E-----------------|
B-----------------|
G-----------4-----| Same picking pattern throughout...
D-----6---6-----6-|
A---6---------6---|
E-4-----4---------|
| | G#m | C# | Bb |
| | Wild as a show man to the f | all | |
| | A |
| smooth down your hair and put y | our make-up on |
| | G#m | C# | Bb |
| | You face another night in | too | |
| | A |
| So close your mind no one w | ill follow you |
| | Dm | A |
| | there in your eyes i se | e way beyond blue |
| | Dm | A |
| | there in your eyes i s | ee way beyond blue |
| | G#m | C# | Bb |
| | leave us unto to 'school and the s | ame | |
| | A |
| we live disclaim young blamer | this is us |
| | G#m | C# | Bb |
| | we meet your lover a good | gal | |
| | Dm | A |
| | there in your eyes i see | way beyond blue |
| | Dm | A |
| | there in your eyes i see | way beyond blue |
| | Dm | A |
| | there in your eyes i s | ee way beyond blue |
| | Dm | A | Bb |
| | there in your eyes i | see way beyond bl | ue |
| ******************************************************************* |
| Artist: Catatonia Song; Dream On |
| | F |
| | Dream on so young 'cul' |
| | C#maj7 |
| | dream on so young 'cul' |
| | F | C#maj7 | F# | D# | C |
| our m | otiv | es | won | 't ch | ange |
| | F |
| | Dream on so young 'cul' |
| | C#maj7 |
| | dream on so young 'cul' |
| | F | C#maj7 | F# | D# | C |
| our m | otiv | es | won | 't ch | ange |
| can you trust a 'puck eye?' |
| | F |
| | Dream on so young 'cul' |
| | C#maj7 |
| | dream on so young 'cul' |
| | F | C#maj7 | F# | D# | C |
| i cau | ght | you c | has | ing s | hame |
| *************************************************************** |
| | Ab | Db | Fm |
| | Lost cat in A | rthur Street, black and | white |
| | Ab | Db | Fm |
| | If you go, I'll | come without a f | iiiiiiight |
| | Db | Ab |
| | I'm sick of hearing damning words of you come cursing through my | head |
| | Db | Bb |
| | And I'm too proud to sit here,chasing time, wasting things w | e shared, |
| | Ab | Db | Fm |
| | You said, I'm y | ou digging a h | ome |
| | Ab | Db | Fm |
| | Truth is, you | left a long time | agoooooooo |
| | Db | Fm |
| | But you can turn it on and play the innocent, though you've been | caught. |
| | Db | Fm |
| | And I'm too proud to sit here, saying everything is how | it was. |
| | Ab | Bb |
| | Take it from where you want to | grow, there's always tomorrow. |
| | Ab | Bb | Eb |
| | I'd rather have you smile than | have you fall, no matter where yo | u go. |
| | Ab | Db | Fm |
| | Ten men in | trial of love s | ucceed |
| | Ab | Db | Fm |
| | All those in | Arthur Street will walk f | reeee. |
| | Db | Fm |
| | And you can turn it on and play at anything you ever wanted | to. |
| | Db | Fm |
| | Cos you're not dull and I'm not strong enough to carry on won | dering |
| | Bb | Eb | Fm |
| | How we're gonna | see this thr | ough. |
| ************************************************************* |
| | A | D7 | F#m | B |
| | Chance dreams | that cut a | cross | the bed, leaving colours there instead |
| | A | D7 | F#m | B |
| | See lin | es t | hat draw | it to an end - ignore them |
| | A | D7 | F#m | B |
| | And i | f I say h | ow I feel | again, is it wise to do it? |
| | A | D7 | F#m | B |
| | Or like hearing | for the um | pteen | th time, some despise |
| | E |
| | Don't you fall asleep there's lots of things I need to say that just won't keep |
| | A | D7 | F#m | B |
| | Swe | et sweet sw | eet sweet catatonia, I should | have told you (ah ah) |
| | A | D7 | F#m | B |
| | Swe | et sweet sw | eet swe | et catatonia, I should have told you (ah ah) |
| | A | D7 | F#m | B |
| | And | with my fe | ars in the back of my mind, will th | ey gang up on me? |
| | A | D7 | F#m | B |
| | And | when I lea | st ex | pect them to they'll devour me |
| | D7 | E |
| | Don't you turn aside, your t | ired ears must hear me out - there's nowhere to hide |
| | A | D7 | F#m | B |
| | Swe | et sweet sw | eet sw | eet catatonia, I should have told you (ah ah) |
| | A | D7 | F#m | B |
| | Swe | et sweet sw | eet sw | eet catatonia, I should have told you (ah ah) |
| | D | C#m | F#m | D | E |
| | Don't you turn aside, your | tired ears must hear m | e out - there's nowhere | t | o |
| | A | D7 | F#m | B |
| | Swe | et sweet sw | eet sw | eet catatonia, I should have told you (ah ah) |
| | A | D7 | F#m | B |
| | Swe | et sweet sw | eet sw | eet catatonia, I should have told you (ah ah) |
| | A | D7 | F#m | B |
| | Swe | et sweet sw | eet sw | eet catatonia, I should have told you (ah ah) |
| (And with my fears in the back of my mind, will they gang up on me?) |
| | A | D7 | F#m | B |
| | Swe | et sweet sw | eet sw | eet catatonia, I should have told you (ah ah) |
| (And when I least expect them to they'll devour me) |
| **************************************************************** |
| | F | Fm |
| | La la la la | La la la la |
| | C | Em | Bb |
| | Mickey wishes he | was dead, draws the sheet across h | is head |
| | C | Em | Bb |
| | Moved him in to s | hare the bed, turns out he's shari | ng her instead |
| | Fm | G |
| | Was it all worthwhil | e? |
| | Bb | A | D |
| Must have been fu | nny, must have been di | m - cut it up and le | t it all in |
| | D |
| Must have been f | unny, must have been dim - cut it up and let it all in |
| | Bb | D | Bb | A |
| Don't wa | nt you to g | o, just | need you to k | now |
| | C | Em | Bb |
| | Can't leave the house: he wou | ldn't dare, hang this guilty frame | with stares |
| | C | Em | Bb |
| | I'll be the shortest per | son there, oh god I'm losing all my | hair |
| | Fm | G |
| | It won't suit my sty | le |
| | Bb | A | D |
| | Must have been funn | y, must have been di | m - cut it up and let it all in |
| | Bb | D | Bb | A |
| I don't | want you to g | o, I just ne | ed you to k | now |
| | Am7 | E | Fdim |
| | I don't wan | t you to go | , I just need you to know |
| | Am7 | E | Fdim |
| | Do do do | Aa-aa-aa-aa-a | ah |
| | F | Fm | C | Fm | C |
| She gave me nothi | ng that I could | bear to lose | Aa | -aa-aa-aa- | aa-ah |
| | Em | Bb |
| And if he reaches for | the door, be sure he'll touch the | wood and pause |
| | C | Em | Bb |
| | We'll still shove us down | the stairs, still get in | each other's hair |
| | Fm | G |
| | If there's any left | then |
| | Bb | A | D |
| | Must have been funny, must h | ave been dim - cut it up and le | t it all in |
| | Bb | D | Bb | D |
| I don't | want you to go | , I just n | eed you to kn | ow |
| | Bb | D | Bb | D |
| I don't | want you to go | , I just n | eed you to kn | ow |
| | D |
| Did y | ou want him to go? did you push him to go where the ~~ girl lies |
| | Bb | D | Bb | D | Bb | D |
| Where does t | he ~~ | girl l | ie? why does | she hid | e? why doe | s she hide . . ? (ad |
| ******************************************************************************* |
| You've got a lot to answer for |
| | G | Cadd9 | C/B | Am | G |
| | You've got a lot to a | nswer | for, | but baby I lo | ve you. (x2) |
| | Am | D | Am |
| | If it turns to bl | ue, what are we gonna do | |
| | Am | D | Am |
| | If it stays on whi | te, will it be alr | ight. |
| | Am | D |
| | If it all turns s | our, it's too late |
| | G | Bm | Em | Am |
| The CSA | are bound to | find you s | oon. | |
| | Am | D |
| | If you wanna talk | , then talk about it |
| | Am | D |
| | You could talk al | l night if you wanted |
| | Am | D |
| | You could talk al | l night and day, but |
| | G | Bm |
| I'd th | ink by now you know exactly | |
| | Em |
| are you looking for the sun? | |
| | C |
| are you looking out for me? (Walk do | wn an A string from C to G) |
| | G | Cadd9 | C/B | Am | G |
| | You've got a lot to a | nswer | for, | but baby I love you. (x2) | |
| | Am | D |
| | You said I got the looks | |
| | D | Am |
| Let's get together, | mix each other's genes | |
| | D |
| Let's get togeth | er, mix each other's genes |
| | D |
| Can't buy myself | a future, |
| | G | Bm | Em | Am |
| My DNA | will be past it's | sell by d | ate | |
| | Em |
| are you looking for a son? (Walk | down an A string from C to G) |
| | C |
| are you holding out for meeeeeeeeeee | eeeee? |
e|-------------------------------------------------------------|
B|-------------------------------------------------------------|
G|--------4----4b5b4-------------------------------------------|
D|--0---5---5---------5--1-----1-2-4-4b5b4-2-0-----------0-2-0-|
A|--------------------------2-------------------3---2-3--------|
E|-------------------------------------------------------------|
| *************************************************************************** |
| Infantile by Suzy and Steve |
| | B | E |
| | But she only came to | gloat |
| | G#m |
| It stuck right there in my | throat |
| | G |
| How she loved to turn the s | crew |
| | D | B |
| And leave you feel inde | bted to her fantasies and v | iews |
| | E |
| So surprised you saw it thr | ough |
| | G#m |
| Couldn't help but noti | ce |
| | G |
| You'd covered all means of e | scape |
| | D | B |
| Found the other people's part | ies second | rate |
| | C#m | C | F# | B |
| | It ain't easy It ain | 't easy It | ain't easy | |
| | E |
| Reduced a listener to a tea | r |
| | G#m |
| Forgetting what had brought him | here |
| | G |
| Undoing everything he'd | known |
| | D | B |
| Left him wake up i | n the mornin | g on his own |
| | E |
| It's how you leave no tim | e to breathe |
| | G#m |
| It's how you lea | ve no time to breathe |
| | G#m |
| All is not all that | it seems |
| | G |
| Thought the rest was j | ust a breeze |
| | D | B |
| Till you remind me of m | y inadequacies | |
| | C#m | C | F# |
| | It ain't easy | It ain't easy | It ain't easy |
| | C#m | C | F# |
| | It ain't easy | It ain't easy | It ain't easy |
| | E | G#m | G | D | E |
| | It's infant | ile, it's in your s | mile, here's my | sign you'll soon be min | e |
| It's infantile, it's in your smile, here's my sign you'll soon be mine |
| | G#m | G | D |
| | It's | inf | antile, it's in your smile, here's my sign you'll soon be mine |
| | G#m | G | D |
| | La la | la | la la .... (to fade) |
| **************************************************************************** |
| Artist: Catatonia Song; Dream On |
| | F |
| | Dream on so young 'cul' |
| | C#maj7 |
| | dream on so young 'cul' |
| | F | C#maj7 | F# | D# | C |
| our m | otiv | es | won | 't ch | ange |
| | F |
| | Dream on so young 'cul' |
| | C#maj7 |
| | dream on so young 'cul' |
| | F | C#maj7 | F# | D# | C |
| our m | otiv | es | won | 't ch | ange |
| can you trust a 'puck eye?' |
| | F |
| | Dream on so young 'cul' |
| | C#maj7 |
| | dream on so young 'cul' |
| | F | C#maj7 | F# | D# | C |
| i cau | ght | you c | has | ing s | hame |
| ************************************************************************ |
| Artist: Catatonia Song: Bleed |
| Warner Music UK (Vapor Records US) |
| Tabbed by Suzy and solo by Matt |
e|-----------------------------------------------------------|
B|------------------------------------5h7-----5h7-----5h7----|
G|--------------------------------4h6-----4h6-----4h6--------|
D|----4/6-4-2-4------4/6-4-2-4-------------------------------|
A|--2-----------2--2-----------4-----------------------------|
E|-----------------------------------------------------------|
e|-----------------------------------------------------------|
B|------5h7-----5h7-----5h7---7--5-5--4-4-5-7-5-4------------|
G|--4h6-----4h6-----4h6--------------------------------------|
D|-----------------------------------------------------------|
A|-----------------------------------------------------------|
E|-----------------------------------------------------------|
| | E | F# |
| | Now his intentions unfold, they're not what they s | eem, |
| | C#m | B |
| | He only wants to take con | trol. |
| | E | F# |
| | Boy is he selling you loads, all you do is b | elieve, |
| | C#m | B |
| | Grant him his black-eyed fan | tasy. |
| | G#7 | A | F# | B |
| | He claims that he k | nows you, says it's wr | itten in the st | ars, |
| | G#7 | A |
| | Do you believe this bul | lshit? |
| | C | D | E |
| Tell me y | ou don't want to face this si | tuation any more than I d | o. |
| | E | F# |
| | Oh you think you're so great, keep it up at this | rate, |
| | C#m | B |
| | You're bound to catch it if you w | ait. |
| | E | F# |
| | I've seen the symptoms before, they come as they pl | ease, |
| | C#m | B |
| | Here comes the low rent man ag | ain, |
| | G# | A | F# | B |
| | He claims that he kn | ows you, says it's writ | ten in the st | ars, |
| | G# | A |
| | Will you believe this bu | llshit? |
| | C | D |
| Tell me you | don't want to face this situ | ation any more than |
| G / A / Em / D / Solo over the top |
| | G | A |
| | So what does he have in store; does he need you to b | leed? |
| | Em | D |
| | Inadequate in all he brea | thes, |
| | B | C | A | D |
| | He claims that he | knows you, says it's wr | itten in the s | tars, |
| | B | C |
| | Will you believe this bu | llshit? |
| | Eb | F | G |
| If y | ou don't want to face this si | tuation any more then I | don't. |
| ********************************************************************** |
| This Boy Can't Swim-Catatonia |
| | A | D# | B | F# |
| | This boy can't swim, | he's wear | ing too many | skins |
| | A | D# | B | F# | F | F# | F |
| | I hope he sinks | , then he'll f | orget everythin | g | | | |
| | F# |
| | Dreamt up the lies that would hold it together |
| | B | Bm |
| | Then realised those he | lied to were cleverer |
| | F# |
| | Left on the side they have long since you joined him |
| | B | Bm | F# |
| | Back in the fold thick as | thieves they will weigh him | down |
| C#\A (slides down to A from C#) |
| 2nd verse (chords as above) |
| This boy can't swim he's carrying too many sins |
| I hope he sinks, till he forgets everything |
| 'good as gold' alternates with 'thick as thieves' |
| ******************************************************************* |
| Artist-Catatonia Song-Painful |
| | G |
| | Fly, you greatest fool, |
| | F#m |
| Why can't you | say what they want you to? |
| | Dm |
| Why can't you | do what they taught you |
| | Cm | D |
| And sh | ow what they wanted of y | ou? |
| | G |
| | Fly, you greatest fool, |
| | F#m |
| Is this what e | veryone talked about? |
| | Dm |
| You spill you | r high-flung phrases |
| | Cm | D |
| And h | ush when the risk gets | too much |
E-2-----------|
B-3-----3-----|
G-2-0-2---2---|
D-0---------0-|
A-------------|
E-------------|
| | G | Am |
| And | I, I wish you would | do it, |
E-----------------|
B-4-----4---------|
G---5-----5-------|
D-----5-----5-5-5-|
A-----------------|
E-----------------|
| | D | Cm |
| | Then I'd never have to notice if the bridges are bu | rnt. |
| | G | F#m |
| | Is this what eve | ryone talked about? |
| | Dm | Cm |
| Swallow everything that su | its, dress it up as t | ruth, |
E-2-----------|
B-3-----3-----|
G-2-0-2---2---|
D-0---------0-|
A-------------|
E-------------|
| | G | Am |
| And | I, I wish you would d | o it, |
E-----------------|
B-4-----4---------|
G---5-----5-------|
D-----5-----5-5-5-|
A-----------------|
E-----------------|
| | D | Cm |
| | Then I'd never have to notice if the bridges are b | urnt. |
E-2-----------|
B-3-----3-----|
G-2-0-2---2---|
D-0---------0-|
A-------------|
E-------------|
| | G | Am |
| And | I, I wish you would d | o it, |
E-----------------|
B-4-----4---------|
G---5-----5-------|
D-----5-----5-5-5-|
A-----------------|
E-----------------|
| | D | Cm |
| | Then I'd never have to notice if the bridges are bur | nt. |
| *************************************************************************Cataton |
| Tabbed By Suzy and Steve and Adam |
------
e ----------2-0-|
b ----------3-3-|
g ----------2-0-|
d 0-2h5-----0-2-|
a ------------2-|
E ------------0-| repeat x 2
| | D | Em7 | D | Em7 | A |
| | You should k | now by now | that the c | ommon thread is ta | ut |
| | G | Em |
| I'd like to st | ay but you j | ust won't listen |
| | A | G | Em |
| | Disappointment I'd ta | ke though there's | no point to it |
| | D | Em7 | D | Em7 | A |
| | If you could thi | nk aloud | , it won't mean | anything will | change |
| | G | Em |
| As tests go w | rong and we deny it to | gether |
| | A | G | Em |
| | Or a second of thou | ght might a | che forever |
| | Gm | D | Gm | D | Gm | D |
| | I blew it | | I bl | ew i | t | I blew it |
| | A | Bm | A |
| | But did you ever go too f | ar up against your own persu | asion |
| | G |
| Consummate madness then de | spise |
| | D | Em7 | D | Em7 | A |
| | You should have l | earnt by now | that the c | ommon thread is t | aut |
| | G | Em |
| It's hard to refl | ect when your worl | d is sighing |
| | A | G | Em |
| | You could never ca | tch up and there's | no use trying |
| | Gm | D | Gm | D |
| | I blew it | | I ble | w it I blew it |
| | Gm | D |
| | And if the gods were on your side I c | ouldn't let you slide |
| | Gm | D |
| | And if the gods were on your side I c | ouldn't let you slide |
| | Gm | D | Gm | D |
| | You blow it | You blew it I bl | ew it | (etc.) |
| ******************************************************************* |
| | D | D7 | D7sus | G | Bb |
| | Forg | ive me | if I | see | m to be impatient and obscene |
| | D | D7 | D7sus | G | Bb |
| It | 's just I'd li | ke | to fall | so | flat and hear the voices shouting back |
| | F# | A | B | G | F# |
| T | inker | bel | l sh | oul | d have waited before turning on the TV show |
| | F | F# | A | B | G | F# |
| | Ti | nker | bell | sho | uld | have waited before turning on the TV show |
| | D | D7 | D7sus | G | Bb |
| As o | range bu | ffoons | dance, t | hey bo | oked a faker in advance |
| | D | D7 | D7sus | G | Bb |
| Left pu | rple | jungle | s in a | t | rance to raise the nepotistic chant |
| | F# | A | B | G | F# | F |
| T | inkerb | ell | shou | ld | have | waited before turning on the TV show |
| | F# | A | B | G | F# | F |
| T | inkerb | ell | shou | ld | have | waited before turning on the TV show |
| | F# | A | B | G | F# | F |
| T | inkerb | ell | shou | ld | have | waited before turning on the TV show |
| | F | F# | A | B | G | B |
| | She sh | ould ha | ve w | aite | d, | she should have waited before the show |
| | E | G | B |
| T | he | TV s | how . . . the TV show |
| | E | G | B |
| T | he | TV s | how . . . the TV show |
| | E | G | B |
| So | you wan | t t | o be a star? Tell the monkey where you are, look the monkey in the |
| (the TV show . . . the TV show) |
| | E | G | B |
| Did you fly in | to a rage? Did you lus | t for | centre stage? Look the monkey in the |
| (the TV show . . . the TV show) |
| | E | G | B |
| Did | you ye | arn t | o leave your mark? Did you swear that you'd go far? Look the |
| (the TV show . . . the TV show) |
| | E | G | B |
| If | you wan | t to | be a star tell the monkey where you are, look the monkey in the |
| (the TV show . . . the TV show) |
| | E | G | B |
| La | la la l | a l | a la la la la la la la .... |
| **************************************************************** |
| Catatonia- Way Beyond Blue |
E-----------------|
B-----------------|
G-----------4-----| Same picking pattern throughout...
D-----6---6-----6-|
A---6---------6---|
E-4-----4---------|
| (i'm really not sure about the words) |
| | G#m | C# | Bb |
| | Wild as a show man to the f | all | |
| | A |
| smooth down your hair and put y | our make-up on |
| | G#m | C# | Bb |
| | You face another night in | too | |
| | A |
| So close your mind no one w | ill follow you |
| | Dm | A |
| | there in your eyes i se | e way beyond blue |
| | Dm | A |
| | there in your eyes i s | ee way beyond blue |
| | G#m | C# | Bb |
| | leave us unto to 'school and the s | ame | |
| | A |
| we live disclaim young blamer | this is us |
| | G#m | C# | Bb |
| | we meet your lover a good | gal | |
| | Dm | A |
| | there in your eyes i see | way beyond blue |
| | Dm | A |
| | there in your eyes i see | way beyond blue |
| | Dm | A |
| | there in your eyes i s | ee way beyond blue |
| | Dm | A | Bb |
| | there in your eyes i | see way beyond bl | ue |
| ********************************************************************** |