e--------------------------------------------------|
B--------------------------------------------------|
G--------------------------------------------------|
D--------------------------------------------------|
A--------------------------------------------------|
E-|2|-|2|-|2|-|2|-|2|-|2|-|2|-|2|-|2 3/4|-|2 3/4|--|
e--------------------------------------------------|
B--------------------------------------------------|
G--------------------------------------------------|
D--------------------------------------------------|
A--------------------------------------------------|
E-|2 3/4|-|2 3/4|-|2 3/4|-|2 3/4|-|2 3/4|-|2 3/4|--|
e---------------------------------...
B---------------------------------...
G---------------------------------...
D---------------------------------...
A---------------------------------...
E-|4|-|4|-|4|-|4|-|4|-|4|-|4|-|4|-...
G--------------------------------------------...
D--------------------------------------------...
A--------------------------------------------...
E-0-3-2-1-0--0-3-2-1-0--0-3-2-1-0--0-3-2-1-0-...
| If you don't understand this, find someone to |
| explain, because it takes far too long to write |
| Do we have any questions about that? |
| From chad@lsmsa.edu Fri Jan 19 04:18:29 1996 |
| Subject: Bauhaus' "stigmata martyr" |
| Content-Type: TEXT/PLAIN; charset=US-ASCII |
| I'm sorry. It's by Bauhaus |
| This is "Stigmata Martyr." Fret numbers enclosed |
| in pipes (i.e. |4|) mean to play the natural |
| harmonics above that fret (or in the case of |
| |2 3/4| that fraction past the indicated fret. |
| If you can't figure it out, e-mail me and I'll |
| (distorted electric guitar) |
e--------------------------------------------------|
B--------------------------------------------------|
G--------------------------------------------------|
D--------------------------------------------------|
A--------------------------------------------------|
E-|2|-|2|-|2|-|2|-|2|-|2|-|2|-|2|-|2 3/4|-|2 3/4|--|
e--------------------------------------------------|
B--------------------------------------------------|
G--------------------------------------------------|
D--------------------------------------------------|
A--------------------------------------------------|
E-|2 3/4|-|2 3/4|-|2 3/4|-|2 3/4|-|2 3/4|-|2 3/4|--|
e---------------------------------...
B---------------------------------...
G---------------------------------...
D---------------------------------...
A---------------------------------...
E-|4|-|4|-|4|-|4|-|4|-|4|-|4|-|4|-...
| play a simile of this for a few measures. the |
| bass is doing something like this: |
G--------------------------------------------...
D--------------------------------------------...
A--------------------------------------------...
E-0-3-2-1-0--0-3-2-1-0--0-3-2-1-0--0-3-2-1-0-...
| the fretted notes are bent enough to sound |
| slightly ominous and sickening. Use your own |
| delicately-honed sensibilities to figure this out. |
| after the intro, the guitar does something |
| make sure that the open strings are not allowed |
| to ring for very long at all. Not quite |
| staccato, but just a short fuzzy bark. |
| After you do that a couple times, the guitar |
| plays the chords that the bass roots imply: |
| If you don't understand this, find someone to |
| explain, because it takes far too long to write |
| Do we have any questions about that? |
