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Star Spangled Banner   Jimi Hendrix

 
 |------|----------|--0--|-(0)-----2/4---2--|-0----------|------------**----|
 |-0----|------0---|-----|-(0)--------------|------------|------------------|
 |----1-|---1------|-----|------------------|----1-(1)-3/|4~~~(4)~~~-3/4--4-|
 |------|-2--------|-----|------------------|------------|------------------|
 |------|----------|-----|------------------|------------|------------------|
 |------|----------|-----|------------------|------------|------------------|

 


 *=read intro and legend before starting


 **=this note sounds as the result of high volume,distortion & effects


 


 full full let ring


 

 
 |------------------------|------------|-0--0--------|--------|-------|
 |--7b--7pb-(7)rb---5-h7p5|-4---4\2--4-|-------0-----|----0---|-----0-|
 |--7b--------------------|------------|----------0h1|------1-|---1~--|
 |------------------------|------------|-------------|--2~----|-2~----|
 |------------------------|------------|-------------|--------|-------|
 |------------------------|------------|-------------|--------|-------|

 


 


 let ring____ tr~~ tr~~ 1/2 1/2


 

 
 |-0----|-(0)-2/4--4h5-4\2h4-2p|0------------|-------------------------|
 |------|-(0)------------------|-------------|-------------------------|
 |------|----------------------|-----1/3\1/3/|4/7\6--6/8b-rb(8)b--rb---|
 |------|----------------------|-------------|-------------------------|
 |------|----------------------|-------------|-------------------------|
 |------|----------------------|-------------|-------------------------|

 


 


 hold bend________


 fdbkF# full grad. release fbdkF#


 

 
 |---------------------------------------|-----------|------------------|
 |---------------------------------------|---7b------|-(7)----(7)rb-----|
 |(8)\6h8p6h8p6\4h6p4--(4)~~~--(0)--4--4-|-----------|------------------|
 |---------------------------------------|-----------|------------------|
 |---------------------------------------|-----------|------------------|
 |---------------------------------------|-----------|------------------|

 


 


 1/2 poco accel.


 

 
 |----------------------------|-------------|-0--0--------|
 |--5--5h7--(7)b--(7)rbp5h7p5\|4~~--4\2--4--|-------0-----|
 |----------------------------|-------------|----------1~-|
 |----------------------------|-------------|-------------|
 |----------------------------|-------------|-------------|
 |----------------------------|-------------|-------------|

 


 


 ***w/wah-wah ±fdbk


 

 
 |---2/4-4-4--(4)--5------|-7--7--7--------7--|
 |------------------------|-------------------|
 |------------------------|-------------------|
 |-2----------------------|-------------------|
 |------------------------|-------------------|
 |------------------------|---------(0)-(0)---|

 


 ***=wah creates ±=g# generated by


 impression of sympathetic vibration


 re-attack of the low E string


 


 full w/bar w/bar______


 

 
 |--grad release-|--------------------------|
 |-/17b--(17)rb--|-0-----(0)---0--(0)---0---|
 |---------------|-0-----(0)-X-0--(0)---0---|
 |---------------|-0-----(0)-X-0--(0)---0---|
 |---------------|-----------X--------------|
 |---------------|--------------------------|
 -2 1/2 -1 -1-------| 1/2 slight trem but not too fast

 


 


 w/bar


 trem_____ trem_ w/bar harm.


 

 
 |-------/17----------17----------------------------------0-X--|
 |-(0)---/18----------18---------------------------0------0-X--|
 |-(0)---/19----------19-----------------------3---0-4/15-0-X--|
 |-(0)----==----------==-----------------------3---------------|
 |-----------------0---------------------------3---------------|
 |-------------------------15-15-15-15-0-h15\--0---------------|

 


 1 1/2 w/bar fdbk 1 1/2 [-1] [-1] full


 

 
 |----------------------------------------------------------------------------|
 |-15b--------(15)rb------15b-rb----------------------------------------------|
 |----------------------------------------------------------------------------|
 |---------------------------------------------p0-----p0-----p0------X-13bp0--|
 |-------------------(0)-----------------------p0-----p0-----p0------X--------|
 |--------------------------------10/12-16\0/19p0h7/16p0h7/19p0h7/13-X--------|
 -1 -1 -1----------------------------------------------------------------|

 


 


 grad. release


 1 1/2 2 2¼ full 2 full


 

 
 |------------------------------X--------------------------|
 |----15b--(15)-(15)---(15)rb---X-17--(17)b-(17)(17)(17)rb-|
 |---x-------------------------0X--------------------------|
 |--x-------------------------(0)--------------------------|
 |-x-------------------------------------------------------|
 |---------------------------------------------------------|

 


 


 î § 1/2


 harm ΘT § harm fdbkF# w/bar fdbk 1 1/2


 

 
 |-------------13----13----X---------------------------------X--------------|
 |-~2p0--------13----13----X------------12----(12)----(12)------------------|
 |-~3p0------0-13----13----X--------------12--------------------------------|
 |-~4p0---X\-0-==--12==----X------------------------------------------------|
 |-~4p0---X\-0-------------X-----------------------------------/14b(14)\----|
 |------0-X\------------12-X-11-11-11-12-----------------------/14b(14)\----|

 


 ΘT=thumb on 6[-1] [-2]


 §=mic. fdbk:not string vib


 î="choke" stgs w/ fret hand


 


 

 
 |-------------4/5-4-|-2---4----5--|--5--|--------------------------|
 |-------------------|-------------|-----|-----------8p0h8p0h8p0h8p-|
 |-------------------|-------------|-----|-----------8p0h8p0h8p0h8p0|
 |-------------------|-------------|-----|-/8h--8h7h-8p0h8p0h8p0h8p0|
 |-0----(0)----------|-------------|-----|----7h--7h----------------|
 |-0----(0)----------|-------------|-----|--------------------------|

 


 w/[-1]bar[-2]___[1/2]_____________________________________________________________


 -2 1/2________


 

 
 |-----------------------------------------------------------------------|
 |-----------------------------------------------------------------------|
 |-(0)(0)--(0)--(0)--(0)--(0)--(0)--(0)--(0)--(0)--(0)-(0)(0)(0)(0)(0)---|
 |-(0)(0)--(0)--(0)--(0)--(0)--(0)--(0)--(0)--(0)--(0)-(0)(0)(0)(0)(0)---|
 |-----------------------------------------------------------------------|
 |-----------------------------------------------------------------------|
 (-2)(-3)(-3)(-5)(-3)(-3)(2 1/2)(-3)(-1 1/2)(-3)(-1---------------------| 1/2)

 


 


 w/bar ßw/bar-1 -1 1/2


 

 
 |--------0--------|--------------------------------|
 |--------0----/13-|-(13)h---13h---13h---13h--------|
 |-(0)/18----------|------12h---12h---12h---0/13h---|
 |-(0)/18----------|-----------------------------12h|
 |-----------------|--------------------------------|
 |-----------------|--------------------------------|

 


 -2 -1 ß=depress bar while


 hammering on from


 nowhere.


 


 poco accel. w/bar(very wide vib.)


 

 
 |-------------------------------------------------------------------------|
 |-------------------------------~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~|

 


 |13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p|


 

 
 |-------------------------------------------------------------------------|
 |-------------------------------------------------------------------------|
 |-------------------------------------------------------------------------|

 


 


 w/bar


 w/bar__ fdbkC# w/bar


 

 
 |------------------------------------------0-------------------------|
 |~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~------0----0-(0)-----------h17--|
 |0h13p0h13p0h13p0h13p0h13p0h13p0h13p0-0----0-13p0------------0-------|
 |-------------------------------------0----0-----------------0-------|
 |------------------------------------------0------------0-(0)--------|
 |------------------------------------------0------------0-(0)--------|
 -2 slack B-1 -1 1/2--------|

 


 w/bar_________________ ╖


 

 
 |h0-(0)-(0)-(0)---(0)------------------------------|
 |h0-(0)-(0)-(0)---(0)--0--0------------------------|
 |----------------------0--0------------------------|
 |----------------------0--0------------------------|
 |----------------------0--0-----------h16p0h16p16--|
 |---------------------------h16p0h16-0-------------|

 


 -1 1/2 -1 1/2 ╖=univibe creates the


 impression of re-attack


 


 w/bar(vib. &


 desend simult-


 aneously)


 w/bar 1 1/2 Þ fdbkG# 2/full fdbk


 

 
 |------------------------------p0--/17b--(17)rb--------------0------------|
 |-----0-------------------------0---==----------17pb--(17)~--0-16b--------|
 |-----0-----------------------------------------------------0--16b--(16)--|
 |-h15p0---h16pXh16pXh16pXh16pX--------------------------------------------|
 |---------h16pXh16pXh16pXh16pX--------------------------------------------|
 |---------h16pXh16pXh16pXh16pX--------------------------------------------|

 


 -2 1/2 Þ=1st/2nd string bent


 simultaneosouly w/ 3rd finger


 w/bar


 full__2 ╝ w/bar w/bar


 

 
 |-------------------------------------------4/5-|
 |---17b------(17)~----0-(0)---------------------|
 |-0-------------------0-(0)------0------(0)-----|
 |------------------X/h0-(0)--h11h0------(0)-----|
 |------------------X/h0-(0)---------------------|
 |------------------X/h--------------------------|

 


 ╝=other pitches -2 1/2 -1


 created by effects


 


 rit____


 

 
 |-4------(4)\2/4\2\0---|---------------------------|----------|
 |----------------------|--4------------------2---4-|-5--------|
 |----------------------|---------------------------|----1/3---|
 |----------------------|---------------------------|----------|
 |----------------------|---------------------------|----------|
 |----------------------|---------------------------|----------|

 


 


 fdbk univibe &


 fdbkC#______ A wah-wah off


 

 
 |----------------------------------------|
 |-------------------------------/12--12--|
 |-3/4--(4)--------(4)-------(4)----------|
 |----------------------------------------|
 |----------------------------------------|
 |----------------------------------------|
 |---12------------12--|--16~~~~~~~~------12-|-16~~----12--16~~-----12-|
 |-------------12------|--------------12-----|------12----------12-----|
 |---------------------|---------------------|-------------------------|
 |---------------------|---------------------|-------------------------|
 |---------------------|---------------------|-------------------------|
 |---------------------|---------------------|-------------------------|

 


 


 wah on & off wah on


 

 
 |-16~~~-----|-0-----0-----0----0--|---------------0---2-|
 |--------0--|------------------4--|-2---2---2--4--------|
 |-----------|---------------------|---------------------|
 |-----------|---------------------|---------------------|
 |-----------|---------------------|---------------------|
 |-----------|---------------------|---------------------|

 


 δ=rock wah back n' forth quickly


 creating rhytmic effect of sixteenth


 note triplets


 


 -1/2 wah off


 

 
 |-4--5----4---2h4p2---|-0--------------------|-----|-----------------|
 |---------------------|----4b~~~~~(4)~~~~~~~-|-4---|(4)~~~~~~~~~~~~~~|
 |---------------------|----------------------|-----|-----------------|
 |---------------------|----------------------|-----|-----------------|
 |---------------------|----------------------|-----|-----------------|
 |---------------------|----------------------|-----|-----------------|

 


 


 poco rit. fdbk_____


 -1/2____________________-1_______________________


 w/bar


 

 
 |------------------------------------------------|

 


 |(4)(4)(4)(4)(4)(4)(4)(4)(4)(4)(4)(4)(4)(4)(4)(4)|


 

 
 |------------------------------------------------|
 |------------------------------------------------|
 |------------------------------------------------|
 |------------------------------------------------|

 


 


 fdbk___________________________________________________


 

 
 -1_____________________ -1 -2-----------------|________
 |---------------------------------------------------------------|
 |▼(4)(4)---------------(0)--------------------------------|
 |-(4)(4)(4)(4)(4)(4)(4)---(4)(4)(4)(4)(4)(4)(4)(4)(4)(4---------|
 |---------------------------------------------------------------|
 |---------------------------------------------------------------|
 |---------------------------------------------------------------|

 


 ▼=fret B silently -1 1/2_______


 & allow it to feedback


 


 fdbk____________


 -2______________ σ fdbk w/bar_


 

 
 |-----------------X------------|--0-----2-2/4---5--|-7-----(7)-----~~~~~|
 |-----------------X-----0---0--|------------0------|--------------------|
 |(4)(4)(4)(4)(4)--X------------|-------------------|--------------------|
 |----------X-------------------|-------------------|--------------------|
 |----------X-------------------|-------------------|--------------------|
 |------------------------------|-------------------|--------------------|

 


 σ=don't pick


 


 w/bar_______


 

 
 |~~(7)\----0------0--2/-|
 |----------0------------|
 |----------0------------|
 |----------0------------|
 |----------0------------|
 |-----------------------|

 


 [-1]  


 w/bar__ w/bar____ fdbkB T


 

 
 |-/4~~~h5p4h5p4\2h4p2h4p2p0~|~(0)~~(0)--(0)------|-5--|
 |---------------------------|--------------------|-5--|
 |---------------------------|-----------------X/-|-6--|
 |---------------------------|-----------------X/-|-7--|
 |---------------------------|-----------------X/-|-X--|
 |---------------------------|-----------------X/-|-5--|

 


 


 w/bar


 T T fdbkG# F#


 

 
 |/8-----10----------|-0------(0)---------|
 |/8-----10----------|-0------------(0)~~~|
 |/9-----11----------|-X------------------|
 |/10----12----------|-2------------------|
 |-X-----X-----------|-2------------------|
 |/8-----10-----(10)\|-0------------------|


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