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ALWAYS SOMEWHERE Scorpions
e-------------3--3--0-0---0----0--0-- {eot} # {sot} b-----1--1--0--0--0----3---3----1---- {eot} # {sot} g------0--0-----0--0----2---0----2--- {eot} # {sot} d-------2--2---------3---2----------- {eot} # {sot} a--023-----------------------0------- {eot} # {sot} e------------3----------------------- {eot} # # Part B # {sot} e-------------3--3--0--0--0--0--0---- {eot} # {sot} b-----1--1--0--3--3-----1--1--1--1--- {eot} # {sot} g------0--0-----0--0-----2--2--2--2-- {eot} # {sot} d-------2--2------------------------- {eot} # {sot} a--023---------------0--------------- {eot} # {sot} e------------3----------------------- {eot} # # CHORUS # {sot} e---------------------------5-5-553------------------------------------------ {eot} # {sot} b---------------------------5-5-553------------------------------------------ {eot} # {sot} g--5---------------2-------------------------------5---------------5--------- {eot} # {sot} d--5-------5-------2---------------3-------5-------5---------5-----5--------- {eot} # {sot} a--3-------5-------0---------------3-------5-------3---------5-----3--------- {eot} # {sot} e----------3-----------------------1-------3-----------------3--------------- {eot} # {sot} ^-^----------rests------------^^ {eot} # # {sot} e-------------------5-5-553--------------------------- {eot} # {sot} b-------------------5-5-553--------------------------- {eot} # {sot} g----------2-------------------------------5---------- {eot} # {sot} d--5-------2---------------3-------5-------5-------5-- {eot} # {sot} a--5-------0---------------3-------5-------3-------5-- {eot} # {sot} e--3-----------------------1-------3---------------3-- {eot} # {sot} ^-^------rests {eot} # #First off, there are no double digit fret numbers, so any that you see mashed #together are single digits in actuality. I've tried to put some concept of time #in by leaving space where a note is carried. If you use each character space #as half a beat (4/4), it should work out about right (except at the ends of #lines). # #Here's how to put the parts together: # #Intro [AAAAAB] Verse 1 [ABAB] Arrive at seven, the place feels good No time to call you today Encores till eleven then Chinese food Back to the hotel again Small Solo Break [AB] Verse 2 [ABAB] I call your number, the line ain't free I'd like to tell you come to me And life without you seems like a lost dream Love, I can tell you how I feel Chorus: Always somewhere Miss you where I've been I'll be back to love you again (2x) Long Solo Break [AAAA] Verse 3 [ABAB] Another morning, another place The only day off is far away But every city has seen me in the end And brings me to you again Chorus Outtro AA -- Note that the last couple of notes are played differently (arpegiate a C9 chord I think - e --- [b]g [-3-]-0- [d][-2-] [a]e [-3-]---) Note: The main effects used seem to be chorus on the verse parts (A & B) and heavy distortion on the choruses. Please let me know if there are any errors, etc. Enjoy, Jeff my opinions are my own... Jeff_Roush@stortek.com Some time ago I noticed that the version of this song at the Nevada archive contains only the tab for the rythym parts of this excellent song. I have finally got around to tabbing up the main solo break, which comes after the first chorus. I have not tabbed up the shorter breaks over the intro, between the first two verses, or over the finale. .............................................................................. Main solo break from Always Somewhere by The Scorpions Tabbed by Julian R Hall. {sot} |-------------------------------------------------------| {eot} {sot} |-------------------------------------------------------| {eot} {sot} |-12b(13)-----10-----------10---------------------------| {eot} {sot} |----------------------12-----------12-10----10---------| {eot} {sot} |-----------------------------------------12----12-----| {eot} {sot} |-------------------------------------------------------| {eot} {sot} |-----------------------------------------------------------------| {eot} {sot} |-----------------------------------------------------------------| {eot} {sot} |-----------------------------------------------------------------| {eot} {sot} |----------10------10-10bu----10----------------------------------| {eot} {sot} |--10--12------12---------------12-10-----------------------------| {eot} {sot} |------------------------------------12----12108---8-10-8-5----| {eot} {sot} |------------------------------------------------------------| {eot} {sot} |----11-13~-------12-10--------------------------------------| {eot} {sot} |-12--------------------12-11~------------10----------------| {eot} {sot} |------------------------------------10-12----12-10----------| {eot} {sot} |---------------------------------12----------------12-10---| {eot} {sot} |------------------------------------------------------------| {eot} {sot} |------------------------------------------12----12----------| {eot} {sot} |-------------------------------13~------------------10~~~~~~| {eot} {sot} |-----------12-b-(14)-r-12-----------------------------------| {eot} {sot} |-----12-----------------------------------------------------| {eot} {sot} |-8h10-------------------------------------------------------| {eot} {sot} |------------------------------------------------------------| {eot} ^^^^^^ _These three played fast... All 4 measures are equal length (I believe), and the spacing of notes shown is a rough indicator of the rythym, although for more accuracy, refer to the record. This is a very rythmic, flowing solo, and keeping close to the feel of the original is important in making it sound good. Symbols used: 12b(13) = start with 12th fret, and bend up to pitch of 13th fret. = slide down ~ = vibrato (very slight in this solo) 8h10 = pick while fretted at 8th, hammer on to 10th. (14)r12 = after bending to 14th, release to pitch of 12th (ie normal pitch) [--]/* Julian R Hall csusb@csv.warwick.ac.uk Flames should be redirected to /dev/null - I don't know what I'm saying myself so don't expect it to make sense all the time!
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