Passing Afternoon Iron & Wine
Drop D like so many of the other songs off "Endless Numbered Days". The G chord is never
fully strummed. Rather, a bass line that peddles the open strings is played. The C is a
Cmaj7 and technically the D is Dmaj6 removing the high E string entirely from the chord
and in this case removing the B to open. But unless you strike the open B as clearly as
he does, it sounds fine as just a Dadd9. The clear striking of the open B is something
he uses sparingly and it seems to slowly disappear as the arrangement continues. So strum
each chord and strike the B at your own judgment to mimic the song.
Here is what I play. Remember, Drop D with a 2nd fret capo is required.
[Cmaj7] [D6] [G]
---------------------------------------------------| ---0---0--0------------0-----0------0----0---0-----| ---0---0------------2--------0------0----0---0-----| ---2---2--------0---0------------------------------| ---3---3--------0---0-----------0------2-----------| ----------------0---0------5----------------5------|
[Cmaj7] [G] [D6]
----------------------------------------------------| ---0---0--0---0----0---0---0-----------0------------| ---0---0------0----0---0---0--------2---------------| ---2---2------------------------0---0---------------| ---3---3--------0----2----------0---0---------------| -------------5-----------5------0---0---------------|
[Cmaj7] [Dadd9]
---------------------------------------------------| ---0-0-0-0---3-3-3-3-------------------------------| ---0-0-0-0---2-2-2-2------repeat entire song-------| ---2-2-2-2---0-0-0-0-------------------------------| ---3-3-3-3---0-0-0-0-------------------------------| -------------0-0-0-0-------------------------------|
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