Intro: D-B-D-B-D-B-A-Em
| | D | B | D |
| i k | now we're just like | old friends | |
| | B | D |
| you just | can't pretend | |
| | B | A | Em |
| that love | rs make amends | | |
| | D | B | D |
| we are r | eason | s so unreal | |
| | B | D |
| we can't | help but feel | |
| | B | A | Em |
| that somethin | g has been lost | | |
| | G | Em | D |
| so pleas | e you know you're j | ust like me | |
| | G | Em |
| next time i | promise w | e'll be... |
| | D | B | D | B | D |
| | perfect, | per | fect, per | fec | t |
| | B | D |
| s | trangers down the line | |
| | G | Em | D |
| so far | i sti | ll know who you are | |
| | G | Em | D-B-D-B-D |
| but now | i wonder w | ho i was | |
| | D | B | D |
| a | ngel you know it' | s not the end | |
| | B | D |
| we'll alway | s be good friends | |
| | B | A | Em |
| your letter | s have been sent on | | |
| | G | Em | D |
| so ple | ase you always were s | o free | |
| | G | Em |
| you'll see | i promise w | e'll be |
| | B | D |
| | strangers when we meet | |
| | B | D |
| | strangers on the street | |
| | B | D |
| | you know this has to be | |
| | B | D |
| | we always were so free | |
| | B | A | Em |
| we pro | mise that we'll be | | |
| | D | B | D | B | D | B | A |
| | perfect, | per | fect, pe | rfec | t | | |
---------
| tab by elijah carlyle (frotus@juno.com) |
| this was really hard to figure out--not only is NONE of it really guitar, |
| but it's tuned down about half of a chromatic step (although that |
| could have been my recording--tapes tend to slow down) |
| | -4- | -4- | -4- | -4- | -2- | --- |
| | | | | | | and an F#m7 (i'm pretty sure about that one) is this: |
-2----0-
-2----2-
| -2-or-2- (if anyone knows a better way of playing an |
-2----4- F#m7, please tell me)
-4----4-
-2------
| | E | C#m | E |
| And | now we're | just like old | friends |
| | C#m | B6 | F#m |
| | lovers make | amends | |
| | A | F#m | E |
| But | please I | know you're just like | me |
| | C#m | A | E |
| next | time I | promise we'll be | perfect |
---------
| Here is another great song off ADORE,you're going to want to |
| use a clean electric guitar.When strumming use a percussive style and use muting |
| ocassionly,I would tab it out but would take to long and it would be pointless |
| so hopefully you can figure this out.Tune down 1/2 step. |
-----------
| Fill 1:For intro keep playing an octave F sliding up to a G octave. |
|--------------------
|-9-8--6--4-4--4-
|-------------------- This fill is used often throught the song but mainly
|-------------------- after the chorus part.I'm not gonna tab it out every time
|-------------------- so just listen and you'll hear it.
|--------------------
| | D# | Cm | D# |
| I | Know we're | just like old | friends |
| | Cm | D# |
| we | just can't | pretend |
| | Cm | Bb | Fm |
| That | lovers make | amends | |
| | D# | Cm | D# |
| We | are | reasons so | unreal |
| | Cm | D# |
| We | can't help but | feel |
| | Cm | Bb | Fm |
| that | something has been | lost | |
| | D# | Fm | D# |
| but | please you | know you're just like | me |
| | G# | Fm | D# | Cm |
| next | time I | promise We'll be | perfect | |
| | D# | Cm | D# | Cm | D# |
| | perfect | | Perfect | | |
| | Cm | D# |
| s | trangers down the | line |
| | D# | Fm | D# |
| so | far I | still know who you | are |
| | G# | Fm | D# |
| but | now I | wonder who | I was |
| | D# | Cm | D# |
| | angel you | know it's not the | end |
| | Cm | D# |
| | we'll always be good | friends |
| | Cm | Bb | Fm |
| | the letters have been | sent | on |
| | D# | Fm | D# |
| so | please you | always were so | free |
| | G# | Fm | D# |
| you'll | see I | promise we'll be | perfect |
| | Cm | D# |
| | strangers when we | meet |
| | Cm | D# |
| | strangers on the | street |
| | Cm | Bb | Fm |
| | lovers while we | sleep | |
| | D# | Cm | D# |
| | Perfect | you know this has to | be |
| | Cm | D# |
| We | always we're so | free |
| | Cm | Bb | Fm |
| we | promised that we'd | be | |
| Questions,comments or corrections.Mail me at zero69mr@aol.com |
---------
| Transcribed by Craig Newnes |
| Standard Tuning: E A D G B E |
|--------------|
|-8-7-5-3-3-3--|
|--------------|
|--------------|
|--------------|
|--------------|
| |D |Bm |D |Bm |D |Bm |D/A |Em | |
| | D | Bm | D |
| I | know we're | just like old | friends |
| | Bm | D |
| we | just can't | pretend |
| | Bm | D/A | Em |
| that | lovers make | amends | |
| | D | Bm | D |
| we | are | reasons so un | real |
| | Bm | D |
| we | can't help but | feel |
| | Bm | D/A | Em |
| that | something has been | lost | |
| | D | Em | D |
| but | please you | know you're just like | me |
| | D | Em |
| next | time I | promise we'll be |
| | D | Bm | D |
| | perfect | strangers down the | line |
| | D | Em | D |
| so | far I | still know who you | are |
| but now I wonder who I was |
| | D | Bm | D |
| | angel you | know it's not the | end |
| | Bm | D |
| we'll | always be good | friends |
| | Bm | D/A | Em |
| but the | letters have been | sent | on |
| | D | Em | D |
| so | please you | always were so | free |
| | D | Em |
| you'll | see I | promise we'll be |
| | D | Bm | D |
| | perfect | strangers when we | meet |
| | Bm | D |
| | strangers on the | street |
| | Bm | D/A | Em |
| | lovers while we | sleep | |
| | Bm | D |
| you | know this has to | be |
| | Bm | D |
| we | always we're so | free |
| | Bm | D/A | Em |
| we | promised that we'd | be | |
| ****************************************************************** |
| And now for something completely different... |
| This song undoubtedly uses an alternate tuning. |
| If you listen closely to the Viper Room track of Perfect, |
| you'll notice that Billy tunes his A string up to B. |
| This was verified by watching his hands during the Letterman and |
| Regis & Kathy Lee performances. |
| The tabbed riffs are only meant to be references. |
| Play to the song and use natural strumming. |
| If you have no rhythm, go and beat yourself mercilessly with |
| knotted cords and whips to a metronome. |
| ("If you are going to clap, you must clap in time"). |
|--------|--------|
|00--00-0|--------|
|--------|--------|
|24--24-4|-54-2-0-|
|--------|--------|
|--------|--------|
|-0--00-0|--------|
|-2--22-2|--------|
|-0--00-4|-54-2-0-|
|-3--33-3|000-0-00|
|--------|--------|
--- -0- ---
--- -0- -0-
-0- -0- -2-
-0- -2- -0-
-3- -0- ---
-5- -0- -3-
| I'll leave it as an exercise for you to determine which |
| chord shapes/riffs are played where. Train your ear. |