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YOU TURN ME ON Joni Mitchell
[D(2] [D(2] [D5] [D5addC#] [Dsus4] [D(2] [D(2] [D5] [D5addC#] [Dsus4]If you're dr[D5]iving into town with a [D5addC3]dark cloud above you
D[Dsus4]ial in the number who's b[Dsus2/G]ound to love you
Oh honey y[D(2]ou tu[D(2]rn me [D]on, I'm a r[D(2]adio[D(2] [D]
I'm a cou[D(2]ntry [D(2]stati[D]on, I'm a l[D(2]ittle[D(2] bit [D]corny
I'm a w[G]ildwood fl[Gsus2/C]ower waving for [G]you
I'm a broadcasting tower waving for y[D]ou
And I'm se[D5]nding you out this signal h[A]ere
I h[D5]ope you can pick it up l[A]oad and clear
I know you do[D(2]n't l[D(2]ike weak [D]women you get [D(2]bored[D(2] so qu[D]ick
And you d[D(2]on't [D(2]like strong w[D]omen cos they're[D(2] hip [D(2]to your t[D]ricks
It's been d[G]irty for dirty down the line
But you know I come when you whistle when you're loving and [D]kind
(chords as above verse)
But if you've got too many doubts
If there's no good reception for me then tune me out
Cos honey who needs the static, it hurts the head
And you wind up cracking and the day goes dismal
From "Breakfast Barney" to the sign-off prayer
What a sorry face you get to wear (stay on G)
I'm going to tell you again now if you're still listening there
If you're dr[D5]iving into town with a d[D5addC#]ark cloud above you
D[Dsus4]ial in the number who's b[Dsus2/G]ound to love you
If you're ly[D5]ing on the beach with the t[D5addC#]ransistor going
Ki[Dsus4]ck off the sandflies honey the lo[Dsus2/G]ve's still flowing
If your h[D5]ead says forget it but your he[D5addC#]art's still smoking
Ca[Dsus4]ll me at the station the [Dsus2/G]lines are open
[D5]Doo[D5addC#]oo do do [Dsus4]do [Dsus2/G] (rpt and fade)
CHORDS:
D [D]0 [D5] 0 [D5addC#] 0 [Dsus4] 0 [Dsus2/G] 0 [G]5 [Gsus2/C] 5 [A]7 [D(2] 4
A 0 0 0 0 0 5 5 7 0
F# 0 3 3 1 1 5 6 7 3
D 0 0 0 0 2 5 7 7 0
A 0 5 4 2 0 5 5 7 0
D 0 0 0 0 0 5 5 7 0
NOTE: I know this as a kind of combo of the For the Roses and Miles of
Aisles versions. On the Miles of Aisles version, the D(2) chord can be
heard as a kind of riff where you slide up from 000102 to 000304 real
quickly, play the open D for a second, slide up again and play the open D
again. Listen to the record if this doesn't make sense.
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