| A | Bb | |
| You've got to have an ace in the hole |
| D7 | A | A7 | Eb7 | Bb | Bb7 | |
| A little | secret that nobody | knows |
| D | D#dim7 | A/E | F#7 | Eb | Edim7 | Bb/F | Bb(#5)/F# | G7#5 | |
| Life is a | gamble, a | game we | all | play |
| B7 | E | E7 | C7 | F | F7 | |
| But you | need to save something for a | rainy day |
| A | Bb | |
| You've | got to learn to play your card right |
| D7 | A | A7 | Eb7 | Bb | Bb7 | |
| If | you expect to win in | life |
| D | D#dim7 | A/E | F#7 | Eb6 | Edim7 | Bb/F | G7#5 | |
| Don't | put it all | on the line | for just one | roll |
| B7 | E7 | A | |
| C7 | F7 | Bb(x13331) |
| You've got to have an ace in the hole |
| 2: If you're headed down a one way street |
| And you're not sure it's the way you wanna go |
| In money or love or all the above |
| Have a little more than what you show |
| When life deals out a surprise |
| Have a few surprises of your own |
| No matter what you do, no matter where you go |
| You've got to have an ace in the hole |
| Chords I use (but they are by no means the only choice): |
| I still am not comfortable with the Bb(#5)/F# |
| Bb | Eb7 | Bb7 | Eb | Edim7 | Bb/F | G7#5 | |
| 1111116 | :111116 | 1111116 | :111116 | |||1||6 | :|||116 | ::11113 |
| |||2|| :||||| |||2|| :||||| |2|||| :||2|| ::|34| |
| |34||| :|3|4| |3|||| :|333| ||3|4| :34||| |
| C7 F F7 Eb6 I often use plain Eb |
| :111113 111111 111111 |:1||:10 instead of Eb6. |
| :||||| |||2|| |||2|| 2:||3: |
| :|3|4| |34||| |3|||| |:|4|: |
| To really get the Western Swing sound you want to hit the bass notes |
| on beats 1 and 3 and strum the whole chord on 2 and 4, but muffle it |
| quickly to get a percussive BOOM-chick BOOM-chick sound. If any of |
| you are more adventurous and would like some "swing-ier" sounding |
| chords, I've got some suggestions from Bo Parker that I'll be happy |
| to share with you. |