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High And Dry  Radiohead

  [C#/A]           [B/A]           [C#/A]           [Asus2]           [E]                                     
--4-4-4-4-4--2-2-2-2-2--4-4-4-4-4--0-0-0-0-0--0-0-
--0-0-0-0-0--0-0-0-0-0--0-0-0-0-0--0-0-0-0-0--0-0-
--6-6-6-6-6--4-4-4-4-4--6-6-6-6-6--2-2-2-2-2--1-1-
--6-6-6-6-6--4-4-4-4-4--6-6-6-6-6--2-2-2-2-2--2-2-
--0-0-0-0-0--0-0-0-0-0--0-0-0-0-0--0-0-0-0-0--2-2-
--x-x-x-x-x--x-x-x-x-x--x-x-x-x-x--x-x-x-x-x--0-0-

OR
||------------------0------------------0-0-0-0-0-0---||
||------------------0------------------0-0-0-0-0-0---||
||*--13-13-13-13\11-11---13-13-13-13\9-9-9-9-9-9-9--*||
||*-------------------------------------------------*||
||---11-11-11-11\9--9----11-11-11-11\7-7-7-7-7-7-7---||
||-----------------------------------------0--0--0---||

[B/F#]two jumps in a week i bet you [A]think that's pretty clever don't[E] you boy.[E]
[B/F#]flying on your motorcycle. [A]watching all the ground beneath[E] you drop.[E]
you'd [B/F#]kill yourself for recognition. [A]kill yourself to never ev[E]er stop.[E]
you [B/F#]broke another mirror. you're [A]turning into something you[E] are not.[E]
don't lead me [B/F#]high, [A]   don't lead me [E]dry, [E]
don't lead me [B/F#]high, [A]   don't lead me [E]dry. [E]
[B/F#]        [A]        [E]        [E]         [B/F#]drying up in conversation [A]you will be the one who can[E]not talk.[E]
[B/F#]all your insides fall to pieces. [A]you just sit there wishing you could [E]still [E]make love.
[B/F#]they're the ones who'll hate you when you [A]think you've got the world all[E] sus[E]sed out.
[B/F#]they're the ones who'll spit at you. [A]you will be the one screa[E]ming out.[E]
don't lead me [B/F#]high, [A]   don't lead me [E]dry, [E]
don't lead me [B/F#]high, [A]   don't lead me [E]dry. [E]
[B/F#]        [A]        [E]        [E]         [B/F#]        [A]        [E]        [E]         it's the [B/F#]best thing that you ever had.[A]  the [E]best thing that you ever [E]ever had.
it's the [B/F#]best thing that you ever had.[A] the [E]best thing that you had has [E]gone away.
don't lead me [B/F#]high, [A]   don't lead me [E]dry, [E]
don't lead me [B/F#]high, [A]   don't lead me [E]dry. [E]
don't lead me [B/F#]high,[A] [E] [E]
don't lead me [B/F#]high, [A]   don't leave me [E]dry.
Solo: (on a single string)
B-5-5-4-5-5--4-5-5--4-5s7s5-4--5-5-4-5-5-2-0----2---4-
B-5-5-4-5-5--4-5-5--4-5s7s5-4--5-5-4-5-5-2-0----------

================================================================================
Intro from: Stuart Winchester
OK, The beginning part of this song isnt on the tab thats around.
                 [ns]                   [ns]                                               
low E|---0---s----0---s----0---s----0----s---0--------------------
     |---7---s---11---s----9---s---11----s---7--------------------
     |---x---l----x---l----x---l----x----l---x--------------------
     |---9---i---13---i---11---i---13----i---9--------------------
     |---0---d----0---d----0---d----0----d---0--------------------
highE|---0---e----0---e----0---e----0----e---0--------------------

This needs a bit of explaining too. Where it says ns dont stop to
play the chord at the fret. Carry on sliding down to the next chord.
sslide:- Strum slide. Carry on strumming while sliding.
I hope thats right. It dosent sound it though, I think something is
done with the low E, but I dont know.
================================================================================
From : Tyler Todd
[F#m11]        [Aadd9]        [E]        [and]        [F#m11]    [Aadd9] [E] [A/E] [E] [A/E]The A/E changes are very quick, but they are there. Just listen for them.
The chords look like this.
F#m11:2x4200 E:022100
Aadd9:577600 A/E:04x200 this chord is often substituted with Esus4:022200
The sliding octaves at the start actually look like this:
x11x1300 slide to x9x1100 back to x11x1300 slide to x7x900 (strum in time,
then add the low "E") 07x900
now here are the solos:
at *2:50*
F#m11:2x4200 Aadd9:577600 E:022100
1:--0-------0-------0-------0-0-------0-------0--------0-------0----------------
2:5---4-5-5---4-5-5---4-5-5/7---4-4-5---4-5-5---2--------0---2-4-4--------------
3:-------------------------------------------------4-4-----4--------------------
4:------------------------------------------------------------------------------
5:------------------------------------------------------------------------------
6:------------------------------------------------------------------------------

F#m11:2x4200 Aadd9:577600 E:022100
1:--0-------0-------0-------0-0-------0-------0---------------------------------
2:5---4-5-5---4-5-5---4-5-5/7---4-4-5---4-5-5---2-------------------------------
3:-------------------------------------------------4-4///////////1--------------
4:------------------------------------------------------------------------------
5:------------------------------------------------------------------------------
6:------------------------------------------------------------------------------

Now at *3:33*
F#m11:2x4200 Aadd9:577600 E:022100
1:--0-------0-------0---------0-------0-----------------------------------------
2:5---4-5-5---4-5-5---4-4-5/7---5-4-5---4-5-5-2-2-------------------------------
3:------------------------------------------------4-4-2-1-1---------------------
4:------------------------------------------------------------------------------
5:------------------------------------------------------------------------------
6:------------------------------------------------------------------------------

F#m11:2x4200 Aadd9:577600 E:022100
1:--0-------0-------0-------0-------0-------0-----------------------------------
2:5---4-5-5---4-5-5---4-5-5---4-5-5---4-5-5---4-5--5-5-5-5-7-7-9-9--------------
3:------------------------------------------------------------------------------
4:------------------------------------------------------------------------------
5:------------------------------------------------------------------------------
6:------------------------------------------------------------------------------

Finally, the interesting bit at *3:54*
F#m11:2x4200 Aadd9:577600 E:022100
1:-0---0---0---0---0---0--0---0---0---0---0---0---0---0--0---0--------12--------
2:-0---0---0---0---0---0--0---0---0---0---0---0---0---0--0---0-----------0------
3:14--14--13--14--13--11--9--13--14--14--14--14--13--11--9--11--11/13------14---
4:------------------------------------------------------------------------------
5:------------------------------------------------------------------------------
6:------------------------------------------------------------------------------

(E:022100) F#m11:2x4200
[Aadd9]       [E]                                                                                    
1:-0-------0---0--0--0-0----0---0---0---0---0---0---0---0---0---0--0--0--------0
2:-0-------0---0--0--0---0--0---0---0---0---0---0---0---0---0---0--0--0--------0
3:11-h-13-11--11--9--9------9--11--13--13--14--14--13--14--13--11--9--1---2----1
4:------------------------------------------------------------------------2----2
5:------------------------------------------------------------------------0----2
6:-----------------------------------------------------------------------------0

h:hammer on ///////:gradual slide
/:slide
=======================================
Guitar Archive at Planet Telex
http://www.underworld.net/radiohead/
Max Kolombos
---------------------------------------


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A A/E Aadd9 Asus2 B/F# E F#m11
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