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Departures  Silverstein

<i></i>Half-Step Down tuning.
I'm not sure of a couple of the chord names used, so I just labelled them as such;
Shane plays his G chord a little different, so just follow the chord as I have it written.
[F#/A#] x [Bm] x [Gm] 3 [Dsus2] 0 [A5] x [G]3 [D6/B] x [Em]0
x 3 3 3 x 3 x 0
3 4 0 2 2 0 x 0
4 4 0 0 2 0 4 2
1 2 1 x 0 x 5 2
x x 3 x x 3 7 0
INTRO
[D6/B]  
 
 -------------------| Repeat 4x
 -------------------|
 ---------0---------|
 4----4-----4---4---|
 5--5---5-----5---5-|
 7------------------|

[D6/B]I'm dying [Dsus2]here be[Bm]fore your [A5]eyes inside of [G]darkened circles
[Dsus2]I'm af[Bm]raid of [A5]savage things I [G]fought to keep a[Dsus2]way
Be[Bm]fore I [A5]found just what [G]I found out I [Dsus2]knew you'd be[Bm]come
[A5]Now I know the [G]things you're running [F#/A#]from[A5]
[Dsus2]You could help me hide,[G] in the places I once [Bm]lived and lost the one
[F#/A#]Now you know the [A5]things I'm running [Dsus2]from
G Dsus2 (hold note, let ring)
Now you know the things I'm running from..... long pause
You're killing me [Bm]kid...[A5].. but I [Dsus2]know your intentions are [G]good. I read what
you [Bm]wrote out, asked me to [A5]slow down, I [G]should. I think you're trying to
[Bm]make it see[A5]eem like it [Dsus2]never could've meant [G]enough, but what I'm hearing you
[Bm]say is that you're running a[A5]way cause it meant too [G]much. So this isn't
[Bm]easyyyyyeeee[A5]yyyyyy, I know the [Dsus2]weather in Melbourne is [G]best. San Francisco
got [Bm]cold as I read your [A5]note walking Van Ness to[G] Oak.
You said I [Em]guess I'll be home soon, but things will be [Dsus2]different I'm sure.
So I [G]thought that you should know if things are gonna [Gm]change when you come
Bm (let fade)
home, maybe this time don't

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A5 Bm D6/B Dsus2 Em F#/A# G Gm
Rate #3 of 6 versions

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