e-------------------------------------|
B-------------------------------------|
G-------------------------------------|
D----6-4-------4-6--------------------|
A--------6-6-6------------------------|
E-------------------------------------|
| Ab7 | |
| Don't you ever be sad |
| Lean on me when times get bad |
| C# | |
| When the d | ay come and you're in doubt |
| In a river of trouble about to drown |
| Chorus: |
| Ab7 | B | |
| Hold On, I'm c | oming |
| C# | Ab7 | |
| Hold | On, I'm co | ming |
| Verse: |
| Ab7 | |
| I'm on my way your lover |
| When you get cold |
| I'll be your cover |
| C# | |
| Don't have to w | orry |
| 'Cause I'm here |
| Don't need to suffer |
| 'Cause I'm here |
| Chorus: |
| Ab7 | B | |
| Hold On, I'm c | oming |
| C# | Ab7 | |
| Hold | On, I'm co | ming |
| Ab7 | B | |
| Hold On, I'm c | oming |
| C# | Ab7 | |
| Hold | On, I'm co | ming |
| Bridge: |
| C# | |
| Reach out to me |
| For satisfaction |
| B | |
| Call my name |
| C# | |
| For quick re | action |
| D# | |
| Hey hey | hey |
| then do this little lick over Ab F# B C# |
e----------------------------------------| B----------------------------------------| G-----------------------4-6-8-8s10-8-6---| D----666666-4-6-6s8-6-4------------------| A----------------------------------------| E----------------------------------------|
| intro riff over Ab7 B C# |
| Ab7 | |
| Don't you ever, don't you ever be sad |
| I want you to lean on me when times get bad |
| C# | |
| When the da | y come and you're in doubt |
| In a river of trouble about to drown |
| Ab7 | B | |
| Hold On, I'm c | oming |
| C# | Ab7 | |
| Hold | On, I'm co | ming |
| Ab7 | B | |
| Hold On, I'm c | oming |
| C# | Ab7 | |
| Hold | On, I'm co | ming |
| repeat a few times and fade out |
| This is really a masterpiece of soul music! |
| Corrections, questions, comments and suggestions are always welcome, just e-mail me |
| __________________________________________________________ |
| |"Won't you tell me, where have all the good times gone?" | |
| | -Ray Davies, 1965 | |
| | | |
| |You can hardly listen to today's music, if you can call | |
| |it music at all. | |
| |_________________________________________________________| |