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Who You Are  Unspoken

I play it in Capo 6, but whatever fits you. It's in the key of C# so you can Capo 1 and
play it with C, F, Am, G. Again whatever fits you.
Intro - G C2 Em (2X) (also with almost everyone of the chords im holding
the E & B strings on the 9th fret to continue that ring)
I know that look you're g[G]ivin' like you got someth[C2]ing to [Em]prove.
'Cause I have walked for m[G]iles and miles in that same [C2]pair of [Em]shoes.
You refuse forg[G]iveness like it's somethin[C2]g to be e[Em]arned.
But sometimes p[D]ain's the only way that we can l[C2]earn.
CHORUS
You can never fall [G]too hard, so fast, [D]so far that you can't [Em]get back when
you lost[C2] where you are.
It's never t[G]oo late so bad, [D]so much that you can'[Em]t change[C2] who you are.
O[G]hhhh[C2], Oh[Em]hh, you can change who you are. [G]Ohh[C2]h, oh[Em]hh.
You believe in [G]freedom, but you dont know [C2]how to c[Em]hoose.
You gotta step out of your f[G]eelings that you're so a[C2]fraid to [Em]lose.
And everyday,[G] you put your feet on the floor you gotta w[C2]alk through the
[Em]door, it's never gonna be ea[C2]sy.
But it's [D]all worth fighting [C2]for.
CHORUS
Bridge
Let the a[Am]shes fall where[C2]ver they land, c[G]ome back from wh[D]erever you've been.
Em C2 D G C2(build w/ mute)
To the foot of the cross to the feet of Jesus. The feet of Jesus.
You can never fall [G]too hard, so fast, [D]so far that you can't [Em]get back when
you l[C2]ost where you are.
It's never [G]too late so bad, [D]so much that you [Em]can't change[C2]
You can never fall [G]too hard, so fast, [D]so far that you can't [Em]get back when
you l[C2]ost where you are.
It's never [G]too late so bad, [D]so much that you [Em]can't change[C2]
OUTRO
At the foot of the [G]cross you c[D]hange yea, [Em]who you [C2]are
At the foot of the [G]cross you c[D]hange yea, [Em] [C2]you can change who you are
O[G]hhhh[C2], Oh[Em]hh, you can change who you are. [G]Ohh[C2]h, oh[Em]hh.
That's Pretty much it
Praise God and sing it with Faith!

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Am C2 D Em G
Rate #8 of 10 versions

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