------------------------------------------
| [These chords are from Wynonna Judd's recorded version; the version that |
| Mary Chapin Carpenter does in concert is almost identical, except MCC |
| plays these chords with a capo on the third fret, raising it to C.] |
| Eacb cbord represents two beats, or balf of a measure. |
| [Play most of the chords with a typical rock 'n' roll feel, with sixths |
| on the offbeats (see tab at end of file). Play sevenths if you want.] |
| n.c. n.c. n.c. n.c. n.c n.c. n.c. n.c. A A A A |
| electric guitar intro | wbole band |
| A | A | D | A | |
| She | turned fif | teen with gr | eat expec | tations |
| A | A | E | A | |
| Her | older brother | knew that s | omething was | up |
| A | A | D | A | |
| He | caught her going | through his | record coll | ection |
| A | A | E | A | |
| Looking at H | endrix like a | lovesick | pup |
| E | E | D | A | |
| She | begged and she | pleaded 'til D | ad finally | listened |
| E | E | F#m | D | |
| He | drove her in the | car down to | Sears Roe | buck |
| E | E | D | A | |
| He | bought her that gui | tar and th | at was the be | ginning |
| B | B | E | E | D | A | E | |
| Now she's | down in the | cellar with the | amp turned | up | guit | ar b | reak #1] |
| A | A | D | A | |
| G | irls with gui | tars ( | Daddy's little | angel) |
| A | A | E | D | |
| G | irls with gui | tars ( | What's the world | coming to) |
| A | A | D | A | |
| G | irls with gui | tars ( | Mothers tend to | worry 'bout) |
| A | A | E | A | |
| G | irls with gui | tars |
| A | A | D | A | A | A | E | A | |
| [ins | trum | enta | l] |
| Well, Saturday nights she followed her brother |
| It was socks and stockings on the old gym floor |
| While everybody danced to garage band covers |
| She was checking out riffs and memorizing chords |
| She didn't care at all for the football heroes |
| She didn't even notice the basketball stars |
| Boys as a species were all a bunch of zeros |
B B E E5 - G5 - A5 - E5 - G5 - Bb5-A5
| guitar break #2 | |
| Except for the ones that played that guitar |
| Ahh, girls with guitars (She wasn't any debutante) |
| Girls with guitars (She didn't go out for cheerleading) |
| Girls with guitars (Boys are kind of nervous 'round) |
| Girls with guitars |
| D | D | G | G | |
| She | went off to | college, she | got her degr | ee |
| A | A | E | A | |
| Her | parents breathed a | sigh of | great rel | ief |
| D | D | G | G | |
| Daddy's thinking | law school, | mother's thinking | medicine |
| C | C | E | E | E | E | |
| Daughter's thinking | how she's gonna | break the n | ews to | them |
| A | A | D | A | A | A | E | A | |
| [gui | tar | solo | ] |
| A | A | D | A | A | A | E | A | |
| [gui | tar | solo | ] |
| Now there's an old Chevy van just sitting in the driveway |
| Filled to the gills with all her stuff |
| She cut a deal with her brother to drive it up the highway |
| Figures New York City is close enough |
| She gets the audition through a friend of a friend |
| Who's checking out her legs, saying this'll never work |
| She flips on her Boogie and turns to the band |
| B B E n.c. n.c. |
| guitar break #3 | |
| Gives a little grin and blows away the jerk |
| Girls with guitars (Now everybody's rocking) |
| Girls with guitars (There oughta be a song about) |
| Girls with guitars (There's just no stopping those) |
| Girls with guitars |
| A | A | D | A | A | A | E | A | |
| Get your | money for | nothing and your | guys for fr | ee |
| A A D A A A E A. |
| instrumental |
| RHYTHM: |
| [This is just a suggestion to give a feel |
| for the song:] |
| A | D | A |
|----------------|----------------| |----------------|3---3-----------| |2---2---2---2---|2---4---2---2---| |2---4---2---4---|0---0---2---4---| |0---0---0---0---|0---0---0---0---| |0---0---0---0---|--------0---0---|
| ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . |
| GUITAR BREAK #1: |
| E | D | A | E |
|----------------|2-2-----0-0-----|0-0-----| |----------------|3-3-----2-2-----|0-0-----| |----------------|2-2-----2-2-----|1-1-----| |----------------|0-0-----2-2-----|2-2-----| |----------------|0-0-----0-0-----|2-2-----| |----------------|----------------|0-0-----|
| ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . |
| ...turned up |
| GUITAR BREAK #2 ("Smoke on the Water"): |
| E | E5 | G5 | A5 | E5 | G5 | Bb5 | A5 |
|----------------|----------------|--------| |----------------|----------------|--------| |------------0---|2-2---4---0---3-|2-------| |--------2---0---|2-2---2---0---3-|2-------| |--------2-------|----------------|--------| |----------------|----------------|--------|
| ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . |
| ..that guitar |
| GUITAR BREAK #3 ("Sunshine of Your Love"): |
| [There are about a million different positions to play this in, |
| since it's probably the most well-known riff in rock music. I've |
| given a couple possibilities, but play it however you want:] |
|----------------|----------------| |----------------|----------------| |----------------|----------------| |----------------|--------8~~-----| |----------------|----------------| |9-9-7-9---------|------9-----9---| |2-2-0-2---------|--------5~~-----| |9-9-7-9---9---8-|--7-------------| |2-2-0-2---2---1-|--0---7-----7---| |----------9---8-|--7-------------| |----------2---1-|--0-------------| |----------------|----------------|
| ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . |
| - Adam Schneider, schneider@pobox.com |