-------0-3---0-------0-3---0-------1-3---1-------1-3-----------0-3---0--|
-----1-----1-------1-----1-------3-----3-------3-----3-------1-----1----|
----0-0-0-0-0-0---0-0-0-0-0-0---2-2-2-2-2-2---2-2-2-2-2-2---0-0-0-0-0-0-|
------------------------------------------------------------------------|
-0h3-----------0h2---------------------------------------0h3------------|
-----------------------------3p1------------3p1-------------------------|
| | C | Cmaj7 | F |
| | How long since I've spent a | whole night in a twin bed with a | stranger |
| | C |
| His warm arms all | around me? |
| | C | Cmaj7 | F |
| | How long since I've gazed into | dark eyes that melted my | soul down |
| | C |
| To a place where it | longs to be? |
| | Em | F |
| | All of your history has little to do with your | face |
| | Bb | F | C |
| You're | mainly a mystery with violins filling in | space | |
| | C | G |
| There is a little bass run after each verse, moving from | - | in something like |
| then back for the start of the next verse. Some verses open with a little bass run as well, |
| | F | C |
| a-b-c. Finally, a much more important one goes with the last move from | to | |
| by humming or singing. It's f-a-bb-c. Rest of the verses (the last has only the first |
| You stood in the nude by the mirror and picked out a rose |
| From the bouquet in our hotel |
| And lay down beside me again and I watched the rose |
