| A | |
| turnstiles on mezzanine |
| jet ways and Dramamine fiends |
| and x-ray machines |
| D | |
| you were hurling through | space |
| g-forces twisting your face |
| A | |
| breeding super | stition |
| E | |
| a fatal premon | ition |
| D | |
| you know you got to env | ision |
| A | |
| the fiery cr | ash |
| E | D | |
| oh close your eyes and you wake | up |
| A | |
| face stuck to a | vinyl settee |
| E | D | |
| oh the line was starting to break | up |
| A | |
| just as you were | starting to say |
| A |
D|------------------------------------
A|-4----2-----4---2---0---4---2-----0-
E|------------------------------------
| some-thing a- pro-pos I don't know |
| A....A....A....D....D....A....E...D...A |
| (verse) |
| A | |
| beige tiles and magazines |
| Lou Dobbs and the CNN team |
| on every monitor screen |
| D | |
| you were caught in the | crossfire |
| where every human face |
| has you reaching for your mace |
| A | |
| so it's kind of an impo | sition (fatal premonition) |
| E | D | |
| to save our lives you've got to en | vision |
| E | D | |
| to save all our lives you've got to en | vision |
| E | D | Dm | |
| well to save all our lives you've got to en | visi | on |
| A | |
| the fiery | crash |
| Dm | A | |
| it's just a formality |
| Dm | A | |
| why | must I explain? |
| Dm | A | |
| just a | nod to mortality |
| E | A | |
| before you | get on....before you get on a | plane |
| E | D | |
| oh close your eyes and you wake | up |
| A | |
| face stuck to a | vinyl settee |
| E | D | |
| oh the line was starting to break | up |
| what was that you were |