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Succexy  Metric



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[F#]    Lonesome for [G]no one [F#]when
[F#]    The room was [G]empty a[F#]nd
[F#]    War as we kne[G]w it was o[F#]bsolete
[F#]    Nothing could[G] beat [A]complete[F#] deni[G]al  [F#]
All we do is t[F#]alk, s[G]it, swi[F#]tch screens
As the h[G]omeland [A]plans [F#]enemies
All we do is t[F#]alk, s[G]tatic s[F#]plit screens
G A F# (F#) (Whammy/bend strings if on electric)
As the homeland plans enemies


At 14s this keyboard riff kicks in and continues until the chorus:
e|---------------------------------------------------------------------------|
B|---------4-5/4-2---6/5-2---4-2---2--------------0-5/4-2---6/5-2------------|
G|-------2---------4-------4-----4---4----------2---------4-------444--44----|
D|-----4-------------------------------4------4------------------------------|
A|---4-----------------------------------4--4--------------------------------|
E|---------------------------------------------------------------------------|


Chorus

Invasion's so succexxy....
e|---------------------------------------------------------------------------|
B|---------------------------------------------------------------------------|
G|---6-44----6-44---6-44---6-44---6-44---6-44---6-4----------x2--------------|
D|--------6------6------6------6-------6------6-----444-44-------------------|
A|---------------------------------------------------------------------------|
E|---------------------------------------------------------------------------|


Let's drink to the [G]military[F#]
The glass i[G]s empty [F#]
Faces to fi[G]ll and cars to feed[F#]
Nothing could b[G]eat co[A]mplete de[F#]nial [G]    [F#]
[G]   [A]   [F#]                               
All we do is [F#]talk, [G]static [F#]split screens
As the h[G]omeland [A]plans [F#]enemies

All we do is [F#]talk, [G]static [F#]split screens
As the h[G]omeland [A]plans [F#]enemies
Invasion's so succexxy....
e|---------------------------------------------------------------------------|
B|---------------------------------------------------------------------------|
G|---6-44----6-44---6-44---6-44---6-44---6-44---6-4------------x4------------|
D|--------6------6------6------6-------6------6-----444-44-------------------|
A|---------------------------------------------------------------------------|
E|---------------------------------------------------------------------------|



Passive attraction, programmed reaction
Passive attraction, programmed reaction
Action distraction, more information
Flesh saturation, lips on a napkin
[Ass]    [ass]    [ass]                             
Bass fill
e|-------------------------------------------------------------------------------------------------------------------|
B|-------------------------------------------------------------------------------------------------------------------|
G|-------------------------------------------------------------------------------------------------------------------|
D|------------------------------------------------------------------------99-9----------------99-9-------------------|
A|--22--2/44-4/99-9-9-9----22--2/44-4/99-9-9-9----22-2/44-4/99-9-9-9----------77-7/99-9-9---------77-7/99-9-9--------|
E|-------------------------------------------------------------------------------------------------------------------|


Where does the time go?
We're waking up so slowly
Days are horizontal lately
Out of body, watched from above
Out of body, watched from above

This kicks in at 2:09
e|-----------------------|-----------------------------------------------|
B|-10-10----10-12-10-----|--7-7---9-9---10-10--10-12-10------------------|
G|-11-11-------------11--|--7-7---9-9---11-11-----------11-----x5--------|
D|-10-10-----------------|--7-7---9-9---10-10----------------------------|
A|-----------------------|-----------------------------------------------|
E|-----------------------|-----------------------------------------------|


Passive attraction, programmed reaction
More information, cash masturbation
Follow the pattern- the hemlines, the headlines
Action distraction,faster than fashion
Faster than fashion,faster than fashion


Then an occasional Metric trademark: finishing the song on the intro


[F#]    Lonesome for [G]no one [F#]when
[F#]    The room was [G]empty a[F#]nd
[F#]    War as we kne[G]w it was o[F#]bsolete
F# G B#m (strum slowly for full effect!)
Nothing could beat complete denial

Thats it, comments/suggestions welcome


| / slide up
| \ slide down
| h hammer-on
| p pull-off
| ~ vibrato
| + harmonic
| x Mute note
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END

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| This file is the author's own work and represents their interpretation |
| of the song. You may only use this file for private study, scholarship, |
| or research. |
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