<br/>
 <br/>
   G                              Gsus2<br/>
 D ----------------|----------------|--------------12|----------------|<br/>
 B ------12------12|------12--------|--10------10----|----------------|<br/>
 G ----0-------0---|----0-------0---|----0-------0---|----0-------0---|<br/>
 D --9-------9-----|--9-------9---12|------12--------|----------------|<br/>
 G 0-------0-------|0-------0-------|0-------0-------|0-------0-------|<br/>
 D ----------------|----------------|----------------|----------------|<br/>
   ^ . ^ . ^ . ^ .  ^ . ^ . ^ . ^ .  ^ . ^ . ^ . ^ .  ^ . ^ . ^ . ^ .  <br/>
  <br/>
   C/G                            G<br/>
 D ----------------|----------------|--------------12|----------------|<br/>
 B ------8-------10|------8---------|----------0-----|----------------|<br/>
 G --9-------9-----|--9-------9-----|----0-------0---|----0-------0---|<br/>
 D ----10------10--|----10--------12|----------------|----------------|<br/>
 G 0-------0-------|0-------0---0---|0-------0-------|0-------0-------|<br/>
 D ----------------|----------------|----------------|----------------|<br/>
   ^ . ^ . ^ . ^ .  ^ . ^ . ^ . ^ .  ^ . ^ . ^ . ^ .  ^ . ^ . ^ . ^ .  <br/>
 <br/>
 <br/>
 <br/>
 
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Love at the Five and Dime

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{t:Love at the Five and Dime}
 {st:Kathy Mattea}
 {sot}
 
 #----------------------------------PLEASE&nbsp;NOTE---------------------------------# 
 #This&nbsp;file&nbsp;is&nbsp;the&nbsp;author's&nbsp;own&nbsp;work&nbsp;and&nbsp;represents&nbsp;their&nbsp;interpretation&nbsp;of&nbsp;the&nbsp;# 
 #song.&nbsp;You&nbsp;may&nbsp;only&nbsp;use&nbsp;this&nbsp;file&nbsp;for&nbsp;private&nbsp;study,&nbsp;scholarship,&nbsp;or&nbsp;research.&nbsp;# 
 #------------------------------------------------------------------------------# 
 # 
 
 Article:&nbsp;3223&nbsp;of&nbsp;rec.music.makers.guitar.acoustic 
 Xref:&nbsp;undergrad.math.uwaterloo.ca&nbsp;alt.guitar.tab:21733&nbsp;rec.music.makers.guitar.tablature:14850&nbsp;rec.music.folk:24940&nbsp;rec.music.makers.guitar.acoustic:3223 
 Path:&nbsp;undergrad.math.uwaterloo.ca!watserv2.uwaterloo.ca!torn!howland.reston.ans.net!agate!darkstar.UCSC.EDU!ucscb.UCSC.EDU!indigo 
 
 Newsgroups:&nbsp;alt.guitar.tab,rec.music.makers.guitar.tablature,rec.music.folk,rec.music.makers.guitar.acoustic 
 Subject:&nbsp;TAB:&nbsp;"Love&nbsp;at&nbsp;the&nbsp;Five&nbsp;and&nbsp;Dime"&nbsp;(Nanci&nbsp;Griffith) 
 Date:&nbsp;16&nbsp;Mar&nbsp;1994&nbsp;07:55:29&nbsp;GMT 
 Organization:&nbsp;University&nbsp;of&nbsp;California,&nbsp;Santa&nbsp;Cruz 
 Lines:&nbsp;96 
 Message-ID:&nbsp; 
 NNTP-Posting-Host:&nbsp;ucscb.ucsc.edu 
 X-Newsreader:&nbsp;NN&nbsp;version&nbsp;6.5.0&nbsp;#3&nbsp;(NOV) 
 
 
 I&nbsp;finally&nbsp;figured&nbsp;this&nbsp;out&nbsp;right...the&nbsp;version&nbsp;I've&nbsp;been&nbsp;sending&nbsp;out&nbsp;for&nbsp;the 
 past&nbsp;couple&nbsp;years&nbsp;was&nbsp;really&nbsp;lame.&nbsp;&nbsp;Sorry. 
 
 I&nbsp;was&nbsp;only&nbsp;able&nbsp;to&nbsp;properly&nbsp;figure&nbsp;this&nbsp;out&nbsp;by&nbsp;recording&nbsp;it&nbsp;on&nbsp;a&nbsp;Macintosh 
 and&nbsp;then&nbsp;slowing&nbsp;it&nbsp;down&nbsp;to&nbsp;half-speed&nbsp;with&nbsp;SoundEdit!&nbsp;&nbsp;'Twas&nbsp;a&nbsp;royal&nbsp;PAIN, 
 so&nbsp;I&nbsp;hope&nbsp;everyone&nbsp;appreciates&nbsp;it.&nbsp;:) 
 
 By&nbsp;the&nbsp;way,&nbsp;this&nbsp;is&nbsp;transcribed&nbsp;from&nbsp;_One_Fair_Summer_Evening_.&nbsp;&nbsp;I&nbsp;don't 
 know&nbsp;if&nbsp;the&nbsp;studio&nbsp;version&nbsp;is&nbsp;any&nbsp;different... 
 
 Adam 
 
 
 
 LOVE&nbsp;AT&nbsp;THE&nbsp;FIVE&nbsp;AND&nbsp;DIME&nbsp;(Nanci&nbsp;Griffith) 
 ------------------------------------------ 
 [Open&nbsp;G&nbsp;tuning&nbsp;(DGDGBD).&nbsp;&nbsp;Capo&nbsp;3.] 
 [For&nbsp;the&nbsp;verses,&nbsp;see&nbsp;the&nbsp;tab&nbsp;at&nbsp;the&nbsp;end.&nbsp;&nbsp;For&nbsp;the&nbsp;chorus,&nbsp;I'm&nbsp;not&nbsp;sure 
 &nbsp;exactly&nbsp;how&nbsp;to&nbsp;finger&nbsp;the&nbsp;chords.&nbsp;&nbsp;I&nbsp;think&nbsp;it&nbsp;might&nbsp;be&nbsp;like&nbsp;this: 
 &nbsp;G=000000,&nbsp;Am7=x22012,&nbsp;Am7(4)=x20012.] 
 &nbsp; 
 G&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Gsus2 
 &nbsp;&nbsp;&nbsp;Rita&nbsp;was&nbsp;sixteen&nbsp;years,&nbsp;hazel&nbsp;eyes&nbsp;and&nbsp;chestnut&nbsp;hair 
 C/G&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;G 
 &nbsp;&nbsp;&nbsp;She&nbsp;really&nbsp;made&nbsp;the&nbsp;Woolworth&nbsp;counter&nbsp;shine 
 G&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Gsus2&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 
 &nbsp;&nbsp;&nbsp;Eddie&nbsp;was&nbsp;a&nbsp;sweet&nbsp;romancer,&nbsp;and&nbsp;a&nbsp;darn&nbsp;good&nbsp;dancer 
 C&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;G 
 &nbsp;&nbsp;&nbsp;They'd&nbsp;waltz&nbsp;the&nbsp;aisles&nbsp;of&nbsp;the&nbsp;five&nbsp;and&nbsp;dime 
 &nbsp; 
 Eddie&nbsp;played&nbsp;the&nbsp;steel&nbsp;guitar,&nbsp;and&nbsp;his&nbsp;mama&nbsp;cried&nbsp;cuz&nbsp;he&nbsp;played&nbsp;in&nbsp;the&nbsp;bars 
 And&nbsp;kept&nbsp;young&nbsp;Rita&nbsp;out&nbsp;late&nbsp;at&nbsp;night 
 So&nbsp;they&nbsp;married&nbsp;up&nbsp;in&nbsp;Abilene,&nbsp;lost&nbsp;a&nbsp;child&nbsp;in&nbsp;Tennessee 
 Still&nbsp;that&nbsp;love&nbsp;survived,&nbsp;'cause&nbsp;they'd&nbsp;sing 
 
 G&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Am7 
 &nbsp;&nbsp;&nbsp;Dance&nbsp;a&nbsp;little&nbsp;closer&nbsp;to&nbsp;me,&nbsp;dance&nbsp;a&nbsp;little&nbsp;closer&nbsp;now 
 G&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Am7(4) 
 &nbsp;&nbsp;&nbsp;Dance&nbsp;a&nbsp;little&nbsp;closer&nbsp;tonight 
 G&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Am7 
 &nbsp;&nbsp;&nbsp;Dance&nbsp;a&nbsp;little&nbsp;closer&nbsp;to&nbsp;me,&nbsp;'cause&nbsp;it's&nbsp;closing&nbsp;time 
 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Am7(4)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;G 
 &nbsp;&nbsp;&nbsp;And&nbsp;love's&nbsp;on&nbsp;sale&nbsp;tonight&nbsp;at&nbsp;this&nbsp;five&nbsp;and&nbsp;dime 
 &nbsp; 
 One&nbsp;of&nbsp;the&nbsp;boys&nbsp;in&nbsp;Eddie's&nbsp;band&nbsp;took&nbsp;a&nbsp;shine&nbsp;to&nbsp;Rita's&nbsp;hands 
 So&nbsp;Eddie&nbsp;ran&nbsp;off&nbsp;with&nbsp;the&nbsp;bass&nbsp;man's&nbsp;wife 
 Oh&nbsp;but&nbsp;he&nbsp;was&nbsp;back&nbsp;by&nbsp;June,&nbsp;singin'&nbsp;a&nbsp;different&nbsp;tune 
 And&nbsp;sportin'&nbsp;miss&nbsp;Rita&nbsp;back&nbsp;by&nbsp;is&nbsp;side.&nbsp;&nbsp;And&nbsp;he&nbsp;sang... 
 
 Dance&nbsp;a&nbsp;little&nbsp;closer&nbsp;to&nbsp;me,&nbsp;dance&nbsp;a&nbsp;little&nbsp;closer&nbsp;now 
 Dance&nbsp;a&nbsp;little&nbsp;closer&nbsp;tonight 
 Dance&nbsp;a&nbsp;little&nbsp;closer&nbsp;to&nbsp;me,&nbsp;'cause&nbsp;it's&nbsp;closing&nbsp;time 
 And&nbsp;love's&nbsp;on&nbsp;sale&nbsp;tonight&nbsp;at&nbsp;this&nbsp;five&nbsp;and&nbsp;dime 
 &nbsp; 
 Eddie&nbsp;traveled&nbsp;with&nbsp;the&nbsp;barroom&nbsp;bands&nbsp;till&nbsp;arthritis&nbsp;took&nbsp;his&nbsp;hands 
 Now&nbsp;he&nbsp;sells&nbsp;insurance&nbsp;on&nbsp;the&nbsp;side 
 Rita's&nbsp;got&nbsp;a&nbsp;house&nbsp;to&nbsp;keep,&nbsp;dimestore&nbsp;novels&nbsp;and&nbsp;a&nbsp;love&nbsp;so&nbsp;sweet 
 They&nbsp;dance&nbsp;to&nbsp;the&nbsp;radio&nbsp;late&nbsp;at&nbsp;night.&nbsp;&nbsp;And&nbsp;they&nbsp;sing: 
 
 Dance&nbsp;a&nbsp;little&nbsp;closer&nbsp;to&nbsp;me,&nbsp;dance&nbsp;a&nbsp;little&nbsp;closer&nbsp;now 
 Dance&nbsp;a&nbsp;little&nbsp;closer&nbsp;tonight 
 Dance&nbsp;a&nbsp;little&nbsp;closer&nbsp;to&nbsp;me,&nbsp;hey&nbsp;it's&nbsp;closing&nbsp;time 
 And&nbsp;love's&nbsp;on&nbsp;sale&nbsp;tonight&nbsp;at&nbsp;this&nbsp;five&nbsp;and&nbsp;dime 
 
 Rita&nbsp;was&nbsp;sixteen&nbsp;years,&nbsp;hazel&nbsp;eyes&nbsp;and&nbsp;chestnut&nbsp;hair 
 She&nbsp;really&nbsp;made&nbsp;the&nbsp;Woolworth&nbsp;counter&nbsp;shine 
 Eddie&nbsp;was&nbsp;a&nbsp;sweet&nbsp;romancer,&nbsp;and&nbsp;a&nbsp;darn&nbsp;good&nbsp;dancer 
 And&nbsp;they'd&nbsp;waltz&nbsp;the&nbsp;aisles&nbsp;of&nbsp;the&nbsp;five&nbsp;and&nbsp;dime... 
 
 
 
 TAB: 
 
 [Don't&nbsp;forget&nbsp;to&nbsp;tune&nbsp;your&nbsp;guitar&nbsp;to&nbsp;open&nbsp;G.] 
 [The&nbsp;12&nbsp;on&nbsp;the&nbsp;middle&nbsp;D&nbsp;string&nbsp;at&nbsp;the&nbsp;end&nbsp;of&nbsp;the&nbsp;sixth&nbsp;measure&nbsp;is 
 &nbsp;optional;&nbsp;sometimes&nbsp;she&nbsp;plays&nbsp;it,&nbsp;sometimes&nbsp;she&nbsp;doesn't.] 
 
 &nbsp;&nbsp;G&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Gsus2 
 D&nbsp;----------------|----------------|--------------12|----------------| 
 B&nbsp;------12------12|------12--------|--10------10----|----------------| 
 G&nbsp;----0-------0---|----0-------0---|----0-------0---|----0-------0---| 
 D&nbsp;--9-------9-----|--9-------9---12|------12--------|----------------| 
 G&nbsp;0-------0-------|0-------0-------|0-------0-------|0-------0-------| 
 D&nbsp;----------------|----------------|----------------|----------------| 
 &nbsp;&nbsp;^&nbsp;.&nbsp;^&nbsp;.&nbsp;^&nbsp;.&nbsp;^&nbsp;.&nbsp;&nbsp;^&nbsp;.&nbsp;^&nbsp;.&nbsp;^&nbsp;.&nbsp;^&nbsp;.&nbsp;&nbsp;^&nbsp;.&nbsp;^&nbsp;.&nbsp;^&nbsp;.&nbsp;^&nbsp;.&nbsp;&nbsp;^&nbsp;.&nbsp;^&nbsp;.&nbsp;^&nbsp;.&nbsp;^&nbsp;.&nbsp;&nbsp; 
 &nbsp; 
 &nbsp;&nbsp;C/G&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;G 
 D&nbsp;----------------|----------------|--------------12|----------------| 
 B&nbsp;------8-------10|------8---------|----------0-----|----------------| 
 G&nbsp;--9-------9-----|--9-------9-----|----0-------0---|----0-------0---| 
 D&nbsp;----10------10--|----10--------12|----------------|----------------| 
 G&nbsp;0-------0-------|0-------0---0---|0-------0-------|0-------0-------| 
 D&nbsp;----------------|----------------|----------------|----------------| 
 &nbsp;&nbsp;^&nbsp;.&nbsp;^&nbsp;.&nbsp;^&nbsp;.&nbsp;^&nbsp;.&nbsp;&nbsp;^&nbsp;.&nbsp;^&nbsp;.&nbsp;^&nbsp;.&nbsp;^&nbsp;.&nbsp;&nbsp;^&nbsp;.&nbsp;^&nbsp;.&nbsp;^&nbsp;.&nbsp;^&nbsp;.&nbsp;&nbsp;^&nbsp;.&nbsp;^&nbsp;.&nbsp;^&nbsp;.&nbsp;^&nbsp;.&nbsp;&nbsp; 
 
 
 
 
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Love at the Five and Dime Kathy Mattea

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