Histoires sans paroles Harmonium
Subject: h/harmonium/histoires_sans_paroles.tab
Date: Tue, 17 Mar 1998 17:43:07 -0500
Histoires sans paroles (première section avec flûte traversière)
Harmonium
transcrit par Annie Lord
[D] [Em7] [F#] [F#7] [Bm/D] [F#/C#]
[1] [+] [2] [+] [3] [+] [4] [+] [1] [+] [2] [+] [3] [+] [4] [+] [1] [+] [2] [+] [3] [+] [4] [+] [1] [+] [2] [+] [3] [+] [4] [+]
e -----2----------- -----3----------- -----2-------2--- -----2-------2--- B -----------3----- -----------3----- *---------------- -------0-------2- G ---2-----2-----2- ---0-----0-----0- -----------3----- ---4-------3----- D -0-----0-----0--- -------2-----2--- ---4---4-2-----2- -0--------------- A ----------------- ----------------- *---------------- ---------4------- E ----------------- -0--------------- -2--------------- -----------------
[Bm] [Emadd9] [Em/B] [Em7/B] [Em6/B]
[1] [+] [2] [+] [3] [+] [4] [+] [1] [+] [2] [+] [3] [+] [4] [+] [1] [+] [2] [+] [3] [+] [4] [+] [1] [+] [2] [+] [3] [+] [4] [+]
e -----2-------2--- -----2-------2--- -----2-------0--- ----------------- B -------3-------3- -------3-------3- -------0-------0- -----3-0-----2-0- G -----------4----- -----------4----- ----------------- ----------------- D ---4-----4------- ---4-----4------- ---2-------2----- ---2-------2----- A -2--------------- -2--------------- ---------2------- -2-------2------- E ----------------- ----------------- -0--------------- -----------------
[A6] [A] [Asus4] [A] [D] [C#dim7] [Bm]
[1] [+] [2] [+] [3] [+] [4] [+] [1] [+] [2] [+] [3] [+] [4] [+] [1] [+] [2] [+] [3] [+] [4] [+] [1] [+] [2] [+] [3] [+] [4] [+]
e -----2-------0--- -------------0--- -----2-------0--- -----2-------2--- B -------2-------2- -----3---------2- -------3-------0- -------3-------3- G ----------------- -------2--------- ---2-------0----- -----------4----- D ---2-------2----- ---2-------2----- -0--------------- ---4------------- A -0-------0------- -0-------0------- ---------4------- -2--------------- E ----------------- ----------------- ----------------- -----------------
_____________________________________
1. 2.
[Em] [Emadd9/B] [Em/B] [A] [A6] [A7] [A]
[1] [+] [2] [+] [3] [+] [4] [+] [1] [+] [2] [+] [3] [+] [4] [+] [1] [+] [2] [+] [3] [+] [4] [+] [1] [+] [2] [+] [3] [+] [4] [+]
e -----0-------2--- -----3-------0--- -----0-------2--- -----3-------0--- B -------0-------0- -------0-------0- -------2-------2- -------2-------2- G ----------------- ----------------- ----------------- ----------------- D ---2-------2----- ---2-------2----- ---2-------2----- ---2-------2----- A ---------2------- -2-------2------- -0-------0------- -0-------0------- E -0--------------- ----------------- ----------------- -----------------
__________________________________________________________________________
[D] [Dsus4] [D] [G]
[1] [+] [2] [+] [3] [+] [4] [+] [1] [+] [2] [+] [3] [+] [4] [+] [1] [+] [2] [+] [3] [+] [4] [+] [1] [+] [2] [+] [3] [+] [4] [+]
e -----2-------3--- -----2-------2--- -----3-------3--- -----3-------3--- B -------3-------3- -------3--------- -------0-------0- -------0--------* G ---2-------2----- ---2-------2----- ----------------- ----------------- D -0-------0------- -0-------0------- ---0-------0----- ---0-------0----- A ----------------- ---------------0- ---------2------- ---------2------* E ----------------- ----------------- -3--------------- -3-------------3-
_____________________________________
3.
[Bm7] [C] [C/G] [C] [C/G]
[1] [+] [2] [+] [3] [+] [4] [+] [1] [+] [2] [+] [3] [+] [4] [+] [1] [+] [2] [+] [3] [+] [4] [+] [1] [+] [2] [+] [3] [+] [4] [+]
e -----5-2---2-5-2- -----5-2---2-5-2- ---0-3-0---0-3-0- ---0-3-0---0-3-0- B ----------------- ----------------- ----------------- ----------------- G ----------------- ----------------- ----------------- ----------------- D ---4-----4------- ---4-----4------- ----------------- ----------------- A -2--------------- -2--------------- -3--------------- -3--------------- E ----------------- ----------------- ---------3------- ---------3-------
[Gmaj7] [Am] [D#dim7]
[1] [+] [2] [+] [3] [+] [4] [+] [1] [+] [2] [+] [3] [+] [4] [+] [1] [+] [2] [+] [3] [+] [4] [+] [1] [+] [2] [+] [3] [+] [4] [+]
e -----2-------2--- -----2-------2--- -----0-------0--- -----2-------2--- B -------0---0---0- -------0-------0- -------1-------1- -------1-------1- G ----------------- ----------------- ----------------- ---2-------2----- D ---0-----0------- ---0-------0----- ---2-------2----- -1-------1------- A ----------------- ----------------- -0-------0------- ----------------- E -3--------------- -3-------3------- ----------------- -----------------
[Emadd9] [Em/B] [Emadd9] [Em/B] [F]
[1] [+] [2] [+] [3] [+] [4] [+] [1] [+] [2] [+] [3] [+] [4] [+] [1] [+] [2] [+] [3] [+] [4] [+]
e -----2-------0--- -----2-------0--- -------------1--- B -------0-------0- -------0-------0- -------1-------1- G ----------------- ----------------- -----2-----2----- D ---2-------2----- ---2-------2----- ---3-----3-----1- A ---------2------- ---------2------- ----------------- E -0--------------- -0--------------- -1---------------
[B7] [D#dim7] [F#dim7] [Adim7] [Emadd9]
[1] [2] [3] [4] [1] [+] [2] [+] [3] [+] [4] [+]
e --------2------5------8---- -----------2----- B -4------1------4------7---- ---------0------- G -2------2------5------8---- -------0--------- D -4------1------4------7---- -----2----------- A -2------------------------- ---2------------- E --------------------------- -0---------------
rit.
Notes:
-laisser sonner les notes tout au long de la pièce
-Les chiffres au-dessus des mesures représentent les temps, vu que la
tablture n'indique pas le rythme.
-Les étoiles sont des points de reprise: reprendre à la 3e mesure.
-La partition telle qu'écrite représente la première partie (jusqu'à la fin
de la première boîte). Lors des reprises, les accords demeurent à peu près
les mêmes (les notes ajoutées peuvent changer, ex: Emadd9 peut devenir
simplement Em), mais il y a des variations dans les patrons de la main
droite (ou de la gauche chez les gauchers). partir de la troisième boîte
la partition est de nouveau précise.
-Il y a un ralentissement drastique dans les deux dernières mesures, mais
mais surtout dans la dernière.
-Dans l'avant-dernière mesure, jouer les trois accords diminués en arpège
(avec le pouce, de la note la plus basse à la plus aiguë).
Important: The song above is NOT stored on the Chordie server. The original song is hosted at tabfu.thudspace.net. Chordie works as a search engine and provides on-the-fly formatting. Chordie does not index songs against artists'/composers' will. To remove this song please click here.
