So What Miles Davis
-----------------||----------7==---5--|------------------|----------7==---5-|
-----------------||----------8==---6--|------------------|----------8==---6-|
-----------------||o---------7==---5--|------------------|----------7==---5-|
-----------------||o---------7==---5--|------------------|----------7==---5-|
----------5-/7---||--5==-----7==---5--|----------5-/7----|--5-------7==---5-|
--3/5-7-8------8-||-------------------|--3/5-7-8------8--|----5==-----------|
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &
[Em7/11] [Dm7/11] [Em7/11] [Dm7/11]
|------------------|---------7==---5--|------------------|----------7==---5-|
|------------------|---------8==---6--|------------------|----------7==---5-|
|------------------|---------7==---5--|------------------|----------7==---5-|
|------------------|---------7==---5--|------------------|----------7==---5-|
|----------5-/7----|-5==-----7==---5--|---5/7--/7--/7-5==|==5==-----7==---5-|
|--3/5-7-8------8--|------------------|------------------|------------------|
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &
__________________ __________________
| 1. (repeat A)| 2. (to B->)
|-----------------||-------------------|
|-----------------||-------------------|
|----------------o||-------------------|
|----------------o||-------------------|
|----------5-/7---||----------6-/8-----|
|--3/5-7-8------8-||--4/6-8-9------9---|
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &
B:: Fm7/11 Ebm7/11 Fm7/11 Ebm7/11
|---------8==---6--|------------------|----------8==---6-|------------------|
|---------9==---7--|------------------|----------9==---7-|------------------|
|---------8==---6--|------------------|----------8==---6-|------------------|
|---------8==---6--|------------------|----------8==---6-|------------------|
|-6==-----8==---6--|----------6-/8----|--6-------8==---6-|----------6-/8----|
|------------------|--4/6-8-9------9--|----6==-----------|--4/6-8-9------9--|
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &
Fm7/11 Ebm7/11 Fm7/11 Ebm7/11 (to A->)
|---------8==---6--|------------------|----------8==---6-|-----------------||
|---------9==---7--|------------------|----------9==---7-|-----------------||
|---------8==---6--|------------------|----------8==---6-|----------------o||
|---------8==---6--|------------------|----------8==---6-|----------------o||
|-6==-----8==---6--|----------6-/8----|--6-------8==---6-|----------5-/7---||
|------------------|--4/6-8-9------9--|----6==-----------|--3/5-7-8------8-||
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &
--------------------------------------------------------------|
... rest of tune a free-form improv over the same A-A-B-A 32--|bar form: two
8-bar sections ("A-A") of Dm dorian, 8 bars of Ebm dorian ("B"), and 8 more
bars ("A") of Dm dorian. The bass starts "walking," the piano comps/
ad-libs quartal-modal chord voicings, and Miles & the other horn players
take leads in Dm & Ebm Dorian. (Dorian in Dm: d-e-f-g-A-B-c-d; Eb Dorian
a half-step higher). . . . Here's the start of Miles' lead, to give you a
better idea (note that the D dorian scale "fits" whether the chord is Dm7/11
or Em7/11: both consist of notes from this very scale)--
-10=====-||------------------|------------------|------------|
---------||------------------|------10-8----10--|------------|
---------||--7============---|--10--------------|--7-7=------|
---------||------------------|------------------|------------|
---------||------------------|------------------|------------|
---------||------------------|------------------|------------|
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