| D | A/C# | |
| So you think th | at you have seen her, |
| D/F# | G | |
| When you´re lying in | between her |
| D | A/C# | |
| And you tell me | that you don´t care |
| D/F# | G | |
| Busy bodi | es getting nowhere |
| D | G | |
| Everybo | dy´s getting meaner |
| D | A | D | D/F# | G | D | Bm7 | A | |
| Busy bodies | caught in t | he concertina |
| D | G | E | A | |
| You check her outline, br | eak her re | gulations |
| F#/C# | Bm/D | E | A | G | |
| You watch her legs | through several service s | tations |
| F#m | F | Em | A7 | |
| Busy bodies, ve | ry busy, getting | nowhere |
| Nowhere, nowhere, nowhere |
| D | A/C# | |
| Now you´re ready for | a merger |
| D/F# | G | |
| With the company | you´re part of |
| D | A/C# | |
| And you do the | dirty business |
| D/F# | G | |
| With your latest | sleeping partner |
| D | G | |
| You´re becoming a | utomatic |
| D | A | D | D/F# | G | D | Bm7 | A | |
| Busy bodies | out play | ing with the traffic |
| D | G | E | A | |
| You want attention | . You t | ry my patience |
| F#/C# | Bm/D | E | A | G | |
| With the best intent | ions you are nothing but | a nuisance |
| F#m | F | Em | A7 | |
| Busy bodies, bu | sy busy, getting | nowhere |
| Nowhere, nowhere, nowhere |
| D | A/C# | |
| Now you´ve given your | performance |
| D/F# | G | |
| Though the matinee w | as idle |
| D | A/C# | |
| And you find ou | t that a wave of |
| D/F# | G | |
| Her right hand | could seem so tidal |
| D | G | |
| Just a second | satisfaction |
| D | A | D | D/F# | G | D | Bm7 | A | |
| Busy bodies | temp |