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Cheryl
eryl} {st:} # #Cheryl Wheeler Chords # # # #A:link { # COLOR: blue; TEXT-DECORATION: none #} #A:visited { # COLOR: purple; TEXT-DECORATION: none #} #A:active { # COLOR: red; TEXT-DECORATION: none #} #A:hover { # BACKGROUND: none transparent scroll repeat 0% 0%; COLOR: red; TEXT-DECORATION: underline #} # # # #CHERYL WHEELER CHORDS & LYRICS # # # # # # # # # # # # # # # #ACES #ACT OF NATURE #ADDICTED #ALL THE LIVE LONG DAY #ARR0W #GANDHI/BUDDHA #HOWL AT THE MOON #LITTLE KIDS #MRS. PINOCCI'S GUITAR #ONE LOVE # # # # # # #PARADISE IN TROUBLE WATERS #QUARTER MOON #RIGHT WAY TO DO THE WRONG THING #75 SEPTEMBERS #SO FAR TO FALL #SUMMER FLY #SYLVIA HOTEL #TV #WHEEL ON A WIRE #WHEN FALL COMES TO NEW ENGLAND # # # # # # # # # # # #OTHER CHERYL WHEELER SONGS: #For transcriptions from Cheryl's compilation CD Different Stripe, done #by Cheryl herself, visit the #Chords/Tabs page at www.cherylwheeler.com. # # # #ACES # # #This transcription is derived from a letter I received from Cheryl #back in 1987 after I'd written to her asking for some help with this song, #so I'm taking that as a pretty good indication of its accuracy. #It's not 100% reflective of the version on the 1990 release of Circles #& Arrows, since it's based on how she was playing it three years #earlier, but it's pretty close, except for the fact that in the earlier #version, the second chorus ended with slightly different lyrics: # #We tried from the beginning #So I can't believe the end #Don't let me hear you sayin' I am not your friend # #Capo II # #(D) x00232 #(Gmaj7): 300432 #(Gmaj7/E): 300430 #(A*): 500650 #(Dsus4): x00233 #(Em): 022000 #(D/F#): 20020x #(G): 30000x #(A): 002220 # #Hint: to go from the (Gmaj7/E) to the (A*), just keep your hand in position and #slide it up two frets. Also, the (Em)(D/F#)(G)(A) is basically just a bass-line walk-up on which you should accentuate the notes in bold. # #Intro: (D)(Gmaj7)(Gmaj7/E)(A*) . . . (Em)(D/F#)(G)(A) # #(D)My old friend, (Gmaj7)you said to (Gmaj7/E)me #I ain't (A*)being what I'm (Dsus4)s'pose to be (D) #I don't know, (Gmaj7)it could be (Gmaj7/E)true #I know I (A*)wasn't always (Em)there for (D/F#)you (G) # #(A)Now (D)you're ready to walk out #(Gmaj7)You're ready to (Gmaj7/E)run #Talk to me, (A*)can't you see #I would (Em)never want to (D/F#)do #What it (G)seems I've (A)done #You (D)can't deal me the aces #And (Gmaj7)think I wouldn't pl(Gmaj7/E)ay #Don't let this be the (A*)reason you would (Em)walk a(D/F#)way (G) (A) # #(D)The things you think (Gmaj7)I should (Gmaj7/E)do #I've never (A*)understood that (Dsus4)part of you (D) #I know I've tried (Gmaj7)to be your (Gmaj7/E)friend #But you feel (A*)undermined and (Em)hurt (D/F#)again (G) # #(A)Now (D)don't let it convince you #(Gmaj7)Don't take it to (Gmaj7/E)heart #Compromise and (A*)realize #You can (Em)never really (D/F#)run #Every(G)thing you (A)start #You (D)can't deal me the aces #And (Gmaj7)think I wouldn't pl(Gmaj7/E)ay #Don't let this be the (A*)reason you would (Em)walk a(D/F#)way (G) (A) # #(D)And I guess I said (Gmaj7)I couldn't (Gmaj7/E)see #How things could (A*)turn out like they've (Dsus4)come to be (D) #If I lied, (Gmaj7)if I (Gmaj7/E)knew #I was (A*)only trying to (Em)think of (D/F#)you (G) # #(A)Now (D)don't let it convince you #(Gmaj7)Please don't take it to (Gmaj7/E)heart #Compromise and (A*)realize #You can (Em)never really (D/F#)run #Every(G)thing you (A)start #You (D)can't deal me the aces #And (Gmaj7)think I wouldn't pl(Gmaj7/E)ay #Don't let this be the (A*)reason you would (Em)walk a(D/F#)way (G) # #(A)Now (D)you're ready to walk out #(Gmaj7)You're ready to (Gmaj7/E)run #Talk to me, (A*)can't you see #I would (Em)never want to (D/F#)do #What it (G)seems I've (A)done #You (D)can't deal me the aces #And (Gmaj7)think I wouldn't pl(Gmaj7/E)ay #Don't let this be the (A*)reason you would (Em)walk a(D/F#)way (G)(A)(D) # # # # #ACT OF NATURE # # #Capo IV # #The verses are based around a bass line sequence in which you should make #sure to accentuate the notes I've indicated in bold: # #C: x32033 #G/B: x20033 #D/F#: 20023x #G: 320033 # #Intro: (C)(G/B)(D/F#) (C)(G/B)(D/F#) # #(C)The (G/B)wind came round and (D/F#)blew this place a(G)part #(C)It's (G/B)you and me now (D/F#)sitting in the (G)dark #(C)The (G/B)lights are out and (D/F#)everybody's (G)home #(C)It's (G/B)you and me and (D/F#)we are both (G)alone (C)(G/B)(D/F#) # #(C)(G/B)(D/F#) # #(C)The (G/B)lines are down there's (D/F#)just no getting (G)through #(C)You (G/B)stare at me and (D/F#)I stare back at (G)you #(C)And (G/B)in the dark I (D/F#)know that I can't (G)see #(C)Cause (G/B)here you are and (D/F#)still you don't see (G)me # #CHORUS: #(C)Act of (G)nature, (D)act of (G)God #(C)Raging through our (Em)sedentary (D)lives #(C)We are (G)on the brink #(D)We are (Em)floundering #(C)Spinning in this (G)dark and ris(D)ing tide (C)(G/B)(D/F#) # #(C)(G/B)(D/F#) # #(C)The (G/B)storm has blown this (D/F#)great big beauty (G)down #(C)The (G/B)branches all con(D/F#)fusion on the (G)ground #(C)I've (G/B)watched it grow and (D/F#)thought I knew it (G)well #(C)I (G/B)never dreamed I'd (D/F#)see the day it (G)fell (C)(G/B)(D/F#) # #(C)(G/B)(D/F#) # #(C)So bolt the door, (G)seal the cracks #(D)Close your eyes (G)don't look back #(C)Hold your ears (G)tight against the (D)roar #(C)Someone said (G)I should hear #(D)Warning cries (Em)soft and clear #(C)Whispered in the (G)calm before the (D)storm # #CHORUS # #(C)The (G/B)wind came round and (D/F#)blew this place a(G)part # #(C)(G/B)(D/F#) #(C)(G/B)(D/F#) # # # # #ADDICTED # # #D/F#: 20023x #Bb: 688766 (this is simply an F-chord shape played at the 6th fret) #Dm/C: x30231 # #Intro: (A)(D/F#)(G) . . . (A)(D/F#)(G) # #(A)She says she hates to sleep a(D/F#)lone, but she'll do it to(G)night #(A)She wants to grab her tele(D/F#)phone, but she knows it ain't (G)right #So if he won't (C)call, she'll sur(F)vive #And if he don't (Bb)care, she'll get (Dm)by (Dm/C) #Climb into (G)bed, bury her (C)head, and (F)cry(C) (G) # #(A)From the beginning he was (D/F#)all anyone could have (G)been #(A)They were delirious with (D/F#)love, they were certain to (G)win #Now he's breaking (C)plans more and (F)more #And he's leaving (Bb)notes on her (Dm)door #Took a (Dm/C)trip out of (G)town, couldn't turn this one (C)down #He said, "I (F)guess I should have (C)told you be(G)fore" # #(A)She says she feels like she's ad(Dm)dicted to a (Dm/C)real bad (G)thing #Always sitting, waiting, (C)wondering if the phone will (F)ring #She knows she bounces like a (Dm)yo-yo when he (Dm/C)pulls her (G)string #It hurts to feel like such a (Am)fool (G)(C) #She wants to (A)tell him not to (Dm)call or come a(Dm/C)round a(G)gain #He doesn't need her now at (C)all the way that she needs (F)him #She's on the edge about to (Dm)fall from leaning (Dm/C)out and (G)in #And she don't know which way to (Am)move (G)(F) (G) # #(A)She wants to be fair, she couldn't (D/F#)say he was ever un(G)kind #(A)But if she could bear to walk a(D/F#)way, she thinks he wouldn't (G)mind #'Cause he just keeps him(C)self so a(F)part #And there's no one (Bb)else in her (Dm)heart #So she's (Dm/C)taking a (G)dive from an emotional (C)high #And (F)coming (C)down (G)hard # #(A)She's determined to try, but she'll still give (D/F#)in when he gives her a (G)call #(A)She'll ask herself why, but in the (D/F#)end it won't matter at (G)all #Sure, she could sit at (C)home, stay in(F)side #And sleep a(Bb)lone with her (Dm)pride #And as she (Dm/C)walks out her (G)door, she feels as weak as be(C)fore #With (F)nothing (C)to (G)hide # #(A)She says she feels like she's ad(Dm)dicted to a (Dm/C)real bad (G)thing #Always sitting, waiting, (C)wondering if the phone will (F)ring #She knows she bounces like a (Dm)yo-yo when he (Dm/C)pulls her (G)string #It hurts to feel like such a (Am)fool (G)(C) #She wants to (A)tell him not to (Dm)call or come a(Dm/C)round a(G)gain #He doesn't need her now at (C)all the way that she needs (F)him #She's on the edge about to (Dm)fall from leaning (Dm/C)out and (G)in #She don't know which way to (Am)move (G)(C) # #She says she (A)feels like she's ad(Dm)dicted to a (Dm/C)real bad (G)thing #Always sitting, waiting, (C)wondering if the phone will (F)ring #She knows she bounces like a (Dm)yo-yo when he (Dm/C)pulls her (G)string #It hurts to feel like such a (Am)fool (G) #(F)And she don't (G)know which way to (Am)move (G) #(F)It hurts to (G)feel like such a (Am)fool (G)(C) # # # # #ALL THE LIVE LONG DAY # # # #Capo III # #C: x32033 #Am7: x02013 # #Intro: (G) # #The sun is (G)shinin', (C)makin' this room so (G)bright #And the cats (G/F#)are (Em)sleepin', (C)right up on the table #Breakin' all the rules in plain (D)sight #There's a (G)cloud colored moon (C)floatin' in the blue #Not (Am7)waitin' for the sun to go (D)away #I just wish I could (G)walk with you and (C)talk with you #(D)All the live long (G)day # #We never really had a winter, it (C)never came and now it's (G)gone #And the days (G/F#)grow (Em)longer, like a (C)late night road #Like the odds you'll come back (D)home #But (G)I don't mind (C)wasting my time #(Am7)Waitin' for the ache to go a(D)way #I don't mind (G)telling you it's (C)what I do #(D)All the live long (G)day # #All the (D)live long (G)day, I (C)wonder (G/B)what I'll (D)do #I don't see no (G)way, of (C)getting (G/B)over (D)you # #The boys were in the (G)back field, (C)sortin' out the who and (G)when #It's like cat (G/F#)graf(Em)fiti, but they (C)read it with their nose #And it's written from the other (D)end #Though (G)James takes it in with a (C)different spin #He (Am7)likes to read the Sniff and (D)Spray #It's just (G)them and me, and (C)my ennui #(D)All the live long day # #All the (D)live long (G)day, I (C)wonder (G/B)what I'll (D)do #I don't see no (G)way, of (C)getting (G/B)over (D)you # #I was watchin' the (G)sunset, (C)wishin' you were watchin' (G)too #Through the win(G/F#)ter (Em)branches #(C)Drop jaw red, Maxfield Parrish (D)blue #Then a (G)windy night with the (C)stars so bright #The (Am7)trees just bow and (D)sway #I been (G)close to blue and (C)missing you #(D)All the live long (G)day #I been (G)close to blue and (C)missing you #(D)All the live long (G)day (C)(G)(C)(D)(G) . . . (fade) # # # # #ARROW # # # #Capo IV # #Gmaj7: 32400x #D/F#: 200232 # #During the intro and the first line of each verse, you should walk up from #the (Am) chord to the (C) chord with a 5th string/2nd fret transition note. #Also, during first and third lines of the two bridge sections, where #I've indicated the asterisks, you should transition into the (Em) with a #Am7-shaped sequence that slides down from xx4030 (*) to xx2010 (**). #This is one of those instances where you should listen to the CD and #you'll hear exactly what I mean. Intro: (Am)(C)(D)(Gmaj7) I wish I could (Am)fa(C)ll in (D/F#)love Though it (Gmaj7)only leads to trouble, oh I (C)know it does (C/B)Still I'd (Am)fool myself and (Am/G)gladly just to (D/F#)feel I was In (Em)love, (D/F#)in (G)love I wish I could (Am)feel my (C)heartbeat (D/F#)rise And (Gmaj7)gaze into some gentle warm ex(C)cited eyes (C/B)And (Am)give myself as (Am/G)truly as an (D/F#)arrow flies In (Em)wind(D/F#)less (G)skies Oh, I re*mem**ber (Em)you in the (A7)TV (D/F#)light Holding you (C)close to (G)me where we (D/F#)lay And now I *wish **I (Em)knew some of those (A7)softer (D/F#)nights Whispering (C)quiet(G)ly, feeling you (Am)turn (Am/G)to (D/F#)me 'Cause only last (Am)night in the (C)winter (D/F#)dark I (Gmaj7)dreamed of how you loved in all your (C)innocence (C/B)And I've (Am)never known a (Am/G)softer warmer (D/F#)feeling since Or a (Em)tru(D/F#)er (G)heart But maybe these (Am)dreams are (C)leading (D/F#)me Maybe (Gmaj7)love is not as gentle as my (C)memory (C/B)Maybe (Am)time and wishful (Am/G)half-remembered (D/F#)fantasy Are the (Em)great(D/F#)est (G)part Oh, but I re*mem**ber (Em)you in the (A7)TV (D/F#)light Holding you (C)close to (G)me where we (D/F#)lay And now I *wish **I (Em)knew some of those (A7)softer (D/F#)nights Whispering (C)quiet(G)ly, feeling you (Am)turn (Am/G)to (D/F#)me I wish I could (Am)feel my (C)heartbeat (D/F#)rise And (Gmaj7)gaze into some gentle warm ex(C)cited eyes (C/B)And (Am)give myself as (Am/G)truly as an (D/F#)arrow flies In (Em)wind(D/F#)less (G)skies Oh I wish I could (Am)fa(C)ll in (D/F#)love Though it (Gmaj7)only leads to trouble, oh I (C)know it does (C/B)Still I'd (Am)fool myself and (Am/G)gladly just to (D/F#)feel I was In (Em)love (D/F#)(G) (Em)(A7)(D/F#) (C)(G)(D/F#) (Em)(A7)(D/F#) (C)(G)(Am)(Am/G)(D/F#) . . . (fade out) GANDHI/BUDDHA Capo II Note: The (Am7)(Am7/B)(C) progression in the last line of the chorus is a fifth-string walk-up. Intro: (G)(D/F#) . . . (G)(D/F#) Feel this (G)wind blow, (Em)scatters all these (C)leaves like paper (D/F#)rain Feel these (G)days roll (Em)back into our (C)winter lives a(D/F#)gain The (Em7)tangle at the (C)garden fence is (D)brown and dry You (Em7)call me out and (C)point to your No(D)vember sky CHORUS: I musta been (G)Gandhi or Buddha or (D/F#)someone like that I musta saved (C)lives by the hundreds (D/F#)everywhere I went I musta brought (G)rest to the restless, (D/F#)fed the hungry too I musta done (Am7)something(Am7/B) (C)great to (D/F#)get to have (G)you (D/F#) (G)(D/F#) And when the (G)cold comes and (Em)you are by your (C)fire and fast a(D/F#)sleep I'll turn a (G)light on, to (Em)watch the snow out(C)side fall soft and (D/F#)deep And (Em7)when the winter (C)morning shines all (D)white and blue We'll (Em7)watch the dogs run (C)through the field like (D)children do CHORUS Well I suppose (Am7)stranger (Am7/B)things have (D/F#)come to (G)pass Many's the (Am7)forest (Am7/B)I can't (D/F#)see I was so (Am7)down and (Am7/B)lost and (D/F#)fading (G)fast How did you (Em7)find your (C)way to (D/F#)me? I musta been (G)Gandhi or Buddha or (D/F#)someone like that I musta saved (C)lives by the hundreds (D/F#)everywhere I went I musta brought (G)rest to the restless, (D/F#)fed the hungry too I musta done (Am7)something(Am7/B) (C)great to (D/F#)get to have (G)you (D/F#) I musta done (Em7)something(C) (G)great HOWL AT THE MOON Capo II This is a pretty simple three chord song. In the body of the transcription, I'll refer to the chords as (G), (C) and (D) for simplicity's sake, although they're actually (Gadd9), (Cadd9) and (D/F#) and played as indicated. You can, of course, play them in their standard form if you like. Gadd9: 32020x (or standard G: 320003) Cadd9: x3203x (or standard C: x32010) D/F#: 20023x (or standard D: x00232) Intro: (G)(D)(C)(D) If (G)I were maybe a (D)wolf or a dog I (C)wouldn't have to speak (D)Wouldn't have to talk Just (G)eat my dinner and (D)go for a walk And (C)ho(D)wl at the (G)moon And if (G)I were laying there (D)just like you (C)All curled up the (D)way dogs do I'd (G)dream that dream that you're (D)dreamin' too And (C)ho(D)wl at the (C)moon (C)Ho(D)wl at the (G)moon (C)Ho(D)wl at the (G)moon And if (G)I could carry your (D)black and white (C)Sleep so sound (D)wake so nice I'd (G)keep real close to my (D)own advice And (C)ho(D)wl at the (G)moon Oh, (C)you know something (D)I don't know (C)You go places (D)I can't go You (G)lift your head when the (D)breezes blow To (C)voices older than (D)time I'll (G)keep you close Oh, I (D)like you near I'll (C)touch your head and (D)pull your ear And (G)watch you resting while (D)I sit here And (C)ho(D)wl at the (G)moon (C)Ho(D)wl at the (G)moon (C)Ho(D)wl at the (G)moon (C)Ho(D)wl at the (G)moon I'll (G)watch you resting while (D)I sit here And (C)ho(D)wl at the (G)moon LITTLE KIDS Capo II This hysterical song is not on any of Cheryl's CDs. But I do have a videotape of her singing it on the old show American Music Shop, so I worked up this transcription from that performance. F#: 244322 (barre F chord at second fret) Bm: 224432 Bm/A: 004432 Esus: 022200 Asus: 002230 Intro: (D)(G)(A)(D)(G)(A)(D)(A) Well (D)hello, come (G)in, great to (A)see you a(D)gain Been (G)such a long drive, guess you're (A)beat (D)Heaven's what's (G)that? It's a (A)dwarf in a (D)hat Oh no, (G)you've brought the (A)children, how (Dsus4)sweet(D) (A)I'm sure you mentioned it (G)when we'd last (D)spoken (A)Let me just move these so they (G)don't get (A)broken He's (D)such a de(G)light, and you're (A)staying the (D)night You (G)know I just (A)love little (Dsus4)kids(D) Little (A)kids, are (G)sticky and (D)cute Little (A)kids, have (G)mud on their (A)boots And they (Dsus4)run through my (D)house And they (G)torment my dogs And I (A)surely do love little (D)kids (A) Now (D)let's sit in (G)here, honey (A)this is your (D)chair No, (G)Kitty's afraid when you (A)shout (D)Oh it's (G)ok, it was (A)old any(D)way And the (G)other one (A)washes right (Dsus4)out(D) (A)Don't touch the parrot, that's (G)right it's a (D)mean one (A)How do they do it? I'd (G)need a ma(A)chine gun She's (D)patient and (G)kind, I'd be (A)out of my (D)mind You (G)know I just (A)love little (Dsus4)kids(D) Little (A)kids, will (G)cry any(D)where Little (A)kids, have (G)food in their (A)hair And they (Dsus4)run through my (D)house And they (G)torment my dogs And I (A)surely do love little (D)kids Now (G)don't pull their (E)tails (A)No, they're not (F#)mean And (Bm)yes, if they (Bm/A)bite you, it (G)hurts It's just a (E)Sears (A)coffee ma(F#)chine (Bm)Nobody (Bm/A)knows how it (Esus)works(E) (A)(Asus)(A) The (D)company's (G)gone, I'm (A)sitting (D)alone A(G)way from the noise and the (A)fuss The (D)pets have re(G)turned and this (A)weekend I've (D)learned Little (G)children are (A)nothing like (Dsus4)us(D) 'Cause (A)they put their food in ri(G)diculous (D)places And (A)they leave their fingerprints (G)on their own (A)faces Oh (D)how could you (G)say we all (A)started this (D)way? You (G)know I just (A)love little (Dsus4)kids(D) Little (A)kids, get up (G)way before (D)me Little (A)kids, leave a (G)trail of de(A)bris And they (Dsus4)run through my (D)house And they (G)torment my dogs And I (A)surely do love little (D)kids (Dsus2)(D) MRS. PINOCCI'S GUITAR I've captured this transcription by watching Cheryl's concert video What Do I Care I Don't Have Any Kids Construction Company Inc. so I'm relatively certain I've got it right. The only difference is that she does it Capo IV on the video and does it two frets higher on the CD. Capo VI Intro: (D)(A)(G)(D) (D)Diane and (A)Billy (G)been friends for(D)ever They go back a (D/C#)long time They (G)grew up to(A)gether (G)She called to (D/F#)tell us He'd (Em)written from (D/F#)Rome For the (G)whole month of (D/F#)August (G)He'd be at (A)home So (D)we went to (A)see him At (G)her house one (D)evening In the place where they'd (D/C#)spent all their (G)summers as (A)kids We (G)walked all a(D/F#)round In the (Em)small bay side (D/F#)town Where his (G)Dad's called the (D/F#)bingo for (G)thirty-five (A)years And (D)later on that (A)night (G)Under the (D)porch light Mrs. Pi(D/C#)nocci brought (G)her six-string (A)over She (G)said she'd been (D/F#)playin' since she (Em)turned fifty-(D/F#)seven And (G)now I guess (D/F#)she's more than (G)twenty years (A)older She (D)played Yankee (A)Doodle (G)we sang along (D)with her She passed it a(D/C#)round and we (G)all played a (A)number (G)Neighbors and (D/F#)friends dropped (Em)by for the (D/F#)singin' And (G)later a (D/F#)guy no one (G)knew came to (A)sit in For the (G)moon on the (D)water For the (G)light from the (D)stars Oh (G)I thank the (D)spirits What(Em)ever they (A)are For (G)friendships that (D)last And (Bm)songs from (A)the (G)past And (Em)Mrs. (A)Pinocci's (D)guitar (G)(D) . . .(G)(D) . . . (G)(D) . . .(Em)(A) (G)(D) . . . (Bm)(A)(G) . . . And (Em)Mrs. (A)Pinocci's (D)guitar ONE LOVE I've had several requests for this song, but have never made a serious attempt at transcribing it because – as Cheryl mentions in the liner notes to Mrs. Pinocci's Guitar – it's in a pretty bizarre tuning: FGDGCD. But I love a challenge, so here it is. First, here's how to get to the tuning: 1. Turn the low E (6th) string up to F 2. Turn the low A (5th) string down to G 3. Turn the high B (2nd) string up to C (carefully!) 4. Turn the high E (1st) string down to D I'm not exactly sure what the chords are called, but in playing around with a guitar in standard tuning, they seem to be variations of chords in the key of C, so that's how I'll describe them here. There are some chords in the bridge section I just can't figure out the name for, so for those, I'll just show the fingering. C: x55000 C/B: x45000 F: x23000 G: 203000 G/B: x40020 C/addE: x55040 G7: x0555x (This is really just a transition chord at 2:21 and 2:25 after the second chorus. It's also the chord that ends the song.) In the second sequence of the intro, and in the verses, between the (C) and (C/B) chords, slide the finger that's on the 5th fret of the 5th string up to the 7th fret as a transitional grace note. Listen to the CD and you'll hear what I mean. Intro: (C)(C/B)(F)(G) . . . (C)(C/B)(F)(G) Everywhere I (C)turn(C/B) everyone is (F)lost in this (G)thing 'Cause something feels (C)gone (C/B) Life is nothing like we (F)dreamed it might (G)be (F)(G/B) And we (C/addE)don't move (F)forward (G/B) (C/addE)Can't move (F)back (G/B) We (C/addE)hold our (F)hands out hoping (G)for that (C/addE)One love that's (C/B)all of it (F)Deep nights and (G)qui(F)et (G/B)days (C/addE)Long lovers, (C/B)old comforts (F)Feel like some (G)ball (F)and (G/B)chain (C)(C/B)(F)(G) I guess we're really gettin' (C)old (C/B) Always worrying we're (F)wasting our (G)time Wantin' somethin' new to (C)hold (C/B) Some affair would be the (F)perfect (G)crime (F)(G/B) (C/addE)Long roads (F)crumble (G/B) For(C/addE)evers fall a(F)part (G/B) One (C/addE)day we (F)don't know why we're (G)so far from (C/addE)One love that's (C/B)all of it (F)Deep nights and (G)qui(F)et (G/B)days (C/addE)Long lovers, (C/B)old comforts (F)Feel like some (G)ball (F)and (G/B)chain (C)(C/B)(F)(G) (G7)(C/addE)(C/B)(G7)(F)(G/B) And if (x22200)I want you and you want me (x03003)We'll call it (x02000)love though it (G/B)might not be (x22200)Hearts on fire, (x33300)souls in line (x03003)Oh just to (x02000)know that (G/B)Just to (F)feel that (G/B)one more (F)time (G/B)(20305x) Seems impossible to (C)know (C/B) What is real and what is (F)just some restless (G)thing And our hearts learn (C)slow (C/B) All the miseries (F)bad choices (G)bring (F)(G/B) So is it (C/addE)wise or (F)lazy (G/B) Holding (C/addE)tight to what you've (F)known (G/B) And is it (C/addE)brave or (F)crazy searching (G)for some (C/addE)One love that's (C/B)all of it (F)Deep nights and (G)qui(F)et (G/B)days (C/addE)Long lovers, (C/B)old comforts (F)Feel like some (G)ball (F)and (G/B)chain (C/addE)One love that's (C/B)all of it (F)Deep nights and (G)qui(F)et (G/B)days (C/addE)Long lovers, (C/B)old comforts (F)Feel like some (G)ball (F)and (G/B)chain (C/addE)(C/B)(F)(G)-(F)-(G/B) (C/addE)(C/B)(F)(G)-(F)-(G/B) (C/addE)(C/B)(F)(G)-(F)-(G/B) . . . (G7) PARADISE IN TROUBLED WATERS Intro: (C)(F)(G) . . . (F)(C) . . . (F)(G) (F)Winter's voice had (G)barely spoken (Em)Everyone was (F)bummed and broken Hangin' on to (G)threads the way we (C)do (F)(G) (F)Shielding eyes from (G)TV screens With (Em)African starv(F)ation scenes And photographs in (G)magazines Of (F)things that (G)can't seem (C)true (F)(G) Oh(F)Para(C)dise in troubled waters (F)Situation (G)grim And (F)we the (C)reckless sons and daughters (F)Spread the luck so (G)thin Oh the (C)gross results and chain reaction (F)Too late under(G)stood (F)Leave us in embar(G)rassed silence (F)Wishing that we (G)could Make the (C)difference, see the light Carry the (F)flag, lead the (G)fight Save the (C)whales, save the seals Save the (F)trees and birds and (G)fields And save each (F)ot(C)her (F)(G) . . . (C)(F)(G) So we (F)read the news with (G)helpless eyes And (Em)look for ways to (F)compromise But mostly we just (G)do the best we (C)can (F)(G) Is it (F)just a part of (G)what we are To (Em)want too much and (F)go too far And contemplate with (G)no regard What (F)we don't (G)under(C)stand (F)(G) Oh (F)Para(C)dise in troubled waters (F)Situation (G)grim And (F)we the (C)reckless sons and daughters (F)Spread the luck so (G)thin Oh the (C)gross results and chain reaction (F)Too late under(G)stood (F)Leave us in embar(G)rassed silence (F)Wishing that we (G)could Make the (C)difference, see the light Carry the (F)flag, lead the (G)fight Save the (C)whales, save the seals Save the (F)trees and birds and (G)fields And save each (F)ot(C)her (F)(G) Oh . . . (F)Para(C)dise in troubled waters . . . QUARTER MOON Capo II The (Em)(D/F#)(G)(C) sequence is a bass-line walk-up. The chords are pretty standard, but make sure to pluck the notes in bold to give the sequence its distinctive sound. Em: 022000 D/F#: 20023x G: 32003x C: x3202x Intro: (G)(C)(G)(D) . . . (3x) And they (C)seem to know each (G)other very (D)well They (C)speak across the (G)garden But (Em)not a (D/F#)soul could (G)tell(C) They can read the summer (D)sky And they can (G)hear the back brook (C)swell And they seem to know each (G)other (D)very (G)well (C)(G)(D) (G)(C)(G)(D) And they (C)drive up north on (G)Sunday after(D)noons And he (C)buys her wooden (G)windmills And (Em)whales and (D/F#)quarter (G)moons(C) She feeds the birds all (D)winter And she (G)knows them by their (C)tunes And they drive up north on (G)Sunday (D)after(G)noons (C)(G)(D) (G)(C)(G)(D) And (Em)(D/F#)(G)all summer (C)long They (Am7)make the (Am7/G)garden (D/F#)grow (G)Keep the (D/F#)green so (C)strong (Em)(D/F#)(G)Oh, wish them (C)well For (Am7)standing (Am7/G)on their (D/F#)own And they (C)buried their old (G)dog in their back(D)yard With a (C)fence and plastic (G)roses And St. (Em)Francis (D/F#)standing (G)guard(C) She speaks of him quite (D)often To this (G)day she takes it (C)hard And they buried their old (G)dog in (D)their (G)backyard (C)(G)(D) (G)(C)(G)(D) She (C)brings me plants and (G)flowers all the (D)time And we (C)dig the holes to(G)gether She (Em)has to (D/F#)help with (G)mine(C) When she pats the soil a(D)round them Oh my (G)God, her eyes can (C)shine She brings me plants and (G)flowers (D)all the (G)time (C)(G)(D) (G)(C)(G)(D) And (Em)(D/F#)(G)all summer (C)long They (Am7)make the (Am7/G)garden (D/F#)grow (G)Keep the (D)green so (C)strong (Em)(D/F#)(G)Oh, wish them (C)well For (Am7)standing (Am7/G)on their (D/F#)own And they (C)speak about their (G)lives as almost (D)gone (C)Waiting for the (G)sunset From an (Em)old and (D/F#)distant (G)dawn(C) Selling off the (D)land except the (G)part they're living (C)on And they speak about their (G)lives as (D)almost (G)gone (C)(G)(D) And they (C)seem to know each (G)other very (D)well They (C)speak across the (G)garden But (Em)not a (D/F#)soul could (G)tell(C) They can read the summer (D)sky And they can (G)hear the back brook (C)swell And they seem to know each (G)other (D)very (G)well (C)(G)(D) (G)(C)(G)(D) -- (G)
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