| C | Am | |
| Love of mine, some | day you will die, |
| F | |
| But I will be close behind, |
| C | G | |
| I'll fo | llow you into the d | ark. |
| C | Am | |
| No blinding light, or tunnels t | o gates of white, |
| F | |
| Just our hands clasped s | o tight, |
| C | G | |
| Waiting for | the hint of a sp | ark. |
| Am | C | F | C | G | |
| If h | eaven and hell dec | ide that they b | oth are sati | sfied, |
| Am | C | G | |
| Illu | minate the no's o | n their vacancy signs | , |
| Am | C | E | Am | G | |
| if there's no-one besi | de you when your sou | l emba | rks, |
| F | Fm | C | |
| I will follow you | into the dark. |
| C | Am | |
| Catholic school, as vic | ious as roman rule, |
| F | C | G | |
| I got my knuckl | es bruised by a l | ady in blac | k. |
| C | Am | F | |
| I held my tongue, as she told | me "Son, fear is the hea | rt of love" |
| C | G | |
| So i | never went bac | k. |
| Am | C | F | C | G | |
| If h | eaven and hell dec | ide that they b | oth are sati | sfied, |
| Am | C | G | |
| Illu | minate the no's o | n their vacancy signs | , |
| Am | C | E | Am | G | |
| if there's no-one besi | de you when your sou | l emba | rks, |
| F | Fm | C | |
| I will follow you | into the dark. |
| C | Am | |
| You and me have seen every | thing to see, |
| F | |
| From Bangkok to Ca | lgary, |
| C | G | |
| And the sol | es of your shoes, |
| C | Am | |
| Are all worn down, the time for sl | eep is now, |
| F | |
| But it's nothing to c | ry about, |
| C | G | Am | F | |
| 'Cause we'll hol | d each other so | on in the blackest of | rooms. |
| Am | C | F | C | G | |
| If h | eaven and hell dec | ide that they b | oth are sati | sfied, |
| Am | C | G | |
| Illu | minate the no's o | n their vacancy signs | , |
| Am | C | E | Am | G | |
| if there's no-one besi | de you when your sou | l emba | rks, |
| F | Fm | C | |
| I will follow you | into the dark. |
| END |
+--------------------------------------------------------------------------+
| | This file is the author's own work and represents their interpretation | |
| | of the song. You may only use this file for private study, scholarship, | |
| | or research. | |
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