Succexy Metric
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Succexy - Metric
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Tabbed by: Stouffer
Email: Stouffer2003@hotmail.com
Tuning:EADGBe
This was tabbed on an acoustic guitar. If playing electric, subsitute bar chords for
powerchords.
[F#] Lonesome for [G]no one [F#]when
[F#] The room was [G]empty a[F#]nd
[F#] War as we kne[G]w it was o[F#]bsolete
[F#] Nothing could[G] beat [A]complete[F#] deni[G]al[F#]
[G] [A] [F#]
All we do is t[F#]alk, s[G]it, swi[F#]tch screens
As the h[G]omeland [A]plans [F#]enemies
All we do is t[F#]alk, s[G]tatic s[F#]plit screens
G A F# (F#) (Whammy/bend strings if on electric)
As the homeland plans enemies
At 14s this keyboard riff kicks in and continues until the chorus:
e|---------------------------------------------------------------------------| B|---------4-5/4-2---6/5-2---4-2---2--------------0-5/4-2---6/5-2------------| G|-------2---------4-------4-----4---4----------2---------4-------444--44----| D|-----4-------------------------------4------4------------------------------| A|---4-----------------------------------4--4--------------------------------| E|---------------------------------------------------------------------------|
Chorus
Invasion's so succexxy....
e|---------------------------------------------------------------------------| B|---------------------------------------------------------------------------| G|---6-44----6-44---6-44---6-44---6-44---6-44---6-4----------x2--------------| D|--------6------6------6------6-------6------6-----444-44-------------------| A|---------------------------------------------------------------------------| E|---------------------------------------------------------------------------|
Let's drink to the [G]military[F#]
The glass i[G]s empty[F#]
Faces to fi[G]ll and cars to feed[F#]
Nothing could b[G]eat co[A]mplete de[F#]nial[G] [F#]
[G] [A] [F#]
All we do is [F#]talk, [G]static [F#]split screens
As the h[G]omeland [A]plans [F#]enemies
All we do is [F#]talk, [G]static [F#]split screens
As the h[G]omeland [A]plans [F#]enemies
Invasion's so succexxy....
e|---------------------------------------------------------------------------| B|---------------------------------------------------------------------------| G|---6-44----6-44---6-44---6-44---6-44---6-44---6-4------------x4------------| D|--------6------6------6------6-------6------6-----444-44-------------------| A|---------------------------------------------------------------------------| E|---------------------------------------------------------------------------|
Passive attraction, programmed reaction
Passive attraction, programmed reaction
Action distraction, more information
Flesh saturation, lips on a napkin
[Ass] [ass] [ass]
Bass fill
e|-------------------------------------------------------------------------------------------------------------------| B|-------------------------------------------------------------------------------------------------------------------| G|-------------------------------------------------------------------------------------------------------------------| D|------------------------------------------------------------------------99-9----------------99-9-------------------| A|--22--2/44-4/99-9-9-9----22--2/44-4/99-9-9-9----22-2/44-4/99-9-9-9----------77-7/99-9-9---------77-7/99-9-9--------| E|-------------------------------------------------------------------------------------------------------------------|
Where does the time go?
We're waking up so slowly
Days are horizontal lately
Out of body, watched from above
Out of body, watched from above
This kicks in at 2:09
e|-----------------------|-----------------------------------------------| B|-10-10----10-12-10-----|--7-7---9-9---10-10--10-12-10------------------| G|-11-11-------------11--|--7-7---9-9---11-11-----------11-----x5--------| D|-10-10-----------------|--7-7---9-9---10-10----------------------------| A|-----------------------|-----------------------------------------------| E|-----------------------|-----------------------------------------------|
Passive attraction, programmed reaction
More information, cash masturbation
Follow the pattern- the hemlines, the headlines
Action distraction,faster than fashion
Faster than fashion,faster than fashion
Then an occasional Metric trademark: finishing the song on the intro
[F#] Lonesome for [G]no one [F#]when
[F#] The room was [G]empty a[F#]nd
[F#] War as we kne[G]w it was o[F#]bsolete
F# G B#m (strum slowly for full effect!)
Nothing could beat complete denial
Thats it, comments/suggestions welcome
| / slide up
| \ slide down
| h hammer-on
| p pull-off
| ~ vibrato
| + harmonic
| x Mute note
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