| C | |
| always thought my movie |
| G | |
| would be a co | medy |
| F | G | |
| not quite the trag | edy that its bec | ome |
| C | G | |
| more slap | stick than chick | flick |
| F | G | |
| more Cadd | yshack than Brea | kfast At Tiffany's |
| F | G | F | G | |
| So, tha | nk me at the po | dium for a life | time of con | tribution |
| F | |
| turn on the camera |
| Am | |
| someone cue the extras |
| F | G | |
| hair and makeup to the s | et |
| C | |
| bec | ause the big screen's callin |
| G | |
| final cast | ing call |
| F | G | |
| its your b | ig shot baby your the ne | xt big star |
| C | G | F | |
| on an | other stupid movie 'bout a gu | y with a broken hea | rt |
| G | |
| it's fallin a | part |
| F | G | |
| hea | ded for the cutting room flo | or |
| F | G | |
| and in the se | quel honey i'm the g | uy who gets the girl |