| D | Em | |
| The | very day I purchased it I | christened my guitar |
| A | D | |
| As my | monophonic symphony six string orchestra |
| D | Em | |
| In my room I'd practice late, and | they'd leave me alone |
| D | |
| My mother said, "You're nothin' yet, to make the folks write home." |
| F#m | Em | |
| I'd | play at all the talent nights, I'd | finish, they'd applaud |
| A | |
| Some called in muffled laughter, I just figured they were awed |
| D | Em | |
| So I | went up for an encore, but they s | creamed they'd had enough |
| A | G | A | D | |
| or, m | aybe I just need a group to | help me | do my | stuff |
| G | D | |
| And so I dr | eam a bass will join me and fil | l the bottom in |
| G | D | E | A | |
| And m | aybe now some le | ad guitar so it wo | uld not sound so t | hin |
| Bm | |
| I need so | me drums to set the beat and help me keep in time |
| D | |
| And | way back in the distance some strings would sound so fine |
| G | D | D7 | |
| And | we'd all play together like f | ine musicians shoul | d |
| G | D | E | A | |
| And | it would sound like | music and the m | usic would sound | good |
| Bm | |
| But in | real life I'm stuck with that same old formula |
| Em A Em (individual notes: |
| - | D | - | A | - | F# | - | D | - | A | |
| Me | a | nd | m | y | mon | op | ho | ni | c symphony six string |
| D | |
| orch | estra |
| D | Em | |
| I write | love songs for my favorite girl and | sing 'em soft and slow |
| A | D | |
| But bef | ore I get to finish she says she has to go |
| Em | |
| She's nice and say, "Excuse me, I've | got to find a bar |
| A | G | A | D | |
| I | think I need refreshment 'fore I hear y | ou p | lay gui | tar." |
| F#m | Em | |
| I | sent a demo tape I made to the re | cord companies |
| Bm | F#m | E | A | |
| Two came back ad | dress unknown, one c | ame back C.O. | D. |
| D | Em | |
| Of | course I got form letters all | sayin' pleasant things |
| D | |
| Li | ke suggesting I should find a trade where I would not have to sing |
| G | D | |
| And so I dr | eam a bass will join me and f | ill the bottom in |
| G | D | E | A | |
| And m | aybe now some l | ead guitar so it w | ould not sound so t | hin |
| Bm | |
| I need so | me drums to set the beat and help me keep in time |
| D | |
| And | way back in the distance some strings would sound so fine |
| G | D | D7 | |
| And | we'd all play together like f | ine musicians shoul | d |
| G | D | E | A | |
| And | it would sound like | music and the m | usic would sound | good |
| Bm | |
| But in | real life I'm stuck with that same old formula |
| Em A Em (individual notes: |
| - | D | - | A | - | F# | - | D | - | A | |
| Me | a | nd | m | y | mon | op | ho | ni | c symphony six string |
| D | |
| orc | hestra |
| D | Em | |
| I've been | takin' guitar lessons but my | teacher just took leave |
| A | D | |
| It was s | omething about a breakdown or needing a reprie | ve |
| Em | |
| I know I've found my future so | I will persevere |
| A | G | A | D | |
| And h | old on to my dream of makin' | music | to their ea | rs |
| G | D | |
| And so I dr | eam a bass will join me and fil | l the bottom in |
| G | D | E | A | |
| And m | aybe now some le | ad guitar so it wo | uld not sound so t | hin |
| Bm | |
| I need so | me drums to set the beat and help me keep in time |
| D | |
| And | way back in the distance some strings would sound so fine |
| G | D | D7 | |
| And | we'd all play together like f | ine musicians shoul | d |
| G | D | E | A | |
| And | it would sound like | music and the m | usic would sound | good |
| Bm | |
| But in | real life I'm stuck with that same old formula |
| Em A Em (individual notes: |
| - | D | - | A | - | F# | - | D | - | A | |
| Me | a | nd | m | y | mon | op | ho | ni | c symphony six string |
| D | |
| orc | hestra |
| // sweden rock-festival \\ |