Run Like an Antelope Phish
Tabbed by: Jon Martin
Introduction:
These are the chord shapes -- listen to a recording for
timing and strumming information.
H-O H-O[D] [D] [A] [D]
E------------------------------------| B-------------------10---7---5-------| G---------------7---7----7---6---7---| D----------7-9------7----7---7---7---| A-----7-9------------------------9---| E--10--------------------------------|
Repeat as necessary for intro.
Then
A D (x4) Then repeat Introductory sequence...
Back to A D, until this part (again, listen to a recording
for timing information and when it comes:
E-----------------------| B--10--9--10--9--10--9--| G---7--7---7--7---7--7--| D---7--7---7--7---7--7--| A-----------------------| E-----------------------| then noodle on D... E------------------------| B--10--9--10--11--10--9--| G---7--7---7--12---7--7--| D---7--7---7--13---7--7--| A------------------------| E------------------------|
Repeat twice...
Then back to the main lick, then A > D, the last time ending with
a D chord on the second fret (basic D chord).
Then comes the distortion, and the progression changes to a
D C D C G > F one (See below)... listen to the recording for timing.
This is the solo Trey does on Lawn Boy.. every time I think he
noodles around with it a little.
~~~~~ ~~~~~ ~~
E---------------------------5-4-3-----------------------| B------------------------(3)------3---3-5-3-5^(7)-------| G----------------------(2)----------4-------------------| D-------------------------------------------------------| A---5------3-------5------------------------------------| E-------------------------------------------------------|
Palm muting...
E-------------------------------------------------------| B--5^(7)-5-3-------------------------------5^(7)-5-3----| G-------------2-2-2-2-2-2-2-2-2-2-2---------------------| D-----------------------------------4-------------------| A-------------------------------------------------------| E-------------------------------------------------------| E----------------5^(7)----------------------------------| B-----------------------------------5^(7)-5-3-----------| G--2-2-2-2-2-2-2-------2-2-2-2-...2------------2--------| D-------------------------------------------------------| A-------------------------------------------------------| E-------------------------------------------------------| E--------------------------5^(7)----5^(7)-5-2-----------| B---------3-5-5-5-3---3-----------------------5-3--3----| G----2-4------------4----------------------------4------| D--4----------------------------------------------------| A-------------------------------------------------------| E-------------------------------------------------------| E---------------| B-15^(17)-15----| G------------14-| D---------------| A---------------| E---------------|
Then:
Rake Fast!!! ....................
E---15---15--------15--14--13--12--7--6--5--4--3---0------| B--13-------13---15--14--13--12--7--6--5--4--3--2--0------| G-14-----------------------------------------------0------| D--------------------------------------------------2------| A--------------------------------------------------2------| E--------------------------------------------------0------|
..Into the JAM!!
Em > D
Here's a little lick that Trey did at Shoreline in 1995 at the start:
(Thanks to Mike Flouton)
E--------------------------------------------------------| B-12h13-11h12------10------------------------------------| G-------------9h11----12-11-10-9-8-7-----7-9-------------| D------------------------------------8h9-----9p8p7-------| A--------------------------------------------------9p8p7-| E--------------------------------------------------------|
After the Climax of the jam, it cools down but maintains the same
Em > D progression. Trey might noodle over it a little, then goes
into the words :
Rai rai Rocko (?)
Marco Esquandolas (?)
Been you to have any spice/spike mon? (?)
A heavy C chord makes for the transition to the next part:
D C D C G > F (loud!)
I like to play the G > F chords as such:
[G] [F]
E--------------| B-----8-----6--| G-----7-----5--| D-----9-----7--| A----10-----8--| E--------------|
Though I'm sure most people will stick with the barre chord shapes.
For this part, I can't decide which one sounds better / works better - the
C chord or the Am or the Am7 chord. They're all very closely related, Am
being the sixth of C. Play it however you like, I suppose
Run Run Ru[D]n Run Run Run Run Run[/]/Run Run Run[Am7] Run Run Run Run Run
Run Run Ru[D]n Run Run Run Run Run[/]/Run Run Run[Am7] Run Run Run Run Run
(with "Run run run" chant over)
"Set the gearshift for the high gear of your soul . . .
you've got to run like an antelope . . . out of control..."
Eventually they slow this chord progression down, ending on the D chord.
Trey will sometimes bend the fifth fret on the B string up a whole step
and hold it while the band does their grand finale, and he sometimes does his
"Thanks a lot, we'll be back in fifteen minutes" routine (yeah, right).
E---------|
B--5^(7)--|
G---------| D---------| A---------| E---------|
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