Stranger Tim Christensen

_____________________

/ Tim Christensen / standard tuning

/ Stranger / capo on 2nd fret

/ Secrets on Parade / key: F# minor

/____________________/ time: 6/8

The intro-figure exemplifies the picking pattern pretty well. So when chords are

notated just once in the bars, follow that pattern, unless the bar is specified.

 
 +------------------------------------------------------------------------------+

Intro:

F#m 4x

 
 ||---------------------------||
 ||o-------------------------o||
 ||--------4-----4-----4------||
 ||--4h5---5-----5-----5------||
 ||o-7---7-7-7---7---7-7-7-7-o||
 ||--0---0---0---0---0---0-0--||

1st Verse:

F#m F#m7 Bm/D Bm/D 2x

 
 ||--------------------------|---------|---------|----------||
 ||o-------------------------|---------|---------|---------o||
 ||--------4-----4-----4-----|-7-------|-9-------|-9--------||
 ||--4h5---5-----5-----5-----|-5-------|-7-------|-7--------||
 ||o-7---7-7-7---7---7-7-7-7-|-7-------|-x-------|-x-------o||
 ||--0---0---0-------0---0-0-|-0-------|-8-------|-8--------||

G#ø/B F#m/C# C#5 F#m F#m6 F#m(#5) G#ø/B F#m/C# C#5

 
 |---------|-------------|-----------|---------|---------|-------------|
 |---------|-------------|-----------|---------|---------|-------------|
 |-5-------|-4-----4-----|-4----6----|-5-------|-5-------|-4-----4-----|
 |-4-------|-5-----4-----|-5----5----|-5-------|-4-------|-5-----4-----|
 |-0-------|-x-----x-----|-7----7----|-7-------|-0-------|-x-----x-----|
 |---------|-7-----7-----|-0----0----|-0-------|---------|-7-----7-----|

F#m 2x

 
 ||---------------------------||
 ||o-------------------------o||
 ||--4-----4-----------4------||
 ||--5-----5-----4h5---5------||
 ||o-7---7-7-7-7-7---7-7-7-7-o||
 ||--0---0---0-0-----0---0-0--||

Interlude: (band enters)

[F#m]

 
 |-0^----------------------|-------------------------|
 |-0^----------------------|-------------------------|
 |-4^----4-----------4-----|-------4-----------4-----|
 |-5^----5-----4h5---5-----|-4h5---5-----4h5---5-----|
 |-7^--7-7-7-7-7---7-7-7-7-|-7---7-7-7-7-7---7-7-7-7-|
 |-0^--0---0-0-----0---0-0-|-0---0---0-0-----0---0-0-|

2nd Verse:

similar to 1st Verse, except for...

...this fill in the second ...and the last line:

bar of Bm/D, both times...

[Bm/D] [F#m] [F#m] [E9]

 
 |-------------------------| |-0-------|-0----0----|
 |-------------------------| |-0-------|-0----3----|
 |-7h9---9-----9---9-------| |-0-------|-0----5----|
 |-7-----7-----7---7-------| |-2-------|-2----4----|
 |-x-----x-----x---x-------| |-2-------|-2----5----|
 |-8---8-8-8---8---8---8---| |-0-------|-0---------|

Bridge:

A7sus4 A7 A7sus4 A7 Dmaj7 Dmaj7 2x

 
 ||--3-----3-----|-3-----3-----|-0-------|-0--------||
 ||o-3-----3-----|-3-----3-----|-0-------|-0-------o||
 ||--5-----4-----|-5-----4-----|-0-------|-0--------||
 ||--3-----3-----|-3-----3-----|-2-------|-2--------||
 ||o-5-----5-----|-5-----5-----|-3-------|-3-------o||
 ||--3-----3-----|-3-----3-----|-3-------|-3--------||

[Bm7] [C#7] [F#m] [E] [B/D#]

 
 |-0-------|-2-------|-0----2----|-0-------|
 |-1-------|-0-------|-0----3----|-2-------|
 |-0-------|-2-------|-0----2----|-2-------|
 |-2-------|-1-------|-2----0----|-2-------|
 |-0-------|-2-------|-2---------|-4-------|
 |---------|---------|-0---------|---------|

[Dsus2#11] [D(add2)] [D(add2)] [C#7] [C#7(#5)]

 
 |-2------0-----|-0-------|-2-----2---2-2-----2---2-|-3^------|
 |-3------3-----|-3-------|-0-----0---0-0-----0---0-|-0^------|
 |-0------0-----|-0-------|-2-----2---2-2-----2---2-|-2^------|
 |-x------x-----|-x-------|-1-----1---1-1-----1---1-|-1^------|
 |-3------3-----|-3-------|-2-----2---2-2-----2---2-|-2^------|
 |--------------|---------|-------------------------|---------|

3rd Verse:

similar to 1st Verse.

Guitar Solo/4th Verse:

similar to 2nd Verse, but add this wonderful fill in the second bar of Bm/D:

*Bm/D

 
 |-------------------------|
 |-8-7---7-----------------|
 |-7---9-7-----9---9-9-----|
 |-7---7-7-----7---7-7-----|
 |-x-----------x---x-x-----|
 |-8-------8-8-8---8-8-8---|

********************************************************************************

Electric guitar part (no capo)

[F#m] [F#m7]

 
 ---||-------------------------|-------------------------|
 ---||---.---------------------|-------------------------| . = staccato
 ---||-4b6--4b6-2~~------------|-------------4b6---------|
 -4-||-------------------------|-----------4-------------|
 ---||-------------------------|-------------------------|
 ---||-------------------------|-------------------------|

Bm/D *Bm/D

 
 |-------------------------|-------------------------|
 |----.--------------------|----------------------.--|
 |(6)b7-4b6~--r4p2-4~~-----|------------------2-4b6--|
 |-------------------------|-------------------------|
 |-------------------------|-------------------------|
 |-------------------------|-------------------------|

[F#m] [F#m7]

 
 |-2-----------------------|-------------------------|
 |---5---------------------|---------------10p9------|
 |-----4b6~----------(6)r4-|----------9h11------9/11-|
 |-------------------------|------/11----------------|
 |-------------------------|-------------------------|
 |-------------------------|-------------------------|

[Bm/D] [Bm/D]

 
 |-------------------------|-----------------------------|
 |-10p9--------------------|-----------------------------|
 |------9/11---------------|(11)\-------16pb18---r16p14--|
 |-------------------------|---------------------------16|
 |-------------------------|-----------------------------|
 |-------------------------|-----------------------------|

G#ø/B F#m/C# C#5

 
 |-------------------------|------------------------------|
 |-------------------------|-14h15------------------------|
 |-14h16~~-----------14-16-|-------16b18-14h16~~----------|
 |-------------------------|---------------------------16-|
 |-------------------------|------------------------------|
 |-------------------------|------------------------------|

[F#m] [F#m6] [F#m(#5)]

 
 |-------------------------------|---------------------------|
 |-17b19----r17p14---------------|----------------------5----|
 |----------------16b18----r16p14|-14h16~~---\------4h6---6\4|
 |-------------------------------|---------------------------|
 |-------------------------------|---------------------------|
 |-------------------------------|---------------------------|

G#ø/B F#m/C# C#5

 
 |-------------------------|-------------------------|
 |-----------------------5-|-------------------------|
 |-2h4~~----------2-4-4/6--|-6\4p2\1---------1h2p1---|
 |-------------------------|-----------------------4-|
 |-------------------------|-------------------------|
 |-------------------------|-------------------------|

[F#m] [F#m] [E9] [A7sus4]

 
 |-------------------------|-------------------------||--------|
 |-------------------------|-------------------------||--------|
 |-------------------------|-------------------------||--------|
 |-------------------------|-------------------------||--------|
 |-------9---\-------11---\|-------12----11~~--------||-12~~---|
 |-2---/-------2---/-------|-2---/-------------------||--------|

********************************************************************************

Bridge:

similar to previous

Outro:

G#ø(add4)/B C#5(addb9)

 
 |-------------------------|-------------------------|
 |-------------0-----------|-------------0-----------|
 |-------5---------5-------|-------5---------5-------|
 |-----4-----4---------4---|-----4-----4---------4---|
 |-0-----------------------|-------------------------|
 |-------------------------|-7-----------------------|

[F#m] [F#m6] [F#m(#5)]

 
 |-----------0-----------0-|-------------------------|
 |-------------------------|-------------------------|
 |---------4---6-------6---|-5-----------------------|
 |-------5-----------5-----|-------------------------|
 |-----7-----------7-------|-------------------------|
 |-0-----------------------|-------------------------|

"So I

G#ø(add4)/B C#(addb9) F#m

 
 |-------------------------|-------------------------|-0^---|
 |-------------0-----------|-------------0-------4---|-0^---|
 |-------5-----------------|-------5-----------------|-0^---|
 |-----4-----4-------------|-----4-----4-------------|-2^---|
 |-0-----------------------|-------------------------|-2^---|
 |-------------------------|-7-----------------------|-0^---|

call out your name."

 
 +------------------------------------------------------------------------------+

Jon Sebastian Frederiksen - 28th /January /12

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{t:Stranger}
 {st:Tim Christensen}
 
 _____________________
 / Tim Christensen / standard tuning
 / Stranger / capo on 2nd fret
 / Secrets on Parade / key: F# minor
 /____________________/ time: 6/8
 
 The intro-figure exemplifies the picking pattern pretty well. So when chords are
 notated just once in the bars, follow that pattern, unless the bar is specified.
 
 {sot}
 +------------------------------------------------------------------------------+
 {eot}
 
 Intro:
 F#m 4x
 
 {sot}
 ||---------------------------||
 ||o-------------------------o||
 ||--------4-----4-----4------||
 ||--4h5---5-----5-----5------||
 ||o-7---7-7-7---7---7-7-7-7-o||
 ||--0---0---0---0---0---0-0--||
 {eot}
 
 
 1st Verse:
 F#m F#m7 Bm/D Bm/D 2x
 
 {sot}
 ||--------------------------|---------|---------|----------||
 ||o-------------------------|---------|---------|---------o||
 ||--------4-----4-----4-----|-7-------|-9-------|-9--------||
 ||--4h5---5-----5-----5-----|-5-------|-7-------|-7--------||
 ||o-7---7-7-7---7---7-7-7-7-|-7-------|-x-------|-x-------o||
 ||--0---0---0-------0---0-0-|-0-------|-8-------|-8--------||
 {eot}
 
 G#ø/B F#m/C# C#5 F#m F#m6 F#m(#5) G#ø/B F#m/C# C#5
 
 {sot}
 |---------|-------------|-----------|---------|---------|-------------|
 |---------|-------------|-----------|---------|---------|-------------|
 |-5-------|-4-----4-----|-4----6----|-5-------|-5-------|-4-----4-----|
 |-4-------|-5-----4-----|-5----5----|-5-------|-4-------|-5-----4-----|
 |-0-------|-x-----x-----|-7----7----|-7-------|-0-------|-x-----x-----|
 |---------|-7-----7-----|-0----0----|-0-------|---------|-7-----7-----|
 {eot}
 
 F#m 2x
 
 {sot}
 ||---------------------------||
 ||o-------------------------o||
 ||--4-----4-----------4------||
 ||--5-----5-----4h5---5------||
 ||o-7---7-7-7-7-7---7-7-7-7-o||
 ||--0---0---0-0-----0---0-0--||
 {eot}
 
 
 Interlude: (band enters)
 [F#m] 
 {sot}
 |-0^----------------------|-------------------------|
 |-0^----------------------|-------------------------|
 |-4^----4-----------4-----|-------4-----------4-----|
 |-5^----5-----4h5---5-----|-4h5---5-----4h5---5-----|
 |-7^--7-7-7-7-7---7-7-7-7-|-7---7-7-7-7-7---7-7-7-7-|
 |-0^--0---0-0-----0---0-0-|-0---0---0-0-----0---0-0-|
 {eot}
 
 
 2nd Verse:
 similar to 1st Verse, except for...
 
 ...this fill in the second ...and the last line:
 bar of Bm/D, both times...
 [Bm/D] [F#m] [F#m] [E9] 
 {sot}
 |-------------------------| |-0-------|-0----0----|
 |-------------------------| |-0-------|-0----3----|
 |-7h9---9-----9---9-------| |-0-------|-0----5----|
 |-7-----7-----7---7-------| |-2-------|-2----4----|
 |-x-----x-----x---x-------| |-2-------|-2----5----|
 |-8---8-8-8---8---8---8---| |-0-------|-0---------|
 {eot}
 
 
 Bridge:
 A7sus4 A7 A7sus4 A7 Dmaj7 Dmaj7 2x
 
 {sot}
 ||--3-----3-----|-3-----3-----|-0-------|-0--------||
 ||o-3-----3-----|-3-----3-----|-0-------|-0-------o||
 ||--5-----4-----|-5-----4-----|-0-------|-0--------||
 ||--3-----3-----|-3-----3-----|-2-------|-2--------||
 ||o-5-----5-----|-5-----5-----|-3-------|-3-------o||
 ||--3-----3-----|-3-----3-----|-3-------|-3--------||
 {eot}
 
 [Bm7] [C#7] [F#m] [E] [B/D#] 
 {sot}
 |-0-------|-2-------|-0----2----|-0-------|
 |-1-------|-0-------|-0----3----|-2-------|
 |-0-------|-2-------|-0----2----|-2-------|
 |-2-------|-1-------|-2----0----|-2-------|
 |-0-------|-2-------|-2---------|-4-------|
 |---------|---------|-0---------|---------|
 {eot}
 
 [Dsus2#11] [D(add2)] [D(add2)] [C#7] [C#7(#5)] 
 {sot}
 |-2------0-----|-0-------|-2-----2---2-2-----2---2-|-3^------|
 |-3------3-----|-3-------|-0-----0---0-0-----0---0-|-0^------|
 |-0------0-----|-0-------|-2-----2---2-2-----2---2-|-2^------|
 |-x------x-----|-x-------|-1-----1---1-1-----1---1-|-1^------|
 |-3------3-----|-3-------|-2-----2---2-2-----2---2-|-2^------|
 |--------------|---------|-------------------------|---------|
 {eot}
 
 
 3rd Verse:
 similar to 1st Verse.
 
 
 Guitar Solo/4th Verse:
 similar to 2nd Verse, but add this wonderful fill in the second bar of Bm/D:
 
 *Bm/D
 
 {sot}
 |-------------------------|
 |-8-7---7-----------------|
 |-7---9-7-----9---9-9-----|
 |-7---7-7-----7---7-7-----|
 |-x-----------x---x-x-----|
 |-8-------8-8-8---8-8-8---|
 {eot}
 
 ********************************************************************************
 
 Electric guitar part (no capo)
 
 [F#m] [F#m7] 
 {sot}
 ---||-------------------------|-------------------------|
 ---||---.---------------------|-------------------------| . = staccato
 ---||-4b6--4b6-2~~------------|-------------4b6---------|
 -4-||-------------------------|-----------4-------------|
 ---||-------------------------|-------------------------|
 ---||-------------------------|-------------------------|
 {eot}
 
 Bm/D *Bm/D
 
 {sot}
 |-------------------------|-------------------------|
 |----.--------------------|----------------------.--|
 |(6)b7-4b6~--r4p2-4~~-----|------------------2-4b6--|
 |-------------------------|-------------------------|
 |-------------------------|-------------------------|
 |-------------------------|-------------------------|
 {eot}
 
 [F#m] [F#m7] 
 {sot}
 |-2-----------------------|-------------------------|
 |---5---------------------|---------------10p9------|
 |-----4b6~----------(6)r4-|----------9h11------9/11-|
 |-------------------------|------/11----------------|
 |-------------------------|-------------------------|
 |-------------------------|-------------------------|
 {eot}
 
 [Bm/D] [Bm/D] 
 {sot}
 |-------------------------|-----------------------------|
 |-10p9--------------------|-----------------------------|
 |------9/11---------------|(11)\-------16pb18---r16p14--|
 |-------------------------|---------------------------16|
 |-------------------------|-----------------------------|
 |-------------------------|-----------------------------|
 {eot}
 
 G#ø/B F#m/C# C#5
 
 {sot}
 |-------------------------|------------------------------|
 |-------------------------|-14h15------------------------|
 |-14h16~~-----------14-16-|-------16b18-14h16~~----------|
 |-------------------------|---------------------------16-|
 |-------------------------|------------------------------|
 |-------------------------|------------------------------|
 {eot}
 
 [F#m] [F#m6] [F#m(#5)] 
 {sot}
 |-------------------------------|---------------------------|
 |-17b19----r17p14---------------|----------------------5----|
 |----------------16b18----r16p14|-14h16~~---\------4h6---6\4|
 |-------------------------------|---------------------------|
 |-------------------------------|---------------------------|
 |-------------------------------|---------------------------|
 {eot}
 
 G#ø/B F#m/C# C#5
 
 {sot}
 |-------------------------|-------------------------|
 |-----------------------5-|-------------------------|
 |-2h4~~----------2-4-4/6--|-6\4p2\1---------1h2p1---|
 |-------------------------|-----------------------4-|
 |-------------------------|-------------------------|
 |-------------------------|-------------------------|
 {eot}
 
 [F#m] [F#m] [E9] [A7sus4] 
 {sot}
 |-------------------------|-------------------------||--------|
 |-------------------------|-------------------------||--------|
 |-------------------------|-------------------------||--------|
 |-------------------------|-------------------------||--------|
 |-------9---\-------11---\|-------12----11~~--------||-12~~---|
 |-2---/-------2---/-------|-2---/-------------------||--------|
 {eot}
 
 ********************************************************************************
 
 
 Bridge:
 similar to previous
 
 
 Outro:
 G#ø(add4)/B C#5(addb9)
 
 {sot}
 |-------------------------|-------------------------|
 |-------------0-----------|-------------0-----------|
 |-------5---------5-------|-------5---------5-------|
 |-----4-----4---------4---|-----4-----4---------4---|
 |-0-----------------------|-------------------------|
 |-------------------------|-7-----------------------|
 {eot}
 
 [F#m] [F#m6] [F#m(#5)] 
 {sot}
 |-----------0-----------0-|-------------------------|
 |-------------------------|-------------------------|
 |---------4---6-------6---|-5-----------------------|
 |-------5-----------5-----|-------------------------|
 |-----7-----------7-------|-------------------------|
 |-0-----------------------|-------------------------|
 {eot}
 "So I
 G#ø(add4)/B C#(addb9) F#m
 
 {sot}
 |-------------------------|-------------------------|-0^---|
 |-------------0-----------|-------------0-------4---|-0^---|
 |-------5-----------------|-------5-----------------|-0^---|
 |-----4-----4-------------|-----4-----4-------------|-2^---|
 |-0-----------------------|-------------------------|-2^---|
 |-------------------------|-7-----------------------|-0^---|
 {eot}
 call out your name."
 
 
 
 {sot}
 +------------------------------------------------------------------------------+
 {eot}
 Jon Sebastian Frederiksen - 28th /January /12

Stranger Tim Christensen

Rate #5 of 5 versions

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