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Ironic v4  Alanis Morissette



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[-]Chords. Capo on 4th fret! Numbers are relative to capo.
Intro, verses and bridge Chorus
F#/A#: 2x023x F#: x00232 (D-shape)
B2: 3x020x B: 320033 (G-shape)
G#m: 0x00xx G#m: 022000 (Em-shape)
Emaj7: x32003 A: 133211 (F-shape)
x32033 E: 032010 (C-shape)
F#6add4: x54005 (Not sure about name. Maybe Bmaj7/F#add9?)
F#6add4add13: x54007 (Not sure about name. Maybe Bmaj7/F#?.
In this transcription, I call this chord F#@)


INTRO (clean guitar):

                          |--3-----2--------------------|
                          |--------------3--------------|
                          |---------------------0-----2-|
Emaj7    F#6add4  Emaj7   |-----0-----0-----------------|
                          |--3-----3-----3--------------|
                          |-----------------------------|

" Hey-ey, hey,..." etc etc


VERSE 1 (chord progression: | F#/A# B2 | F#/A# G#m | etc. Clean guitar)

+ . + . + . + . | + . + . + . + . | + . + . + . + . | + . + . + . + . |
 |-----------------|-----------------|-----------------|-----------------|
 |-------0---------|-3---------------|-3--3--3---------|----3------------|
 |-2-----2---------|-2-----0---------|-2---2-2---------|-2-----0---------|
 |-0---------------|-------0-------0-|-----------------|-0-----0---------|
 |-----------------|-----------------|-----------------|-----------------|
 |-2-----3---------|-2-----0---------|-2-----3---------|-2-----0---------|

An old man turned 98.

+ . + . + . + . | + . + . + . + . | + . + . + . + . | + . + . + . + . |
     |-----------------|-----------------|-----------------|-----------------|
     |-3-----0---------|-3---------------|-----------------|----3------------|
     |-2--2--2---------|-2-----0---------|-2--2--2---------|-2-----0---------|
     |-----------------|-0-----0---------|-0-----0---------|-0-----0---------|
     |-----------------|-----------------|-----------------|-----------------|
     |-2-----3---------|-2-----0---------|-2-----3---------|-2-----0---------|

It's a black fly in your Chardonnay.

+ . + . + . + . | + . + . + . + . |
        |-----------------|-----------------|
        |----3--------3---|---3-------------|
        |-2-----2---2---2-|-2-----0---------|
        |-0-----0---------|-0-----0---------|
        |-----------------|-----------------|
        |-2-----3---------|-2-----0---------|

Isn't it ironic...don't you think?


CHORUS (Overdriven guitar):

Its like ra[F#]in [B]   on your [F#]wedding [G#m]day
           [F#]   [B]               [F#]        [G#m]                                                  
-----------------------------------------

It's the good a[F#]dvic[B]e that you [F#]just didn't [G#m]take
____[A]_______________[E]_____________[F#]_

VERSE 2 (clean) Guitar 2 strums the chords in the usual progression.

+ . + . + . + . | + . + . + . +. | + . + . + . + . | + . + . + . + . |
|------------------|----------------|------------------|---------------------|
|----3--0----0-----|----0-----------|----3--0----------|----0--------0-------|
|-2-----2---2--2-0-|-2-----0--------|-2-----2----------|-2-----0---2-----2-0-|
|-0----------------|-0-----0--------|-0----------------|-0-----0-------------|
|------------------|----------------|------------------|---------------------|
|-2-----3----------|-2-----0--------|-2-----3----------|-2-----0-------------|

Mr. Play It Safe was afraid to fly.

+ . + . + . + .| + . + . + . + . | + . + . + . + . | + . + . + .+.
|
|----------------|---------------0-------|-------------------|----------------

|
|----3--0--------|-----0-------3-----3-0-|----3--0-----------|-----0----------

|
|-2-----2--------|--2-----0--------------|-2-----2-----------|--2-----0-------

|
|-0--------------|--0-----0--------------|-0-----------------|--0-----0-------

|
|----------------|-----------------------|-------------------|----------------

|
|-2-----3--------|--2-----0--------------|-2-----3-----------|--2-----0-------

|
whole damn life just to take that.. plane crashed down isn't this
..flight. And as the he thought "well nice..."

+ . + . + . + . | + . + . + . + . |
             |-------------------5-3h5-|-----------------|
             |-----3----0-----0h3------|----0------------|
             |-2--------2--------------|-2-----0---------|
             |-0-----------------------|-0---------------|
             |-------------------------|-------0---------|
             |-2--------3--------------|-2-----0---------|

And isn't it ironic.... don't you think?


CHORUS (distortion)


BRIDGE (clean)
[Emaj7]                                     
[F#6add4]F#@
[F#6add4]F#@
[F#6add4]F#@
[F#6add4]                                     

[Emaj7]everything blows up in your face
|--3--2--------|
|--------3-----|
|-----------0--|
|--------------|
|--------------|
|--------------|



VERSE 3

A clean guitar strums the chords in the normal progression, and throughout the
verse, keybords play something like this:
|-------------|--------------|
|---3--0~~~~--|---0----------|
|-2-----------|-2----0~~~~---|
|-------------|--------------|
|-------------|--------------|
|-------------|--------------|



+ . + . + . + . | + . + . + . + . | + . + . + . + . | + . + . + . + . |
|-----------------|-----------------|-----------3-2p0--|-----------------|
|----3-----3------|----3-----3------|----3--3--3-----3-|----3------------|
|-2-----2---------|-2-----0---------|-2-----2----------|-2-----0---------|
|-0-----0---------|-0-----2---------|-0----------------|-0-----0---------|
|-----------------|-----------------|------------------|-----------------|
|-2-----3---------|-2-----0---------|-2-----3----------|-2-----0---------|

ironic....


CHORUS (distortion)


OUTRO (clean)
Emaj7 F#6add4 F#@ F#6add4
Emaj7 F#6add4 F#@ F#6add4
------------------------------------------------------------

Emaj7 F#6add4 F#@ F#6add4 Emaj7
--------------------------------------------------------

[Emaj7]                 [Emaj7]                                                                     
----------------------
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A B E Emaj7 F# G#m

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