| /A | A | |
| Strumming the chords: 1 2 & 3 & | 4 5 & 6 & two ti | mes per bar (6/8). |
| So Long, Marianne |
| Booklet Greatest Hits: |
| "I began this on Aylmer Street in Montreal and finished it a yaer or so |
| later at the Chelsea Hotel in New York. I didn't think I was saying goodbye |
| but I guess I was. She gave me many songs, and she has given songs to others too. |
| She is a Muse. A lot of people I know think that there is nothing more important |
| than making a song. Fortunately, this belief arises infrequently in their |
| conversation." |
| /A | /Bm | |
| Come over | to the window, my little darling, |
| D | /D | /A | |
| I'd like to t | ry to read your palm. |
| G | /D | |
| I used to think I was some kind of Gypsy boy, |
| F#m | /E | Esus4/ | |
| before I let you take me home. |
| E | E7 | /A | F#m | |
| Now | so long, Marianne, it's ti | me that we began to |
| /E | Esus4 | /E | E7 | /E | Esus4/ | |
| lau | gh and | cry | and | cr | y and |
| E | E7 | /A | /Asus4 | /A | /Asus4 | /A | |
| laugh ab | out it all ag | ain. |
| /A etc. |
| Well you know that I love to live with you, |
| but you make me forget so very much. |
| I forget to pray for the angels |
| and then the angels forget to pray for us. |
| Now so long, Marianne, it's time that we began ... |
| We met when we were almost young |
| deep in the green lilac park. |
| You held on to me like I was a crucifix, |
| as we went kneeling through the dark. |
| Oh so long, Marianne, it's time that we began ... |
| Your letters they all say that you're beside me now. |
| Then why do I feel alone? |
| I'm standing on a ledge and your fine spider web |
| is fastening my ankle to a stone. |
| Now so long, Marianne, it's time that we began ... |
| For now I need your hidden love. |
| I'm cold as a new razor blade. |
| You left when I told you I was curious, |
| I never said that I was brave. |
| Oh so long, Marianne, it's time that we began ... |
| Oh, you are really such a pretty one. |
| I see you've gone and changed your name again. |
| And just when I climbed this whole mountainside, |
| to wash my eyelids in the rain! |
| Oh so long, Marianne, it's time that we began ... |
| (last two verses not on CD) |
| Oh your eyes, well I forgot Your eyes |
| Your body's at home in every sea. |
| How come you gave away your news to everyone |
| That you said was a secret for me. |
| Oh so long, Marianne, it's time that we began ... |
| If you leave, where will I keep you then |
| In my heart as some men say |
| But I who was born to love everyone |
| Why should I keep you so far away? |
| Oh so long, Marianne, it's time that we began ... |
| ********************************************************** |
| There is a french version of this song by Georges Chelon |
| Here is the first verse: |
| J`?tais je pense comme un boh?mian |
| Et je lisais les lignes de ta main |
| Tu as tu? mon ?me de gitan |
| Et je t'en veux, t'en loue en m?me temps |
| Adieu Marianne |
| Le temps vient o? nous allons rire |
| Pleurer et rire pleurer puis en rire ? nouveua |
| If You are interested in more i'll try to type them all. |
| *********************************************************** |
| Lady Midnight |
| Booklet Greatest Hits: |
| "This was finished in the Henry Hudson Hotel on 58th Street in New York. |
| Yafa was doing tricks with her silver bangles. I owe her the last verse. |
| It was recorded in Nashville. The voice is uncertain. In those days it |
| took me fifteen minutes to decide whether or not I should wear my cap |
| when I went outside and a half hour whether or not I should take it off |
| when I came back." |
| /G | /G7 | /F | /C | |
| I | came by my-self | to a very | crowded place; |
| /G | /G7 | /F | /C | |
| I was looking for some | one who had lines in her | face. |
| /C7 | /F | /F | |
| I found her there but s | he was past all co | n-cern; |
| /C | /F | Em/Dm | /Dm | |
| I | asked her to hol | d me, | said, "Lady, un-fold m | e," |
| Em7/C | /F | |
| but | she scorned me and she told me |
| /G | /G7 | /C | |
| I was de | ad an | d I could never re-turn. |
| Well, I argued all night like so many have before, |
| saying, "Whatever you give me, I seem to need so much more." |
| Then she pointed at me where I kneeled on her floor, |
| she said, "Don't try to use me or slyly refuse me, |
| just win me or lose me, |
| it is this that the darkness is for." |
| I cried, "Oh, Lady Midnight, I fear that you grow old, |
| the stars eat your body and the wind makes you cold." |
| "If we cry now," she said, "it will just be ignored." |
| So I walked through the morning, sweet early morning, |
| I could hear my lady calling, |
| F | /G | /G7 | /C | |
| " | You've won | me, you've won me, m | y lord, |
| /G | /G7 | /C | |
| you've won | me, you've won me, m | y lord, |
| /C | /G | /G7 | /C | |
| yes, you've wo | n me, you've won me, | my lord, |
| /C | /G | /G7 | /C | |
| ah, you've wo | n me, you've won me, | my lord, |
| /C | /G | /G7 | /C | |
| ah, you've wo | n me, you've won me, | my lord." |
| have a nice time with playing the songs |
| adi |