| D | Em |
| D | Em | |
| In crowded | bars, |
| D | Em | |
| at subway | cars |
| G | |
| Whenever you are next to me, |
| A | |
| center of gravity, |
| G | D | |
| can't feel both feet on the groun | d |
| D | Em | |
| Walking home after | dark, |
| D | Em | |
| past the softball | park |
| G | |
| Whenever you are next to me, |
| A | |
| center of gravity, |
| G | D | |
| can't feel both feet on the groun | d |
| C#m | G | A | G | A | G | |
| It's clear to | me, | according | to a rule | I learned one | day in school |
| C#m | G | A | G | A | |
| Basic geom | etry: | two halves of a | circle, you and | me |
| D | Em | |
| It's a familial | song |
| D | Em | |
| we've known so | long |
| G | |
| Your clever cuts into me |
| A | |
| as long as you're next to me |
| G | D | |
| I can't feel both feet on the groun | d |
| G | |
| Whenever you are next to me, |
| A | |
| center of gravity, |
| G | D | |
| can't feel both feet on the groun | d |
| D Em (bop bop ba da ba ba da!) |
| D | Em | D | Em |