6,376

(39 replies, posted in Acoustic)

DFNCheney, my new hero!

- Zurf

6,377

(7 replies, posted in Acoustic)

OK then here's some useful advice.   

Take your guitar to a shop that specializes in musical collectables.  They will have reference materials there that will be able to help.  There may be a small fee for appraising your guitar.

Another option that is free but I suspect is less likely to result in a satisfactory answer is to go to your local library and ask the reference librarian whether he/she has any materials that can help you to identify what you want to know about your guitar.  A listing of luthiers, manufacturers, etc., is one sort of thing to check for.  Another thing to check for are used/collectable guitar appraisal guides. 

My wild guess is that you've got a house brand guitar built by a large manufacturer under contract.   I continue to think that my advice of play it and enjoy it is better.   To me the value of a musical instrument is the music it makes and not the intrinsic or collectable value. 

- Zurf

1. The boys sitting up late and playing around the campfire by the banks of the New River in August.
2. Willie Nelson
3. Johnny Cash
4. James Taylor
5. Jimmy Buffett

Not necessarily in that order on any given day.  #1 is always #1 though.

- Zurf

6,379

(12 replies, posted in Chordie's Chat Corner)

Sorry I didn't know you were down Boxer.  I'm glad you pulled through whatever it was that had challenged you.  Good friends and good wine goes a long way to fixing what ails you, that's for sure. 

- Zurf

6,380

(4 replies, posted in Chordie's Chat Corner)

Nice.  Feels good to get a complement.  I got one at a Guitar Center not long ago, not as nice as the one you got, but a guy I recognize from playing local clubs heard me trying out some acoustic guitars and asked me where I was playing out.  I'm not near good enough to play out, but it was nice to be asked.  He invited me to a bunch of jamm sessions, too.  That was kind of him.

- Zurf

Cool!

- Zurf

6,382

(3 replies, posted in Acoustic)

Yep.  So long as it's recognizable, and even if it isn't and still sounds OK to you, you don't need to play note for note.  If you do want to play note for note, look to the tabs.  If you just want to play a song that you like in a way that you like, look to the chords and maybe use the tabs to pick up some of the 'signature' riffs to work into your version.  Of course, signature riffs can be strummed too.  Think of "Sundown" by Gordon Lightfoot for what I mean.  The upstrummed rhythm riff at the beginning is immediately identifiable. 

- Zurf

6,383

(7 replies, posted in Acoustic)

Well, clearly as a Chinchilla Quality Guitar, it is a guitar that is good enough to be played by a funny-looking rodent.

Can't help you.  Why bother identifying it, though?  You've got it.  Play it.  If you like it the way it sounds and plays, who cares what the brand is?  Besides, maybe you're a chinchilla without knowing it. 

- Zurf

6,384

(31 replies, posted in Acoustic)

Oldnewbie wrote:

There's a "B" chord?

crap.

I don't recommend it. 

The B chord I mean.  You should definitely crap.

6,385

(3 replies, posted in Chordie's Chat Corner)

Seldom Scene are bluegrass.  Or perhaps "new" grass, depending on your point of view.  Terrific band.  I've seen them live many times. 

- Zurf

6,386

(51 replies, posted in Chordie's Chat Corner)

Oldnewbie wrote:

My daughter had one of their movies, I think, but I'm not as intimately familiar with them as you seem to be, there, Zurfie...

Maybe someone ate too much paste as a kid?  smile

No paste.  One of their Silly Songs With Larry is done by a group called New Kidz In the Sink.  And you betcha, I am intimately familiar with them all.  It is very funny stuff.  My kids are the right age to watch it and they love it.  It's one of the few things that I can put on and both the kids like it, and I like it too.  Larry the Cucumber and Bob the Tomato are the main characters.  The carrots are pikers.  Has-beens.  The real up and comers are the squashes.  Bob and Larry had better be careful about the squashes.  And those asparagus seem just a little bit too nice to be real.

- Zurf

6,387

(51 replies, posted in Chordie's Chat Corner)

New Kids in the Sink - another fan of VeggieTales I see.  VeggieTales are great.  My favorite of them is Lyle the Kindly Viking.  That whole sendup of Rogers and Hammerstein is hilarious.  My wife and I have watched it when the kids were in bed.  If you get the chance and have it on DVD, you should watch Jonah with the running commentary.  Larry and Mr. Lunt provide the commentary.  The porcupines were out of work Swedes Mr. Lunt 'discovered.'  Hilarious. 

- Zurf

6,388

(6 replies, posted in Acoustic)

Musicians Friend and Music123 both have good prices on beginner guitars.  You can get something that will make a chord for under $100 from either of them.  I have used them both and been pleased with both, maybe a little more pleased with Music123 but that's meant as a complement to Music123 rather than a complaint about Musicians Friend.

- Zurf

6,389

(10 replies, posted in Chordie's Chat Corner)

Welcome.  It's fun here. 

- Zurf

6,390

(51 replies, posted in Chordie's Chat Corner)

It's not so much the song, but how I was reminded of the song.  The song is Earth, Wind, and Fire's Shining Star.  Many of us 'of a certain age' remember grooving to that song on AM radio wondering what the bass line was like.  Then FM came along and WHAT A COOL BASS LINE. 

Anyway, the song isn't so much a guilty pleasure as how I was reminded of it and started grooving.  The song appears on my daughter's Hannah Montana CD that we were jamming this morning while cleaning the house.  Mom is out of the house, and when she's out we jamm!  So, yeah, big old salt & pepper bearded bald fat desk jockey dude was dancing and grooving to a Hannah Montana recording.

- Zurf

6,391

(55 replies, posted in Acoustic)

Hey DGuyton -

Thumbs up baby! 

- Zurf

6,392

(1 replies, posted in Acoustic)

Zowie!  I've been trying different strings on my Yamaha F310.  It's an entry level Yamaha steel string folk style guitar.  Not full dreadnaught, not quite as small as a concert body.  Anyway, the way it came was WAAAAAAY too tinny sounding for me.  So I've been trying to warm it up.  I started with replacing the string pegs with wood ones rather than plastic.  That helped some.  Then I started trying different strings.  That changes a lot.  Straight steel strings, bluck.  Some may like it that bright.  I don't.  So I tried phospher bronze.  Much nicer.  They make my fingers smell like I've been playing with pennies, but they sound good.  Now I've got some D'Addario Silk and Steel on.  They are designed for fingerpicking, which is how I mostly play.  WOW!  What a nice tone and a nice feel.  They are VERY LOUD STRINGS.  When I strum, I'm using the thinnest pick I've got and it sounds like I'm amplified.  When I pick, very nice clarity and warm tone.  I'll see how the life is.  Steel strings have had a very poor life for me, but maybe these will be better.  Hard to say.  They're kind of pricey for steel strings (I paid $8 for the set at a local shop, on-line is cheaper but I have to cover shipping so doesn't make sense unless I decide to go bulk). 

Just some random string thoughts. 

I've got a set of nano-web coated strings from Gore in reserve for when I run out of D'Addario strings.  All strings tried so far have been D'Addario.  They've always done well by me on my basses and violin, so I saw no reason to switch.  Plus I want a player's points hat, and I'm just shallow enough to save points for it. 

All strings have been in "light" gauge, though if the steel and silk are available in xtra light, I may try that to see if it makes them not so loud.  Or maybe with my voice I should bump up to medium!

- Zurf

6,393

(23 replies, posted in Chordie's Chat Corner)

badeye wrote:

Hey DocPhil we are not getting older we are getting better.

Have a great day...Badeye

Speak for yourself.  Between arthritis and weakening vision, I'm just getting older.  big_smile

6,394

(23 replies, posted in Chordie's Chat Corner)

My first guitar was given to me by my girlfriend.  She had tried to learn it as a girl and had it hanging around.  I married her, by the way.  I don't recall the brand of the guitar, but I do recall that the neck was warped and I could only get five strings tuned at a time. 

I was given some guitars by a friend as part of a moving deal.  He needed help moving, and I helped.  He had extra stuff and put it in a pile.  Anyone who helped move could take anything they wanted from the pile.  I took three guitars.  All beat up, two of them were 3/4 size.  I gave one of them to my sister so that she could have a guitar for giving lessons on, I gave one to my daughter, and I kept the third.  The third was a Yamaha Classical full size "student" guitar. 

My first guitar I purchased is an Ibanez SG knockoff.  It's on my wall behind me right now.  I never play it, but all the talk of barre chords being easier on an electric got me thinking.  So I'm restringing it today and it will get some use.  It's a beautiful sounding guitar.  Sounds far richer than the meager price tag would have one suspect. 

If you're including basses in the lineup, then my first bass I bought was a home-built bass someone had traded.  I bought it for $25 on a whim.  It was a plywood body that was painted black and had a lightning bolt painted in red on the back with the word "Whizbang" painted diagonally across the body.  I loved Whizbang.  It got me restarted with stringed instruments.  Whizbang fell apart catastrophically while I was playing it.  It was home built, but not well built. 

- Zurf

6,395

(10 replies, posted in Acoustic)

A couple of suggestions from someone in the same boat as you.  A newbie at guitar (though I've been playing bass for some while) and someone with more than a few gray hairs in my beard (but not on my head 'cause those all fell out).  I like the same styles of music, too.

First, recognize that you are trying to reproduce an entire band with one instrument.  When you listen to the songs you like, pick up on the rhythm that strikes you.  I know that I'm always blending together some bass, some drum, some hot chick with a tambourine, and some rhythm guitar in the single rhythm that I try to reproduce on my guitar.  Second, recognize that you are playing it how YOU hear it and like it and can make your fingers work. 

Then, once listening to the song and picking up a rhythm or rhythms you care to produce, use an electronic guitar trainer or a metronome to slow the beat way, way down.  Play while emphasizing getting the rhythm just right.  Then once you get the rhythm just right, begin to increase the tempo.  Take a few steps from very, very slow to correct speed or even just a little fast.  Play so that it's challenging but possible to keep the rhythm and don't increase speed until it becomes simple.  At first, it will seem like forever, but over time you will be learning new song's rhythms in a single evening. 

Just a suggestion.  I'm self-taught with guitar, so my methods are methods that work for me.  I can't promise they'll work for anyone else.

- Zurf

6,396

(16 replies, posted in Acoustic)

Jambalaya by Hank Williams.  All C and G7

Horse with No Name someone mentioned above, only four chords.  All chords are two finger chords.  And you only switch back and forth between two of them at a time.  Easy strum pattern too.  A good confidence building song.

Bob Dylan songs have been working for me lately.  Open chords, easy strum patterns.  Songs that tell a story.  Good stuff.  Again, confidence building songs. 

Something that's important to me is that I don't try and cover songs EXACTLY like the "original".  In my perception of things, songs ought to be interpreted.  I blew a poor guy's mind at a guitar shop once.  He was playing some Lep Zeppelin and making a perfect reproduction of the sound.  Perfect.  It may as well have been a record.  So he was a pretty young kid and he looked up at me (not nearly the guitar player, but an older guy) and I could tell he was looking for some sort of affirmation by the puppy dog look he gave.  Anyway I said, "That was brilliant.  A perfect reproduction.  Very well done.  Now play it again the way YOU think it ought to be played."  He did, and it sounded even better to my ears.  The whole point is, don't be afraid to interpret. 

And when you make a mistake, don't be afraid of that either and don't get upset with yourself.  EVERYONE makes mistakes.  I had the good fortune to listen to some raw tapes of a Willie Nelson session.  They played an AWESOME version of a Hank Williams song (don't recall which right now).  Really jamming.  They paused for a moment after the big finish on the song, and then they all busted out laughing.  Seems Willie Nelson played a guitar solo over the harmonica solo, he got some choruses reversed in the lyrics, and the harmonica player stepped all over Willie Nelson when it was time for the guitar solo.  You'd never have known it from the recording, but listening to the laughter and banter after it was all done and then going back, you could pick it up.  EVERYONE makes mistakes.  These guys have been playing together for decades and screw up.  So, take it easy on yourself and keep it fun. 

- Zurf

6,397

(25 replies, posted in Acoustic)

To get started, I picked out some songs I wanted to do.  For each song, I wrote down each chord change.  Then I practiced each chord change a few hundred times a night.  I didn't even strum or do anything with my right hand.  I did it all as left hand training.  I did not try and figure out the easy way to get between chords (though I do that now).  I completely removed all fingers and tried to press each new chord correctly and quickly. 

Once playing a chord and then another chord fairly quickly, I started to think about exactly how to 'leverage' existing position.  Which fingers need to move, which don't.  That sort of thing.  Then I went about much the same sort of exercise with this additional knowledge.

I don't know if that's the right way to do it, but it's what I did and it seemed to work out OK.  A buddy of mine who teaches guitar and has been playing pro for decades was impressed with my agility at getting between open chords after about six months of playing.  He said most his students are still learning the chord forms that I was shifting between with ease. 

- Zurf

6,398

(55 replies, posted in Acoustic)

dguyton -

Thanks for describing your revelation.  I never play my electric, but after a bit of looking, I see that it has a much lower action.  I bought some new strings last night.  I'll restring it, put on the strap, stand up, and give your method a try. 

With some luck and a bit of effort, I'll be playing "Sister Golden Hair" in no time.  (Look at the chords - all barre forms - eek!!)

- Zurf

Welcome.  Glad you found your way around to the back room of the music shop.

6,400

(25 replies, posted in Acoustic)

Horse with No Name has four chords, but they are each two finger chords.  It is very, very easy to play, but the chords are not used terribly often in other songs unless you are playing other songs by America. 

Jambalaya by Hank Williams uses only C and G7.  Not only does it only have two chords, but these two chords are probably about as easy to get between as two chords can be.  Each finger has to move only one string for each chord change. 

- Zurf