| | A | E6 | Dmaj7 |
| | I was dressed for suc | ces, but success it never | comes |
| | A | E6 |
| And I'm the only one who | laughs, at your jokes when they are so | bad |
| | Dmaj7 | A |
| And you jokes are always | bad, but they're not as bad as | this. |
| | E6 | Dmaj7 |
| Come join us in a | prayer, we'll be waiting, waiting | where |
| | A |
| Everything's ending | here. |
| | D | E | A |
| And | all the sterile striking it de | pends an empty dock you cast a | way |
| | D | E | A |
| And | rain upon you forehead where the | mist's for hire if it's just too | clear |
| | D | E | A |
| Lets | spend out last | quarter stance random | ly |
| | D | E | A |
| Go | down to the | outlet once | again |
| | E6 | Dmaj7 |
| Paved portraits of minions and | slaves, crotch mavens and one night | plays |
| | A | E6 |
| Are they the only ones who laug | h? At the jokes when they are so | bad |
| | Dmaj7 | A |
| And the jokes are always | bad, but they're not as bad as | this. |
| | E6 | Dmaj7 |
| Come join us in a | prayer, we'll be waiting, waiting | where |
| | A |
| Everything's ending | here. |
| | D | E | A |
| And | all the spanish candles unsold | have gone away to | this |
| | D | E | A |
| And a " | Run on piece of mount on" trembles | shivers runs down the free | way |
| | D | E | A |
| I | guess she spent her | last quarter random | ly |
| | D | E | G | E |
| I | guess a | guess is the best I'll | do | |
| A (repeat 4x) E6 (4x) Dmaj7 (4x) |
e-|--------------|--------------|--------------|--------|
B-|--------2-----|--------2-----|--------2-----|--------|
G-|--2--2--2--2--|--------1-----|--2--2--2--2--|--------|
D-|--2--2-----2--|--2--2-----2--|--0--0-----0--|--------|
A-|--0--0-----0--|--2--2-----2--|--------------|--------|
E-|--------------|--0--0-----0--|--------------|--------|
e-|-----------------|--0--------------------------------|--2-----|
B-|--2--3--2--3--2--|--0-----2-----3-----2-----3-----2--|--3-----|
G-|--2--2--2--2--2--|--1-----1-----1-----1-----1-----1--|--2-----|
D-|--2--2--2--2--2--|--2-----2-----2-----2-----2-----2--|--0-----|
A-|--0--0--0--0--0--|--2--------------------------------|--------|
E-|-----------------|--0--------------------------------|--------|
| come join us in a prayer, we've been waiting, waiting where |
e-|-----------------|--------|
B-|--3--3--2--3--2--|--2-----|
G-|--2--2--2--2--2--|--2-----|
D-|--0--0--0--0--0--|--2-----|
A-|-----------------|--0-----|
E-|-----------------|--------|
| everything's ending here. |
e-|--------------------------------|-----------0-----------------|-----------|
B-|-----------5--------------5-----|--------0--------------0--2--|--3--2--2--|
G-|--------2--------------2--------|--------------------2--------|--2--2--2--|
D-|-----0--------------0-----------|-----2-----------2-----------|--2--2--2--|
A-|--------------------------------|-----------------------------|--0--0--0--|
E-|--------------------------------|-----------------------------|-----------|
| And all the sterile striking it depends an empty dock you cast away |
| I played around with alternate tunings and came up with this which |
| sounds pretty good to me. It's a slack tuning, meaning strings are |
| lowered in pitch by slackening the tension. You tune the strings (low |
| to high) to: D-A-D-G-A-C#. You can do this by tuning the 1st string |
| (the high e) down until it matches the sound of the 2nd string played |
| on the 2nd fret (C#). Then tune the 2nd string down until it matches |
| the sound of the 3rd string played on the 2nd fret. Finally, tune the |
| 6th string down two semi-tones to D. You can tune it so that it |
| sounds an octive lower than the 4th string. If you're not good at |
| hearing octives, tune it so the 6th string played on the 12th fret |
| matches the 4th string. The 3rd, 4th, and 5th strings are not |
| A (repeat 4x) E6 (4x) Dmaj7 (4x) |
C#-|--------0-----|--------0-----|--------0-----|--|
A -|--------0-----|--------2-----|--------0-----|--|
G -|--2--2-----2--|--1--1-----1--|--2--2-----2--|--|
D -|--2--2-----2--|--X--X-----X--|--0--0-----0--|--|
A -|--0--0-----0--|--2--2-----2--|--0--0-----0--|--|
D -|--------------|--2--2-----2--|--0--0-----0--|--|
C#-|-----------------------------|-----------------------------|--1--0--0--|
A -|-----------7-----------7-----|-----------7-----------7-----|--0--0--0--|
G -|-----------7-----------7-----|-----------9-----------9-----|--2--2--2--|
D -|--------7-----------7--------|--------9-----------9--------|--2--2--2--|
A -|-----5-----------5-----------|-----7-----------7-----------|--0--0--0--|
D -|-----------------------------|-----------------------------|-----------|
| And all the sterile striking it depends an empty dock you cast away |
C#-|----------------------------------------------------------------|
A -|----------------------------------------------------------------|
G -|--------------2-------------------------------------------------|
D -|--0-----2-----2--------------------0-----2-----5-----2----------|
A -|--0-----2-----0--------------------0-----2-----5-----2----------|
D -|--0-----2--------------------------0-----2-----5-----2----------|