| D5 | |
| She has a face to die for, |
| F#5 | |
| But nothing going | on inside, |
| D5 | |
| She'll never make your eyes sore, |
| F#5 | |
| Until she starts to s | peak her mind. |
| E5 | A5 | |
| So I'll just try to keep the conver | sation right, |
| E5 | A5 | |
| Then in the morning at the d | oor I'll give a kiss goodbye. |
| D5 | F#5 | D5 | |
| Nothing wrong with that it's o | nly one night and nothing els | e, |
| D5 | F#5 | |
| Everytime I tell mys | elf it's the last time. |
| F#5 | E5 | D5 | C5 | A5 | D5 | |
| One d | ay I | 'll | reti | re, just not toni | ght. |
| "FROM NOW THE CORDS ARE THE SAME AS ABOVE" |
| Now, I'm not being ignorant, |
| Just that some things tend to slip my mind, |
| Like where she buys her tan from, |
| And the colour of the hair she dyes. |
| Now I'm not being mean, in fact I'm being quite polite, |
| All I'm trying to say is that you won't catch her on mastermind. |
| Nothing wrong with that it's only one night and nothing else, |
| Everytime I tell myself it's the last time. |
| One day I'll retire, just not tonight. |