You Could Be the One Bethany Dillon
[C]Could I [G]talk to [C]you [G] sometime this afternoon?
[C]About so[G]me thing[F]s I know I'm reading into
[C]Because [G]you a[C]nd [G]me come at this differently
[C]And I'm [G]just try[F]ing to be honest with you
pre chorus
[D]Now that I've fo[G]und you in the m[C]ost unexp[D]ected places
You were[C] right in front [D]of my face
chorus
[G]You[A], [C]yo[D]u could [G]be the o[A]ne that [C]I could [D]hold on to forever, hold on to forever
[G]You[A], [C]yo[D]u could be the one
solo
[G] [D] [C]
verse 2
Yeah, I get it. Go change the subject
But I can't forget how much this seems to fit
When you feel this way everything sounds so cliché
But I'll try to explain my side of this
pre chorus
[D]Now that I've fo[G]und you in the m[C]ost unexp[D]ected places
You were[C] right in front [D]of my face
chorus
[G]You[A], [C]yo[D]u could [G]be the o[A]ne that [C]I could [D]hold on to forever, hold on to forever
[G]You[A], [C]yo[D]u could be the one
solo
[G] [D] [C]
bridge
[Em]Maybe yo[Bm]u are th[Em]e kind t[Bm]hat does[Em]n't want to say it
[Bm]I should [C]just let you be
But ma[Em]ybe if I sp[Bm]oke up [Em]that wou[Bm]ld be en[Em]ough
To give [Bm]my mind [C]some peace
chorus
[G]You[A], [C]yo[D]u could [G]be the o[A]ne that [C]I could [D]hold on to forever, hold on to forever
[G]You[A], [C]yo[D]u could [G]be the o[A]ne that [C]I could [D]hold on to forever, hold on to forever
You coul[G]d b[A]e t[C]he one
[D]You coul[G]d b[A]e t[C]he one
ends with one stroke on
[G]
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