The Hurry and the Harm City and Colour
<i></i>Nothing against the first tab, the chords sound great but I'm fairly confident
Dallas wouldn't down-tune like that when he could just put a capo on the 2nd fret,
something he's done very often since ââ?¬Å?Sometimesââ?¬Â?.
Capo on 2nd fret, all chords relative to the capo
[C/G] [C2] [G] [Am] [F] [F2]
|--0ââ?¬â??----0-----0ââ?¬â??----0-----0-----0--| |--1-ââ?¬â??---1-----3---ââ?¬â??-1-----1-----1--| |--0ââ?¬â??----0-----0---ââ?¬â??-2-----2-----0--| |--2ââ?¬â??----0-----0---ââ?¬â??-2-----3-----3--| |--3ââ?¬â??----2-----2---ââ?¬â??-0-----3-----3--| |--3---ââ?¬â??-3-----3---ââ?¬â??-x-----1-----1--|
You don't necessarily have to play the C2 and F2 unless you want to match exactly
what's played on the record.
Electric guitar feedback on a C chord or note, whichever you prefer.
Intro
C/G, C2, Am, F, F2
Verse
Every[C/G]one, wants [C2]everything
No matter the [Am]cost, we're longing to live in a [F]dream[F2]
But we [C/G]can't let go to all that we [C2]think we know
This great [Am]escape, until we give up the [F]ghost[F2]
Chorus
[F] But why are we so worried more about the hurry
[Am] And [G]less about the [F]harm
[F] Always trying to conquer that which does not offer
[Am] Anything [G]more than a broken [F]heart
C/G (back to verse chords)
Oh what a cause for alarm
Verse
Chorus
Bridge
Oh what a cause for ala[F]rm[G]
Oh what a cause for ala[Am]rm[F]
A cause for ala[F]rm[G]
A cause for ala[Am]rm[F]
C/G (End with one repetition of the verse chords)
I'm going back to the start
End on C/G
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