| A | C#m | F#m | |
| l | et me te | ll you a st | ory |
| D | E | A | |
| concl | usive, b | ased on f | act |
| C#m | F#m | |
| long ag | o in the m | orning |
| D | E | A | |
| she l | eft, did n | ot come b | ack |
| F#m | A | |
| i | don't really c | are anymore |
| F#m | A | |
| i | don't really c | are |
| A | C#m | D | |
| c | hange the d | ays into n | ights |
| F#m | E | A | |
| and you will kn | ow when the f | eeling is ri | ght |
| C#m | D | |
| this ta | le is too l | ong |
| F#m | E | A | |
| the plot is w | eak and the ch | aracters wr | ong |
| F#m | A | |
| i | don't really c | are anymore |
| F#m | A | |
| i | don't really c | are |
| A | C#m | D | |
| w | ell she ch | anged my l | ife |
| F#m | E | |
| i t | hought you l | oved me |
| A | C#m | |
| a | nd i will p | ray for you |
| D | |
| you'll se | e the truth |
| F#m | E | A | |
| cause tha | t's how it's | got to b | e |
| A | C#m | D | |
| o | h oh o | h oh |
| yeah! |
| F#m | E | |
| o | ooooo | oh.. |
| A | F#m | A | F#m | A | F#m | C#m | D |
| A | C#m | F#m | |
| l | et me te | ll you a s | tory |
| D | E | A | |
| a | bout the wa | y she w | as |
| C#m | F#m | |
| let me t | ell you a st | ory |
| D | E | A | |
| ab | out the w | ay she w | as |