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Against all odds Collins Phill
AGAINST ALL ODDS ,1
(TAKE A LOOK AT ME NOW)
[d] [-] [G] [d] [-] [G]
a h
1. How can I just let you walk away,
just let you l[C]eave without a tr[d]ace,
F G e a
when I stand here taking every breath with you, ooh.
You're the o[d]nly one who r[F]eally knew me at a[G]ll.
a h
How can you just walk away from me,
when all [C]I can do is watch you l[d]eave,
'cause we've sh[F]ared the laughter a[G]nd the pain,
e a
and even shared the tears.
You're the o[d]nly one who r[F]eally knew me at a[G]ll.[-] [G7]
So take a look at me n[C]ow, 'cause there's just an e[D]mpty space,
and there's nothing l[a]eft here to rem[F]ind me,
just the m[d]emory of your f[G]ace.
Ooh, take a l[G7]ook at me n[C]ow, 'cause there's just an e[D]mpty space,
and you coming b[a]ack to me is ag[F]ainst the odds,
and that's wh[d]at I've got to f[G]ace. [-] [G7]
AGAINST ALL ODDS ,2
(TAKE A LOOK AT ME NOW)
a h
2. I wish I could just make you turn around,
t[C]urn around and see me cr[d]y,
there's so m[F]uch I need to s[G]ay to you,
e a
so many reasons why.
You're the o[d]nly one who r[F]eally knew me at a[G]ll.[-] [G7]
So take a look at me n[C]ow, 'cause there's just an e[D]mpty space,
and there's nothing l[a]eft here to rem[F]ind me,
just the m[d]emory of your f[G]ace.
Now, take a l[G7]ook at me n[C]ow, 'cause there's just an e[D]mpty space,
but to w[a]ait for you, well that's a[F]ll I can do,
and that's wh[d]at I've got to f[G]ace.
Take a good l[G7]ook at me n[C]ow, 'cause I'll still be st[D]anding here,
and you coming b[a]ack to me is ag[F]ainst all odds,
it's the ch[d]ance I've got to t[G]ake.[-] [G7] [d] [-] [G] [d] [-] [G]
Take a l[G7]ook at me n[d]ow. [-] [G]
(h=Bm) (Orig. = Capo 1) (Phil Collins)
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