Nearly Lost You Screaming Trees
Received: from animal-farm.nevada.edu by redrock.nevada.edu (5.65c/M1.4) with SMTP id <AA16103>; Wed, 10 Feb 1993 15:09:49 -0800 Received: from bradley.bradley.edu by animal-farm.nevada.edu id <AA01562@animal-farm.nevada.edu>; Wed, 10 Feb 1993 15:09:47 -0800 Received: from cs1.bradley.edu by bradley.bradley.edu with SMTP id AA16018 (5.65b/IDA-1.4.3 for jamesb@nevada.edu); Wed, 10 Feb 93 17:09:45 -0600 Received: by cs1.bradley.edu (4.1/SMI-4.1) id AA27767; Wed, 10 Feb 93 17:09:44 CST Date: Wed, 10 Feb 93 17:09:44 CST Message-Id: <9302102309.AA27767@cs1.bradley.edu> To: jamesb@animal-farm.nevada.edu "Nearly Lost You" SCREAMING TREES Fig. 1 G / / Gsus4 G A / / Asus4 A E Fig. 2 C7 / / / E7 / / / Fig. 3 |-------------------------|(repeat) E D / C C7 / C G5 F C [ I nearly... I nearly lost you there ] Play Fig. 1 at the beginning, then Fig. 2 for the rest of the intro. The verses alternate between Fig's 2 and 1, and Fig. 3 is for the chorus. (Only the part designated by the dashed line repeats.) Slashes mean to hit the same chord again. The spacing of the letters in NO WAY represents the timing of the song! The only way to get it right is to listen to the tape. Switching between the major and sustained chords in Fig. 1 is very difficult -- I recommend using your pinky to barre the 3rd and 4th strings. This takes some work! Here is an example of the fills the guitarist throws in during the end part of Fig. 1 (the other ones are just variations on this theme). [E] E7 --------10--10----------------------------------------- --10h12--------10--12--------10h12-10h12-10--8h10p8---- ----------------------------------------------------9-- ------------------------------------------------------- ------------------------------------------------------- ------------------------------------------------------- And on your way into Fig. 3.... [E] D C -------------------- --8-------7---\(5)-- -----9\7-----7\-5--- -------------------- -------------------- -------------------- If there's anything I have left out (OTHER than the variations on these fills and unimpressive solo), or if I have screwed anything up, or if you have any questions, feel free to e-mail. (I'm doing this at work without the benefit of my guitar OR my CD!) Key: h = hammer-on p = pull-off \ = slide down () = optional/shadow note Chord guide: G Gsus4 A Asus4 E E7 C7 D C G5 F --------------------------0-----0-----0-----2-----0-----3-----1-- --------------------------0-----3-----1-----3-----1-----3-----1-- --4-----5-----6-----7-----1-----1-----3-----2-----0-----0-----2-- --5-----5-----7-----7-----2-----0-----2-----0-----2-----0-----3-- --5-----5-----7-----7-----2-----2-----3-----------3-----------3-- --3-----3-----5-----5-----0-----0-----------------------3-----2-- -- Kevin Bourrillion, Semi-Official Caretaker and Consultant on Bodily Fluids. phlegm@cs1.bradley.edu phlegm@camelot.bradley.edu (309) 677-1193 --------------------------------------------------------------------------- I'm not an actor, but I play one on TV.
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