

| A | D | A | D | A | D | A | |
| Good m | orning, good | morning, good | morning, good | morning, good | morning ah |
| A | A7 | G | A | |
| Nothing to | do to | save his life call his wife | in |
| A | A7 | G | A | |
| Nothing to | say but " | What a Day, how's your boy | been?" |
| D | E | |
| Nothing to do, its up to | you |
| A | A7 | G | |
| I've got | nothing to | say but | its okay |
| A | D | A | |
| Good | Morning, good | morning, good | morning ah |
| A | A7 | G | A | |
| Going to | work, don't | want to go feeling low | down |
| A | A7 | G | A | D | A | |
| Heading for | home you | start to roam when you're in | town |
| D | A | |
| Everybody kn | ows there's nothing do | ing |
| D | A | |
| Everything's cl | osed, it's like a r | uin |
| D | A | |
| Everyone you s | ee is half as | leep |
| D | A | |
| And you're on your | own you're in the st | reet |
| A | A7 | G | A | |
| After a | while you | start to smile, now you feel c | ool |
| A | A7 | G | A | |
| Then you de | cide to | take a walk by the old sc | hool |
| D | E | |
| Nothing had changed it's still the s | ame |
| A | A7 | G | |
| I've got | nothing to | say but | it's okay |
| A | D | A | |
| Good | morning, good | morning, good | morning ah |
| (solo) |
| A | A7 | G | A | A | A7 | G | A | D | A | D | A | |
| People running | round it's five o' | clock |
| D | A | |
| Everywhere in | town is getting | dark |
| D | A | |
| Everyone you | see is full of l | ife |
| D | A | |
| It's time for | tea and meet the w | ife |
| A | A7 | G | A | |
| Somebody n | eeds to kn | ow the time, glad that I'm h | ere |
| A | A7 | G | A | |
| Watching the sk | irts you st | art to flirt, now you're in g | ear |
| D | E | |
| Go to a show you hope she g | oes |
| A | A7 | G | |
| I've got not | hing to s | ay, but i | t's okay |
| A | D | A | D | |
| Good mo | rning, good mo | rning, go | od |
| A | D | A | D | |
| Good mo | rning, good mo | rning, go | od.. | . |
| transcribed by Chris Sears |
| cts@mail.utexas.edu |