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All Blues  Miles Davis

-=> "ALL BLUES" INTRO (and Vamp between each 12-Bar "Verse")--
[(G7)]  
 
 ||-------------------------------||
 ||-------------------------------||
 ||o---0-----0-----0-----0-------o||
 ||o---0-----2-----3-----2-------o||
 ||-------------------------------||
 ||----3---3---3---3---3---3------||

1 & & 2 & &
-=>VERSE (12-Bar Blues)--
@ Measures 1-4::
G7 G13/11 G9 G13/11 [4x]
 
 ||-----------------.--------------------.--------||
 ||----3------------5------6=======------5--------||
 ||o---3h4p3h4p3h4--5------7=======------5-------o||
 ||o---3------------5------7=======------5-------o||
 ||-----------------------------------------------||
 ||----===trill===--------------------------------||

1 & & 2 & &
@ Measures 5-6::
C13/11 C C13/11 CM7[*] C13/11 C C13/11 C
 
 |---------------.-----------------.--|---------------.-----------------.--|
 |---3======-----5-----6======-----8--|---6======-----5-----3======-----5--|
 |---3======-----5-----7======-----9--|---7======-----5-----3======-----5--|
 |---3======-----5-----7======-----9--|---7======-----5-----3======-----5--|
 |------------------------------------|------------------------------------|
 |------------------------------------|------------------------------------|

1 & & 2 & & 1 & & 2 & &
 
 [variation for C measures: ||: --333- --555- --677- --555- :|| 2x

(i.e., same as G7 measure, without the major 3rd)]
[*sic: wbole "C" cbordal series better considered as Gm-type cbords...] 
@ Measures 7-8 (G7...): a` la measures 1-4, but only 2ce thru...
@ Measures 9-10::
[D7#9] [Eb7#9] [D7#9]  
 
 |------------------------------------|------------------------------------|
 |---------------------6============--|---7============-----6============--|
 |---------------------5============--|---6============-----5============--|
 |---------------------4============--|---5============-----4============--|
 |---5=====------5============-----5--|---6============-----5============--|
 |------------------------------------|------------------------------------|

1 & & 2 & & 1 & & 2 & &
@ Measures 11-12::
G7/11 GM6/9[G13] G7/11 G7/6[*]
 
 |---1============-----3============--|---1============-----0============--||
 |---1============-----3============--|---1============-----0============--||
 |---0============-----2============--|---0============--------------------||
 |------------------------------------|---------------------3============--||
 |------------------------------------|------------------------------------||
 |---3======-----3-----3======-----3--|---3======-----3-----3======-----3--||

1 & & 2 & & 1 & & 2 & &
[* or: 3-345-] 
 
 --SEQUENCE: Intro--||: Verse--Intro :||--Verse(fade out)--

-=>Miles' "head"-ish LEAD over the twelve-bar pretty easy to follow on
the guitar, especially if yu' start at the VIIth position, e.g.--
[(G7)]  
 
 ||-----|--7============------|--7---8-7========----------------------|
 ||-----|---------------------|---------------------------------------|
 ||--/7-|------------------/7-|------------------------------- tcg ---|
 ||-----|---------------------|------------------------------- '94 ---|
 ||-----|---------------------|---------------------------------------|
 ||-----|---------------------|---------------------------------------|

& 1 & & 2 & & 1 & & 2
--but then, this is JAZZ, 'n'you're supPOSED to improvize yourself! . . .
(but a final note: if you're playin' as "slow & tasty" as Miles himself
does over some sections, Wes-style octaves are awfully nice. . . .)
|
--:--tcg
[)] 

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D7#9 Eb7#9 G13
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