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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

-first letter-A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

	A
	d (Down)

Chords Used

d(1

D(2

d(3

Gsus2

Asus4

Asus2/4

d |----0-------------0------------0----------0---------0-----------0-------|
a |----0-------------0------------0----------0---------0-----------0-------|
f#|----0------------12-----------12----------5---------7-----------5-------|
d |----0-------------0-----------12----------5---------7-----------7-------|
a |----0-------------0-----------12----------5---------7-----------7-------|
d |----0-------------0-----------12----------5---------7-----------7-------|

The variations of D chords above are not different other than the voicings, which in

country songs is an integral part of the song as most country songs use very popular

and usually overused chord patterns and so country musicians have to concentrate on

their voicings to bring a sense of originality to the song.

Bm7sus2

Bm7

Bm7(2

Bm7(3

Em7sus4

F#/d

d |-----0--------0--------0--------0--------0--------0----|
a |-----0--------0--------0--------0--------0--------0----|
f#|-----7--------8--------8--------x--------1--------0----|
d |-----9--------9--------9--------9--------2--------0----|
a |-----9--------9--------0--------9--------2--------x----|
d |-----9--------9--------9--------9--------2--------4----|

INTRO

d |--------------------------------------------|
a |--------------------------------------------|
f#|--------------------------------------------| x2
d |--------------------------------------------|
a |---0-----0---0---0----0---0-----0---0---0---|
d |---9/11--11--11--12---7---9/11--11--11--9---|

	Bm7	Gsus2
	From the moment that we met

	d(1
My world was	turned around

	Asus2/4
	Upside down

	Bm7	Gsus2
	To some degree I still re	gret

	d(1	Asus2/4
My m	emory for keeping	you around

	Em7sus4	F#/d	Gsus2
	Girl I thought that	you were	mine

	Em7sus4	F#/d
But my	broken hearts been shattered

	Gsus2
	One too many times

	D(2
And I don't want to	see you anymore

	Bm7(2
	I'm just not that strong

	Asus4
I	love it when you're here,

	Gsus2
But I'm	better when you're gone

	D(2	Bm7(2
I'm	certain that I've given and	oh how you can take

	Asus4
There's	no use in you looking

	Gsus2
There's nothing	left for you to break

	Em7sus	F#/d	Gsus2
Baby	please	relea	se me

Em7sus F#/d Gsus2 (REPEAT INTRO)

Let my heart rest in pieces

In the next verse, the electric guitar in the background is playing around on

some suspensions in a small riff which is chordally derived from the on we heard

in the intro which means that if you like you CAN get away with a Bm7sus2 instead of

Bm7, but only if you are really being back by a band!

	Bm7	Gsus2
	Someone let you down	again

	d(1
So you	turn to me

	Asus4
Your	convenient friend

	Bm7	Gsus2
	Oh but I know what you're	doing

	d(1
And what you	hope to find

	Asus4
I've seen it a	thousand times

	Em7sus4	F#/d	Gsus2
	Oh the fire we	had b	efore

	Em7sus4	F#/d
Are	now just bitter ashes

	Gsus2
Left	scattered on the floor

	D(2
And I don't want to	see you anymore

	Bm7(2
	I'm just not that strong

	Asus4
I	love it when you're here,

	Gsus2
But I'm	better when you're gone

	D(2	Bm7(2
I'm	certain that I've given and	oh how you can take

	Asus4
There's	no use in you looking

	Gsus2
There's nothing	left for you to break

	Em7sus	F#/d	Gsus2
Baby	please	relea	se me

(careful below as they play one bar less than you would 'feel' before the solo!)

	Em7sus	F#/d	Gsus2	Bm7sus2	Bm7
Let my	heart r	est i	n pieces

Yeaaahh...................

SOLO - d(3), Bm7(2), Asus4, Gsus2

	D(2
And I don't want to	see you anymore

	Bm7(2
	I'm just not that strong

	Asus4
I	love it when you're here,

	Gsus2
But I'm	better when you're gone

	D(2	Bm7(2
I'm	certain that I've given and	oh how you can take

	Asus4
There's	no use in you looking

	Gsus2
There's nothing	left for you to break

	Em7sus	F#/d	Gsus2
Baby	please	relea	se me

	Em7sus	F#/d	Gsus2
We both	know that	you don't	need me

	Em7sus	F#/d	Gsus2
Let my	heart r	est i	n pieces

Here again we see the intro motif reappear, this time however it is best to play it chordally

as follows with the chords changing in rhythm to the riff:

BAR 1 2 3 4

|Bm7sus2 Bm7| Bm7sus2 Bm7(3)| Bm7sus2 Bm7| Bm7sus2 Bm7(3)| x2

You should be able to see that the motif is all that is changing between these chords but by

presenting it like this it provides a harmonically pleasing voice!

You can also get away with playing it as in the intro of course, depending on whether you want

to finish it loudly or delicately!

Tabbed by Andrew and a Braindead Monkey.