--4-4-4-4-4--2-2-2-2-2--4-4-4-4-4--0-0-0-0-0--0-0-
--0-0-0-0-0--0-0-0-0-0--0-0-0-0-0--0-0-0-0-0--0-0-
--6-6-6-6-6--4-4-4-4-4--6-6-6-6-6--2-2-2-2-2--1-1-
--6-6-6-6-6--4-4-4-4-4--6-6-6-6-6--2-2-2-2-2--2-2-
--0-0-0-0-0--0-0-0-0-0--0-0-0-0-0--0-0-0-0-0--2-2-
--x-x-x-x-x--x-x-x-x-x--x-x-x-x-x--x-x-x-x-x--0-0-
||------------------0------------------0-0-0-0-0-0---||
||------------------0------------------0-0-0-0-0-0---||
||*--13-13-13-13\11-11---13-13-13-13\9-9-9-9-9-9-9--*||
||*-------------------------------------------------*||
||---11-11-11-11\9--9----11-11-11-11\7-7-7-7-7-7-7---||
||-----------------------------------------0--0--0---||
| | B/F# | A | E | E |
| | two jumps in a week i bet you | think that's pretty clever don't | you boy. | |
| | B/F# | A | E | E |
| | flying on your motorcycle. | watching all the ground beneath | you drop. | |
| | B/F# | A | E | E |
| you'd | kill yourself for recognition. | kill yourself to never ev | er stop. | |
| | B/F# | A | E | E |
| you | broke another mirror. you're | turning into something you | are not. | |
| | B/F# | A | E | E |
| don't lead me | high, | don't lead me | dry, | |
| | B/F# | A | E | E |
| don't lead me | high, | don't lead me | dry. | |
| | B/F# | A | E | E | B/F# | A | E | E |
| | | | | | drying up in conversation | you will be the one who can | not talk. | |
| | B/F# | A | E | E |
| | all your insides fall to pieces. | you just sit there wishing you could | still | make love. |
| | B/F# | A | E | E |
| | they're the ones who'll hate you when you | think you've got the world all | sus | sed out. |
| | B/F# | A | E | E |
| | they're the ones who'll spit at you. | you will be the one screa | ming out. | |
| | B/F# | A | E | E |
| don't lead me | high, | don't lead me | dry, | |
| | B/F# | A | E | E |
| don't lead me | high, | don't lead me | dry. | |
| | B/F# | A | E | E | B/F# | A | E | E | B/F# | A | E | E |
| | | | | | | | | it's the | best thing that you ever had. | the | best thing that you ever | ever had. |
| | B/F# | A | E | E |
| it's the | best thing that you ever had. | the | best thing that you had has | gone away. |
| | B/F# | A | E | E |
| don't lead me | high, | don't lead me | dry, | |
| | B/F# | A | E | E |
| don't lead me | high, | don't lead me | dry. | |
| | B/F# | A | E | E |
| don't lead me | high, | | | |
| | B/F# | A | E |
| don't lead me | high, | don't leave me | dry. |
| Solo: (on a single string) |
B-5-5-4-5-5--4-5-5--4-5s7s5-4--5-5-4-5-5-2-0----2---4-
B-5-5-4-5-5--4-5-5--4-5s7s5-4--5-5-4-5-5-2-0----------
| ================================================================================ |
| Intro from: Stuart Winchester |
| OK, The beginning part of this song isnt on the tab thats around. |
low E|---0---s----0---s----0---s----0----s---0--------------------
|---7---s---11---s----9---s---11----s---7--------------------
|---x---l----x---l----x---l----x----l---x--------------------
|---9---i---13---i---11---i---13----i---9--------------------
|---0---d----0---d----0---d----0----d---0--------------------
highE|---0---e----0---e----0---e----0----e---0--------------------
| This needs a bit of explaining too. Where it says ns dont stop to |
| play the chord at the fret. Carry on sliding down to the next chord. |
| sslide:- Strum slide. Carry on strumming while sliding. |
| I hope thats right. It dosent sound it though, I think something is |
| done with the low E, but I dont know. |
| ================================================================================ |
| | F#m11 | Aadd9 | E | and | F#m11 | Aadd9 | E | A/E | E | A/E |
| | | | | | | | | | | The A/E changes are very quick, but they are there. Just listen for them. |
| The chords look like this. |
| Aadd9:577600 A/E:04x200 this chord is often substituted with Esus4:022200 |
| The sliding octaves at the start actually look like this: |
| x11x1300 slide to x9x1100 back to x11x1300 slide to x7x900 (strum in time, |
| then add the low "E") 07x900 |
| F#m11:2x4200 Aadd9:577600 E:022100 |
1:--0-------0-------0-------0-0-------0-------0--------0-------0----------------
2:5---4-5-5---4-5-5---4-5-5/7---4-4-5---4-5-5---2--------0---2-4-4--------------
3:-------------------------------------------------4-4-----4--------------------
4:------------------------------------------------------------------------------
5:------------------------------------------------------------------------------
6:------------------------------------------------------------------------------
| F#m11:2x4200 Aadd9:577600 E:022100 |
1:--0-------0-------0-------0-0-------0-------0---------------------------------
2:5---4-5-5---4-5-5---4-5-5/7---4-4-5---4-5-5---2-------------------------------
3:-------------------------------------------------4-4///////////1--------------
4:------------------------------------------------------------------------------
5:------------------------------------------------------------------------------
6:------------------------------------------------------------------------------
| F#m11:2x4200 Aadd9:577600 E:022100 |
1:--0-------0-------0---------0-------0-----------------------------------------
2:5---4-5-5---4-5-5---4-4-5/7---5-4-5---4-5-5-2-2-------------------------------
3:------------------------------------------------4-4-2-1-1---------------------
4:------------------------------------------------------------------------------
5:------------------------------------------------------------------------------
6:------------------------------------------------------------------------------
| F#m11:2x4200 Aadd9:577600 E:022100 |
1:--0-------0-------0-------0-------0-------0-----------------------------------
2:5---4-5-5---4-5-5---4-5-5---4-5-5---4-5-5---4-5--5-5-5-5-7-7-9-9--------------
3:------------------------------------------------------------------------------
4:------------------------------------------------------------------------------
5:------------------------------------------------------------------------------
6:------------------------------------------------------------------------------
| Finally, the interesting bit at *3:54* |
| F#m11:2x4200 Aadd9:577600 E:022100 |
1:-0---0---0---0---0---0--0---0---0---0---0---0---0---0--0---0--------12--------
2:-0---0---0---0---0---0--0---0---0---0---0---0---0---0--0---0-----------0------
3:14--14--13--14--13--11--9--13--14--14--14--14--13--11--9--11--11/13------14---
4:------------------------------------------------------------------------------
5:------------------------------------------------------------------------------
6:------------------------------------------------------------------------------
1:-0-------0---0--0--0-0----0---0---0---0---0---0---0---0---0---0--0--0--------0
2:-0-------0---0--0--0---0--0---0---0---0---0---0---0---0---0---0--0--0--------0
3:11-h-13-11--11--9--9------9--11--13--13--14--14--13--14--13--11--9--1---2----1
4:------------------------------------------------------------------------2----2
5:------------------------------------------------------------------------0----2
6:-----------------------------------------------------------------------------0
| h:hammer on ///////:gradual slide |
| ======================================= |
| Guitar Archive at Planet Telex |
| http://www.underworld.net/radiohead/ |
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