| G | C | G | C/G | |
| The | night my baby left me I | crossed the bridge to Juarez a | venu | e |
| C | G | C | |
| Like that | movie "Touch of evil" I got the | Orson Wells, Marlene Dietrich |
| G | |
| blues |
| C | G | |
| Where Orson | walks in to the whore house and |
| C | G | C/G | |
| Marlene says "Man, you look like | hel | l" |
| G | |
| And Orson's | chewing on a chocolate bar |
| C/G | |
| as the l | ights go on in the old Blue Star hotel |
| C | Bm | |
| "Read my | future" says old Orson, "down inside the tea leaves of your | cup" |
| Am | |
| And she says " | You ain't got no future, Hank, |
| C | D | G | |
| I believe your f | uture's all used | up" |
| C | G | |
| Why don't you | touch me anymore? Why don't you | touch me anymore? |
| D | G | G7 | |
| Why do you | run away and hide? You know it | hurts me deep inside |
| C | G | |
| Why do you | close the bedroom door? This is a | brutal little war |
| D | C | G | |
| What good is | all this fightin' for if you don't | touch me any | more? |
| G | C/G |
| (Chords like 1st verse, until notice) |
| G | C | G | C/G | |
| They | shot "A touch of evil" in a | Venice, California colo | ny |
| C | G | |
| And I grew near | those dead canals |
| C | G | |
| where they filmed the | longest pan shot ever | made |
| C | G | C | G | C/G | |
| Now I'm thinking a | bout the movie, the | bar I'm in, the bridge, the Rio | Grande |
| G | C/G | |
| Now I'm t | hinking about my baby and the | borderline 'tween a woman and a man |
| C | Bm | |
| I was d | runk as Orson Wells the night I crawled backwards out the | door |
| Am | C | D | G | |
| I was | screaming "Baby, baby | how come you | touch me any | more?" |
| CHORUS: |
| G C/G x3 |
| (Chords like 2nd verse) |
| G | C | G | C/G | |
| Oh, some | one rolled the credits on | twenty years of love turned dark and | raw |
| C | G | C | G | |
| Not a | technicolor l | ove film, it's a | brutal document, it's film | noir |
| C | G | C | G | C/G |
| And it's all played out on a borderline and the actors are tragically miscast |
| G | C/G | |
| Like a Mexican bur | lesk show where the | characters are wearing comic masks |
| C | Bm | |
| Oh, it's | love and love alone I cry to the barmen in this Juarez water | hole |
| Am | C | D | G | |
| As we raise a | glass to Orson and | "A touch of evil" | livin' our | souls |
| CHORUS: |
| Outro: G C/G x3 G |
| END |
+--------------------------------------------------------------------------+
| | This file is the author's own work and represents their interpretation | |
| | of the song. You may only use this file for private study, scholarship, | |
| | or research. | |
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