Dreams Never End New Order
Received: from husc7.harvard.edu (husc7.harvard.edu [128.103.25.7]) by post-office.nevada.edu (8.6.4/8.6.4) with SMTP id NAA09413 for ; Tue, 1 Mar 1994 13:59:31 -0800<br/> Date: Tue, 1 Mar 94 16:59:29 -0500<br/> Message-Id: <br/> To: jamesb@nevada.edu<br/> Subject: TAB: Dreams Never End by New Order<br/> <br/> Article 8253 of alt.guitar.tab:<br/> Path: husc.harvard.edu!husc-news.harvard.edu!hsdndev!wupost!howland.reston.ans.net!usenet.ins.cwru.edu!cleveland.Freenet.Edu!cy888<br/> Newsgroups: alt.guitar.tab<br/> Subject: TAB: New Order; Dreams Never End; A submission for the whiners<br/> Message-ID: <br/> Date: 26 Feb 1994 00:35:56 GMT<br/> Organization: Case Western Reserve University, Cleveland, Ohio (USA)<br/> NNTP-Posting-Host: kanga.ins.cwru.edu<br/> Lines: 93<br/> <br/> <br/> Here is my submission to the great communal TAB exchange, so that I am not<br/> forever damned as one with the audacity to attempt to learn guitar without<br/> submitting a TAB. Perhaps this will satisfy the whiners who forget what it is<br/> like to be just starting out. This is my first effort at a TAB, so bear with<br/> me if you will.<br/> <br/> New Order: Dreams Never End<br/> <br/> The intro for the guitar without distortion (Gillian's?) goes:<br/> <br/> e------------------------------------------------------------------------------<br/> b------------------------------------------------------------------------------<br/> g------0---0---0--------0---0---0--------4--------4--------4---4---4-----------<br/> d--3-3---3---3---3--2-2---2---2---2--0-0---0--0-0---0--0-0---0---0---0---------<br/> a------------------------------------------------------------------------------<br/> e------------------------------------------------------------------------------<br/> <br/> Guitar with distortion (Barney's? -- get your own timings):<br/> <br/> e-----------------------------------------------------------------------------<br/> b-----------------------------------------------------------------------------<br/> g-----------------------------------------------------------------------------<br/> d----------------------------------5--3--0--2-2/5-5\3--5--0--0----------------<br/> a----5--3--0--2-2/5-5\3--5--0--0----------------------------------------------<br/> e-----------------------------------------------------------------------------<br/> <br/> Then there's a couple of seconds of chords, perhaps A and B; listen to the<br/> song for the exact instance of this...<br/> If anyone knows what these chords are or cares [sorry :) ] they can verify this.<br/> <br/> Gillian's Guitar rest of song:<br/> <br/> e-----------------------------------------------------------------------------<br/> b-----------------------------------------------------------------------------<br/> g----4---4-4---4----4---4-4---4---4---4-4---4---4---4-4---4---4---4-4---4-----<br/> d--0---0-----0----0---0-----0---0---0-----0---0---0-----0---0---0-----0-------<br/> a-----------------------------------------------------------------------------<br/> c-----------------------------------------------------------------------------<br/> <br/> Barney's Guitar during solos:<br/> <br/> e-----------------------------------------------------------------------------<br/> b-----------------------------------------------------------------------------<br/> g----------------2-2-2-2-4---4---4------------------2-2-2-2-4---4---4---------<br/> d--5-3-2-0-2---3-0-0-0-0-2---2---2---5-3-2-0-2----3-0-0-0-0-2---2---2---------<br/> a-----------------------------------------------------------------------------<br/> e-----------------------------------------------------------------------------<br/> <br/> Barney's guitar during last stanza:<br/> <br/> e------------------------------------------------<br/> b------------------------------------------------<br/> g-2--2--2-2-4--4---4---4--2--2--2-2-4--4---4---4- etc.<br/> d-0--0--0-0-2--2---2---2--0--0--0-0-2--2---2---2-<br/> a------------------------------------------------<br/> e------------------------------------------------<br/> <br/> The bass portion of this song sounds very simple, no doubt because Peter sings.<br/> <br/> >Transcribed (with luck, correctly) by Stephen Foskett<br/> <br/> >@SONG: Dreams Never End<br/> >My promise could be your fiend<br/> >A given end to your dreams<br/> >A simple movement or rhyme<br/> >Could be the smallest of signs<br/> >We'll never know what they are or care<br/> >In it's escapable view<br/> >There's no escape so few in fear<br/> >Give in a changing value<br/> <br/> >To be given your sight<br/> >Hid in a long peaceful night<br/> >A nervous bride for your eyes<br/> >A fractured smile that soon dies<br/> >A love that's wrong from your life and soul<br/> >A savage mind had begun<br/> >Hello, farewell to your love and soul<br/> >Hello, farewell to your soul<br/> ><br/> >Now I know what those hands would do<br/> >No looking back now, we're pushing through<br/> >We'll change these feelings, we'll taste and see<br/> >But never guess how the him would scream<br/> >But never guess how the him would scream<br/> >But never guess how the him would scream<br/> <br/> -- <br/> Paul Thompson | cy888@freenet.cwru.edu<br/> | THOMPSOP@VAXA.CIS.UWOSH.EDU<br/> | Lord, protect me from those to whom you speak directly<br/> <br/> <br/> </div> </div> <div class="breadcrumbs">
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