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| | C | G | C | G | C |
| A | nd he'll t | ell her | he's work | ing late ag | ain |
| | G | C | G | C |
| | But she knows too well there's som | ething goin' o | n | |
| | G | C | G | C |
| She's been neg | lected | and she n | eeds a fri | end |
| | G | C | G | C | G | C | G | C |
| So a tre | mblin finger d | ials the tele | phone | Lord it h | urts h | er d | oing this a | gain |
| | G | C | G | C | G | C |
| He's the b | est friend that her hus | band ever k | new | When she's l | on | ely |
| | G | C | G | C | G | C |
| He's m | ore then just a fr | iend He's the o | ne she longs to g | ive her body | to | |
| | G | Em | C | Em | C | G |
| Daytime fr | iends and n | ight time l | overs hoping | no one else dis | covers where they g | o |
| | Em | Am | D | D7 |
| what they | do in their s | ecret hide aw | ay | |