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Take five  Dave Brubeck

-- 5/4 (think 1, 2, 3, 1, 2) // Key of Am (CM) // Allegro
INTRO:(play 'til sax player finishes his/her beer, feels like playin' "head")
 -----

Am7 Em9 Em9
 ||---------.----------.------2=====2------||    [3 different voicing-
 ||---------5----------5------3=====3------||     versions of Am7-Em9 will
 ||o--------5----------5------4=====4-----o||     be given eventually; feel
 ||o--------5----------5------------------o||     free to interchange these
 ||----------------------------------------||     at will. . . .]
 ||----5----------5-----------0-----3------||

duh DAH duh DAH DAH DAH (rhythmic motif sim thruout-->)
       1    & (2) &    3      1     2              [--.-- = staccato]

A PART:
 -------                                                           [<--repeat]

Am7 Em9 Am7 Em9 Am7 Em9 Am7 Em9
 ||---.---.---------|----.---.---------|----.---.---------|----.---.--------||
 ||---5---5--3==3---|----5---5--3==3---|----5---5--7==7---|----5---5--3==3--||
 ||o--5---5--4==4---|----5---5--4==4---|----5---5--7==7---|----5---5--4==4-o||
 ||o--5---5--4==4---|----5---5--4==4---|----5---5--5==5---|----5---5--4==4-o||
 ||-----------------|------------------|------------------|-----------------||
 ||-5---5----0--3---|--5---5----0--3---|--5---5----7--0---|--5---5----0--3--||

B PART:
 --------

  [FM7]           [Dm6]        [Em7]           [Am7]        [Dm7]           [G7]         [CM7]         [Dm7]    [Em7]                                                                                                                                                            
 ||----.----.-------|----.---.---------|----.---.---------|----.---.--.--.---|
 ||---10---10----10-|----8---8-----5---|----6---6-----3---|----5---5--6--8---|
 ||----9----9----10-|----7---7-----5---|----5---5-----4---|----4---4--5--7---|
 ||---10---10-----9-|----9---9-----5---|----7---7-----3---|----5---5--7--9---|
 ||-8----8----------|--7---7-----------|--5---5-----------|--3---3-----------|
 ||----------10==10-|-----------5==5---|-----------3==3---|-----------5--7---|

D.C.(->A part)
  [FM7]           [Dm6]        [Em7]           [Am7]        [Dm7]           [G7]        [Bm7b5]           [E7]                                                                                                                                                               
 |----.----.--------|----.---.---------|----.---.---------|----.---.--.--.--||
 |---10---10----10--|----8---8-----5---|----6---6-----3---|----6---6--5--5--||
 |----9----9----10--|----7---7-----5---|----5---5-----4---|----7---7--7--7--||
 |---10---10-----9--|----9---9-----5---|----7---7-----3---|----7---7--6--6--||
 |-8----8-----------|--7---7-----------|--5---5-----------|-----------7--7--||
 |----------10==10--|-----------5==5---|-----------3==3---|--7---7----------||

Possible SEQUENCE:
   I-A*-B*-(A-B-)-"A"[extended/long improv]-A*-B*-I(fade out)...

*=play "head" melody
*===*===*===*===*===*===*===*===*===*===*===*===*===*===*===*===*===*===*
| Thomas C. Gannon | tgannon@charlie.usd.edu | U of SoDak (Vermillion) |
  * ------------------------------- _-^-_ ------------------------------- *

| "--If I decide to practice a / o )= slight movement from right |
| nobody's business but my (=o=/ own." (_A_Day_for_Eeyore_) |
*===*===*===*===*===*===*===*===* ^-_=^ *===*===*===*===*===*===*===*===*

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Am7 Bm7b5 Cm7 Dm6 Dm7 E7 Em7 Fm7 G7

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