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Registro Antonio Lauro
Received: from jhunix.hcf.jhu.edu ([128.220.2.5]) by watdragon.uwaterloo.ca with SMTP id ; Sat, 31 Jul 1993 13:13:35 -0400 Received: from Listserv ([127.0.0.1]) by jhunix.hcf.jhu.edu with SMTP id ; Sat, 31 Jul 1993 13:13:12 -0400 Message-Id: X-Archive-Key: GUIT Comment: Accoustic Guitar mailing list Precedence: junk Originator: guit@jhunix.hcf.jhu.edu Errors-To: guit@jhunix.hcf.jhu.edu Reply-To: bondy stephen russell Version: 5.5.JHU3 To: Multiple recipients of list Status: OR Greetings, My conscience finally got to me and I feel the need to start to repay all the people whose tab I've stolen from this list and else where. This serves as my first attempt at ASCII tab. It may seem a little crowded, but I didn't want to split up individual bars, nor did I want just one bar per line. The @ signs at bar 15 are meant to look like a repeat symbol :') but they don't do a very good job. About the piece itself. It is called Resgistro, and it is by Antonio Lauro. It is one of my favourite pieces in the whole classical repertoire. Rhythmically, the entire piece is straight sixteenth notes, but, all the way through the piece calls for rubato. It is not meant to be played metronomically. Have fun. ***************************************************************** Registro by Antonio Lauro tabbed by Stephen Bondy s=slur, pull or hammer depending sl=slide 1 s sl s s |----------2-0------s-------------|-----------4-7--11-9-----8-6------| |--------------0---2-0------s-----|---------4-----------9----s--6----| |@-------1-------1-----1---2-1----|-------4---------------9-8-6---6--| |@-----2-----------------2-----2--|-----4-----------------------6----| |----2---------------------------2|---6-------------0-------------8--| |--0------------------------------|-4-----------------------6--------| 3 |----------------------------------|----------0-----------0----------| |-----0--------0--------0-------0--|--------3-----3-----3---------3--| |-------0--------0--------0-------0|------0-----0-----0---------0----| |---0-------0---------0-------0----|----4-----------4---------4------| |----------------------------------|--2---------------------2--------| |-8-------9--------10-------7------|0--------------------------------| 5 |-----------0-----------0---------|----------0-----------0-----------| |---------3-----3-----3---------3-|--------0-----0-----0---------0---| |-------0-----0-----0---------0---|------2-----2-----2---------2-----| |-----4-----------4---------4-----|----0-----------0---------0-------| |---2---------------------2-------|--3---------------------3---------| |-0-------------------------------|1---------------------------------| 7 s |---------------------2-0------s--|--s---s---------------------------| |-------------------0---------5-3-|-3-1-0-1---0--s-------------------| |------------s-s--0---------3-----|---------2---0-2---0--s---s-------| |------s-s--0-1-3---------3-------|-----------------3---1-3-0-1--s---| |--s--0-1-3-----------------------|-0---------------------------1-3--| |-2-3-----------------------------|----------------------------------| sug. L.H. fing: 2 1 3or4 9 s |------0---7----12-10-8-------s------|------0---5---10-7-------5------| |--0---------10---------8---10-8-----|--0---------8--------5-------5--| |----2---7----------------9------9---|----2---5----------5---5---6---7| |0------------------0--------------10|-0---------------0--------------| |------------------------------------|--------------------------------| |------------------------------------|--------------------------------| 11 |-3--------1----------------------|-------------------------0--------| |-----1-------1-------3-------1---|-0-------0-------0-----3-------3--| |---2---2---3---3-------5-------3-|---0---0---0---0-----0-------0----| |-0-----------------4-------2-----|-----4-------4-----4-------4------| |-----------------0-------0-------|---------2------------------------| |---------------------------------|-0---------------0----------------| 13 ENJOY THIS BAR!!!!!!! |-------------------------0-------|-----------0---4---0--------------| |-0-------0-------0-----3------3--|-0-------0---7---7---0------------| |-------2-------2-----2------2----|-------1---------------1---1------| |-----0-------0-----0------0------|-----4-------------------4-----4--| |---3-------3---------------------|---2-------------------------2----| |-1---------------1---------------|-0--------------------------------| 15 s |-----------0---4---0-------------|---------2-0------s---------------| |---------0---7---7---0-----------|-------------0---2-0------s-------| |-------1---------------1---1----@|-------1-------1-----1---2-1------| |-----4-------------------4-----4@|-----2-----------------2-----2----| |---2-------------------------2---|---2---------------------------2--| |-0-------------------------------|-0--------------------------------| sl s s |----------4-7--11-11-9-----8--6----|---------------------------------| |--------4--------------9----s---6--|-----0-------0--------0-------0--| |------4------------------9-8--6---6|-------0-------0--------0-------0| |----4---------------------------6--|---0-------0--------0-------0----| |--6----------------0--------------8|---------------------------------| |4--------------------------6-------|-8-------9-------10-------7------| H. 12 H.5--- |-----------0-----------0------0---|----------------------------------| |---------0---0-------0------0-----|-0--------------------------------| |-------0-------0---0------0-----0-|----------------------------------| |-----4-----------4----------------|----------------------------------| |---2------------------------------|----------------------------------| |-0--------------------------------|-0--------------------------------| (Low E is not a Harmonic) At the very end, that is 3 harmonics at the 12th fret, followed by two at the fifth fret, just in case my TABbing wasn't clear. Please, please please enjoy. Any questions, comments or criticisms or etc., contact Steve Bondy bond1867@mach1.wlu.ca
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