Run Like An Antelope

Phish

 DDAD
       H-O   H-O                         
E------------------------------------|
B-------------------10---7---5-------|
G---------------7---7----7---6---7---|
D----------7-9------7----7---7---7---|
A-----7-9------------------------9---|
E--10--------------------------------|


Repeat as necessary for intro.

Then

A D (x4) Then repeat Introductory sequence...

Back to A D, until this part (again, listen to a recording
for timing information and when it comes:

E-----------------------|
B--10--9--10--9--10--9--|
G---7--7---7--7---7--7--|
D---7--7---7--7---7--7--|
A-----------------------|
E-----------------------| then noodle on D...
E------------------------|
B--10--9--10--11--10--9--|
G---7--7---7--12---7--7--|
D---7--7---7--13---7--7--|
A------------------------|
E------------------------|


Repeat twice...

Then back to the main lick, then A > D, the last time ending with
a D chord on the second fret (basic D chord).

Then comes the distortion, and the progression changes to a
D C D C G > F one (See below)... listen to the recording for timing.
This is the solo Trey does on Lawn Boy.. every time I think he
noodles around with it a little.

~~~~~ ~~~~~ ~~
E---------------------------5-4-3-----------------------|
B------------------------(3)------3---3-5-3-5^(7)-------|
G----------------------(2)----------4-------------------|
D-------------------------------------------------------|
A---5------3-------5------------------------------------|
E-------------------------------------------------------|


Palm muting...
E-------------------------------------------------------|
B--5^(7)-5-3-------------------------------5^(7)-5-3----|
G-------------2-2-2-2-2-2-2-2-2-2-2---------------------|
D-----------------------------------4-------------------|
A-------------------------------------------------------|
E-------------------------------------------------------|
E----------------5^(7)----------------------------------|
B-----------------------------------5^(7)-5-3-----------|
G--2-2-2-2-2-2-2-------2-2-2-2-...2------------2--------|
D-------------------------------------------------------|
A-------------------------------------------------------|
E-------------------------------------------------------|
E--------------------------5^(7)----5^(7)-5-2-----------|
B---------3-5-5-5-3---3-----------------------5-3--3----|
G----2-4------------4----------------------------4------|
D--4----------------------------------------------------|
A-------------------------------------------------------|
E-------------------------------------------------------|
E---------------|
B-15^(17)-15----|
G------------14-|
D---------------|
A---------------|
E---------------|


Then:
Rake Fast!!! ....................
E---15---15--------15--14--13--12--7--6--5--4--3---0------|
B--13-------13---15--14--13--12--7--6--5--4--3--2--0------|
G-14-----------------------------------------------0------|
D--------------------------------------------------2------|
A--------------------------------------------------2------|
E--------------------------------------------------0------|


..Into the JAM!!

Em > D

Here's a little lick that Trey did at Shoreline in 1995 at the start:
(Thanks to Mike Flouton)
E--------------------------------------------------------|
B-12h13-11h12------10------------------------------------|
G-------------9h11----12-11-10-9-8-7-----7-9-------------|
D------------------------------------8h9-----9p8p7-------|
A--------------------------------------------------9p8p7-|
E--------------------------------------------------------|


After the Climax of the jam, it cools down but maintains the same
Em > D progression. Trey might noodle over it a little, then goes
into the words :

Rai rai Rocko (?)

Marco Esquandolas (?)

Been you to have any spice/spike mon? (?)

A heavy C chord makes for the transition to the next part:

D C D C G > F (loud!)

I like to play the G > F chords as such:

 GF
E--------------|
B-----8-----6--|
G-----7-----5--|
D-----9-----7--|
A----10-----8--|
E--------------|


Though I'm sure most people will stick with the barre chord shapes.

For this part, I can't decide which one sounds better / works better - the
C chord or the Am or the Am7 chord. They're all very closely related, Am
being the sixth of C. Play it however you like, I suppose

 DAm7
 Run Run Run Run Run Run Run Run/Run Run Run Run Run Run Run Run

 DAm7
 Run Run Run Run Run Run Run Run/Run Run Run Run Run Run Run Run

(with "Run run run" chant over)

"Set the gearshift for the high gear of your soul . . .
you've got to run like an antelope . . . out of control..."

Eventually they slow this chord progression down, ending on the D chord.

Trey will sometimes bend the fifth fret on the B string up a whole step
and hold it while the band does their grand finale, and he sometimes does his
"Thanks a lot, we'll be back in fifteen minutes" routine (yeah, right).
E---------|

B--5^(7)--|
G---------|
D---------|
A---------|
E---------|				



A Am7 D F G
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