From Bo.Parker@msfc.nasa.gov Wed Aug 31 11:55:31 EDT 1994 Article: 29236 of alt.guitar.tab Xref: undergrad.math.uwaterloo.ca alt.guitar.tab:29236 Path: undergrad.math.uwaterloo.ca!watserv2.uwaterloo.ca!torn!howland.reston.ans.net!cs.utexas.edu!not-for-mail From: Bo.Parker@msfc.nasa.gov (Bo Parker) Newsgroups: alt.guitar.tab Subject: TAB: Sally Goodin (western swing) Date: 31 Aug 1994 10:11:06 -0500 Organization: UTexas Mail-to-News Gateway Lines: 104 Sender: nobody@cs.utexas.edu Message-ID: <0012e649d89022117@mercury.msfc.nasa.gov> NNTP-Posting-Host: news.cs.utexas.edu Hi Here's TAB for Sally Goodin, a traditional fiddle tune, and a Texas-style/Western Swing accompaniment for it. I have TABbed the melody as if it were played in G. The accompaniment is in A, though, so you'll have to capo at the second fret to make the melody work with the accompaniment. It's in 2/4. So each "|" above the staff represents an eighth note. Sally Goodin (traditional) arr. Jim Wood, TAB by Bo Parker bo_parker@fbpmac.msfc.nasa.gov Melody: (Don't worry about the chord symbols - fingerings are given below. D#o7 means D# diminished 7th.) A A9/C# D D#o7 A A#o7 Bm7 E7 | | | | | | | | | | | | | | | | |-----------------|-----------------|-----------------|-----------------| |---0---0---------|---0-------------|---0---0---------|-----------------| |-0---2---0---0-0-|-0---2-0---0-0-0-|-0---2---0-2-0---|-----------0-0-0-| |-----------------|---------2-------|---------------2-|-0---0-0-2-------| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| | A A9/C# D D#o7 E7 F#m E7/G# A | | | | | | | | | | | | | | | | |-----------------|-----------------|-----------------|-----------------| |---0---0---------|---0-------------|---0---0---------|-----------------| |-0---2---0---0-0-|-0---2-0---0-0-0-|-0---2---0-2-0---|-----------0-0-0-| |-----------------|---------2-------|---------------2-|-0---0-0-2-------| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| A A7/G D/F# Dm/F A/E D#o7 E7/D E7/B | | | | | | | | | | | | | | | | |-----------------|---3-0-----------|---3-0-----------|-----------------| |-----0-1-3---3-3-|-3-----3-0-3-3-3-|-3-----3-0-------|-----------------| |-0-2-------------|-----------------|-----------2-0---|-----------0-0-0-| |-----------------|-----------------|---------------2-|-0---0-0-2-------| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| A A9/C# D D#o7 E7 E7/B E7/G# A | | | | | | | | | | | | | | | | |-----------------|---3-0-----------|---3-0-----------|-----------------| |-----0-1-3---3-3-|-3-----3-0-3-3-3-|-3-----3-0-------|-----------------| |-0-2-------------|-----------------|-----------2-0---|-----------0-0-0-| |-----------------|-----------------|---------------2-|-0---0-0-2-------| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| OK - now the accompaniment. Note the nice walking bass lines. The whole thing is done bass-strum, bass-strum, etc. A A9/C# D D#o7 A A#o7 Bm7 E7 | | | | | | | | | | | | | | | | |-----------------|-----2-------2---|-----------------|-----2-------0---| |-----2-------5---|-----3-------1---|-----2-------2---|-----3-------0---| |-----2-------4---|-----2-------2---|-----2-------0---|-----2-------1---| |-----2-------5---|-0-------1-------|-----2-------2---|----(0)------0---| |-0-------4-------|-----------------|-0-------1-------|-2-----------2---| |-----------------|-----------------|-----------------|---------0-------| A A9/C# D D#o7 E7 F#m E7/G# A | | | | | | | | | | | | | | | | |-----------------|-----2-------2---|-----3-------5---|-----7-------5---| |-----2-------5---|-----3-------1---|-----3-------5---|-----5-------5---| |-----2-------4---|-----2-------2---|-----4-------6---|-----7-------6---| |-----2-------5---|-0-------1-------|-2-------4-------|-6-------7-------| |-0-------4-------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| A A7/G D/F# Dm/F A/E D#o7 E7/D E7/B | | | | | | | | | | | | | | | | |-----5-------5---|-----------------|-----------------|-------------0---| |-----5-------5---|-----7-------6---|-----5-------7---|-----5-------0---| |-----6-------6---|-----7-------7---|-----6-------5---|-----4-------1---| |-7-------5-------|-----7-------7---|-----7-------7---|-----6-------0---| |-----------------|-9-------8-------|-7-------6-------|-5-------2-------| |-----------------|-----------------|-----------------|-----------------| A A9/C# D D#o7 E7 E7/B E7/G# A | | | | | | | | | | | | | | | | |-----------------|-----2-------2---|-----------------|-----------------| |-----2-------5---|-----3-------1---|-----5-------5---|-----3-------2---| |-----2-------4---|-----2-------2---|-----7-------7---|-----4-------2---| |-----2-------5---|-0-------1-------|-----6-------6---|-----2-------2---| |-0-------4-------|-----------------|-7---------------|---------0-------| |-----------------|-----------------|---------7-------|-4---------------| Enjoy! -Bo Parker Bo.Parker@msfc.nasa.gov bo_parker@fbpmac.msfc.nasa.gov parker_b%aplvax.span@fedex.msfc.nasa.gov "I poked at it with a stick."